eBook PDF Download Digital Library
Author: Alessandra Campana
Publisher: Cambridge University Press
Published: 2015-01-22
Total Pages: 223
ISBN-13: 1107051894
DOWNLOAD EBOOK →Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.
Author: Roberta Montemorra Marvin
Publisher: Cambridge University Press
Published: 2010-02-11
Total Pages: 303
ISBN-13: 0521889987
DOWNLOAD EBOOK →Leading scholars investigate the ways in which operas by nineteenth-century Italian composers have been reshaped and revived over time.
Author: Axel Körner
Publisher: Cambridge University Press
Published: 2022-03-24
Total Pages: 341
ISBN-13: 1108843867
DOWNLOAD EBOOK →This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
Author: Rachel N. Becker
Publisher: Taylor & Francis
Published: 2024-03-29
Total Pages: 209
ISBN-13: 1003854567
DOWNLOAD EBOOK →This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
Author: Katharine Mitchell
Publisher: Routledge
Published: 2021-11-29
Total Pages: 237
ISBN-13: 1000457486
DOWNLOAD EBOOK →This original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed engagement with female performance and with female spectators’ material responses to "women’s opera, theatre and film," placing these in the context of melodrama from the 1880s to the 1920s in Italy, France, the US, and elsewhere. It is unique in its interdisciplinary approach and in its consideration of female relationships based on admiration among performers and writers – the embodiment of a vibrant, mobile and successful Italian female culture industry during the first wave of feminism.
Author: Simon Maguire
Publisher: Routledge
Published: 2018-11-05
Total Pages: 232
ISBN-13: 0429773196
DOWNLOAD EBOOK →First published in 1989. This study explores Italian attitudes to opera while Vincenzo Bellini was studying and composing. It draws mainly on Italian critical and aesthetic writing dating from the end of an era that was still dominated by the Italian bel canto. Many of the writers considered are unfamiliar today, but they express the accepted views on music, opera, and singing that dominated a particularly insular tradition. This title will be of interest to students of Italian and Music History.
Author: Karen Henson
Publisher: Cambridge University Press
Published: 2015-01-15
Total Pages: 281
ISBN-13: 1107004268
DOWNLOAD EBOOK →Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Author: Francesca Vella
Publisher: University of Chicago Press
Published: 2022-01-26
Total Pages: 262
ISBN-13: 0226815706
DOWNLOAD EBOOK →Stagecrafting the City -- Florence, Opera, and Technological Modernity -- Funeral Entrainments -- Errico Petrella's Jone and the Band -- Global Voices -- Adelina Patti, Multilingualism, and Bel Canto (as) Listening -- "Ito per Ferrovia" -- Opera Productions on the Tracks -- Aida, Media, and Temporal Politics circa 1871-72.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
Published: 2009-06-25
Total Pages: 343
ISBN-13: 0521873584
DOWNLOAD EBOOK →The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
