Opulent in Aliases - Who Was Catherine C. FitzAllen?
Author: Deborah Samuel Holman
Publisher: Lulu.com
Published:
Total Pages: 184
ISBN-13: 1387203002
DOWNLOAD EBOOK →Author: Deborah Samuel Holman
Publisher: Lulu.com
Published:
Total Pages: 184
ISBN-13: 1387203002
DOWNLOAD EBOOK →Author: Elizabeth Caldwell Hirschman
Publisher: McFarland
Published: 2015-05-07
Total Pages: 265
ISBN-13: 0786455225
DOWNLOAD EBOOK →The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.
Author: Peter Hampson Ditchfield
Publisher:
Published: 1910
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOK →Author: Richard Davey
Publisher: Library of Alexandria
Published: 2020-09-28
Total Pages: 581
ISBN-13: 146561656X
DOWNLOAD EBOOK →The tragedy of Lady Jane Grey is unquestionably one of the most poignant episodes in English history, but its very dramatic completeness and compactness have almost invariably caused its wider significance to be obscured by the element of personal pathos with which it abounds. The sympathetic figure of the studious, saintly maiden, single-hearted in her attachment to the austere creed of Geneva, stands forth alone in a score of books refulgent against the gloomy background of the greed and ambition to which she was sacrificed. The whole drama of her usurpation and its swift catastrophe is usually treated as an isolated phenomenon, the result of one man’s unscrupulous self-seeking; and with the fall of the fair head of the Nine Days’ Queen upon the blood-stained scaffold within the Tower the curtain is rung down and the incident looked upon as fittingly closed by the martyrdom of the gentlest champion of the Protestant Reformation in England. Such a treatment of the subject, however attractive and humanly interesting it may be, is nevertheless unscientific as history and untrue in fact. An adequate appreciation of the tendencies behind the unsuccessful attempt to deprive Mary of her birthright can only be gained by a consideration of the circumstances preceding and surrounding the main incident. The reasons why Northumberland, a weak man as events proved, was able to ride rough-shod over the nobles and people of England, the explanation of his sudden and ignominious collapse and of the apparent levity with which the nation at large changed its religious beliefs and observance at the bidding of assumed authority are none of them on the surface of events; and the story of Jane Grey as it is usually told, whilst abounding in pathetic interest gives no key to the vast political issues of which the fatal intrigue of Northumberland was but a by-product. To represent the tragedy as a purely religious one, as is not infrequently done, is doubly misleading. That one side happened to be Catholic and the other Protestant was merely a matter of party politics, and probably not a single active participator in the events, except Jane herself, and to some extent Mary, was really moved by religious considerations at all, loud as the professions of some of the leaders were.
Author: Thomas Earnshaw Bradley
Publisher:
Published: 1855
Total Pages: 864
ISBN-13:
DOWNLOAD EBOOK →Author: Emma Siggins White
Publisher: Legare Street Press
Published: 2022-10-26
Total Pages: 0
ISBN-13: 9781015528925
DOWNLOAD EBOOK →This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Sue Parrill
Publisher: McFarland
Published: 2010-06-28
Total Pages: 236
ISBN-13: 0786481412
DOWNLOAD EBOOK →Jane Austen's career as a novelist began in 1811 with the publication of Sense and Sensibility. Her work was finally adapted for the big screen with the 1940 filming of Pride and Prejudice (very successful at the box office). No other film adaptation of an Austen novel was made for theatrical release until 1995. Amazingly, during 1995 and 1996, six film and television adaptations appeared, first Clueless, then Persuasion, followed by Pride and Prejudice, Sense and Sensibility, the Miramax Emma, and the Meridian/A&E Emma. This book traces the history of film and television adaptations (nearly 30 to date) of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art. The first of seven chapters explains why the novels of Jane Austen have become a popular source of film and television adaptations. The following six chapters each cover one of Austen's novels: Sense and Sensibility, Pride and Prejudice, Emma, Mansfield Park, Persuasion, and Northanger Abbey. Each chapter begins with a summary of the main events of the novel. Then a history of the adaptations is presented followed by an analysis of the unique qualities of each adaptation, a comparison of these adaptations to each other and to the novels on which they are based, and a reflection of relevant film and literary criticism as it applies to the adaptations.