On Musical Self-similarity
Author: Gabriel Pareyón
Publisher: Gabriel Pareyon
Published: 2011
Total Pages: 568
ISBN-13: 9525431320
DOWNLOAD EBOOK →Lanterna Rally
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Fractals in Music
Author: Charles B. Madden
Publisher: High Art Press
Published: 1999
Total Pages: 228
ISBN-13: 9780967172750
DOWNLOAD EBOOK →Fractals in Music is intended for advanced students of music theory, whether individuals, composers, students, or teachers. It is intelligible to anyone having some knowledge of algebra and trigonometry. The many illustrations clarify such concepts as self-similarity and transforms. Book jacket.
Perspectives on Music, Sound and Musicology
Author: Luísa Correia Castilho
Publisher: Springer Nature
Published: 2021-09-30
Total Pages: 388
ISBN-13: 3030784517
DOWNLOAD EBOOK →This book gathers a set of works highlighting significant advances in the areas of music and sound. They report on innovative music technologies, acoustics, findings in musicology, new perspectives and techniques for composition, sound design and sound synthesis, and methods for music education and therapy. Further, they cover interesting topics at the intersection between music and computing, design and social sciences. Chapters are based on extended and revised versions of the best papers presented during the 6th and 7th editions of EIMAD–Meeting of Research in Music, Arts and Design, held in 2020 and 2021, respectively, at the School of Applied Arts in Castelo Branco, Portugal. All in all, this book provides music researchers, educators and professionals with authoritative information about new trends and techniques, and a source of inspiration for future research, practical developments, and for establishing collaboration between experts from different fields.
Self-similar Melodies
Author: Tom Johnson
Publisher: Two Eighteen Press
Published: 1996
Total Pages: 291
ISBN-13: 9782907200011
DOWNLOAD EBOOK →Knowledge and Time
Author: Hans Primas
Publisher: Springer
Published: 2017-05-23
Total Pages: 427
ISBN-13: 3319473700
DOWNLOAD EBOOK →This is a unique volume by a unique scientist, which combines conceptual, formal, and engineering approaches in a way that is rarely seen. Its core is the relation between ways of learning and knowing on the one hand and different modes of time on the other. Partial Boolean logic and the associated notion of complementarity are used to express this relation, and mathematical tools of fundamental physics are used to formalize it. Along the way many central philosophical problems are touched and addressed, above all the mind-body problem. Completed only shortly before the death of the author, the text has been edited and annotated by the author's close collaborator Harald Atmanspacher.
The Haskell School of Music
Author: Paul Hudak
Publisher: Cambridge University Press
Published: 2018-10-04
Total Pages: 401
ISBN-13: 1108416756
DOWNLOAD EBOOK →Learn functional programming and the Haskell programming language through algorithmic music composition and virtual instrument design.
The Routledge Companion to Embodied Music Interaction
Author: Micheline Lesaffre
Publisher: Routledge
Published: 2017-09-19
Total Pages: 1001
ISBN-13: 1317219724
DOWNLOAD EBOOK →The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience. With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including: Dynamical music interaction theories and concepts Expressive gestural interaction Social music interaction Sociological and anthropological approaches Empowering health and well-being Modeling music interaction Music-based interaction technologies and applications This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.
Fractals: A Very Short Introduction
Author: Kenneth Falconer
Publisher: OUP Oxford
Published: 2013-09-26
Total Pages: 144
ISBN-13: 0191663441
DOWNLOAD EBOOK →Many are familiar with the beauty and ubiquity of fractal forms within nature. Unlike the study of smooth forms such as spheres, fractal geometry describes more familiar shapes and patterns, such as the complex contours of coastlines, the outlines of clouds, and the branching of trees. In this Very Short Introduction, Kenneth Falconer looks at the roots of the 'fractal revolution' that occurred in mathematics in the 20th century, presents the 'new geometry' of fractals, explains the basic concepts, and explores the wide range of applications in science, and in aspects of economics. This is essential introductory reading for students of mathematics and science, and those interested in popular science and mathematics. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Composing Electronic Music
Author: Curtis Roads
Publisher: Oxford University Press, USA
Published: 2015
Total Pages: 513
ISBN-13: 0195373243
DOWNLOAD EBOOK →Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
Fundamentals of Music Processing
Author: Meinard Müller
Publisher: Springer Nature
Published: 2021-04-09
Total Pages: 495
ISBN-13: 3030698084
DOWNLOAD EBOOK →The textbook provides both profound technological knowledge and a comprehensive treatment of essential topics in music processing and music information retrieval (MIR). Including numerous examples, figures, and exercises, this book is suited for students, lecturers, and researchers working in audio engineering, signal processing, computer science, digital humanities, and musicology. The book consists of eight chapters. The first two cover foundations of music representations and the Fourier transform—concepts used throughout the book. Each of the subsequent chapters starts with a general description of a concrete music processing task and then discusses—in a mathematically rigorous way—essential techniques and algorithms applicable to a wide range of analysis, classification, and retrieval problems. By mixing theory and practice, the book’s goal is to offer detailed technological insights and a deep understanding of music processing applications. As a substantial extension, the textbook’s second edition introduces the FMP (fundamentals of music processing) notebooks, which provide additional audio-visual material and Python code examples that implement all computational approaches step by step. Using Jupyter notebooks and open-source web applications, the FMP notebooks yield an interactive framework that allows students to experiment with their music examples, explore the effect of parameter settings, and understand the computed results by suitable visualizations and sonifications. The FMP notebooks are available from the author’s institutional web page at the International Audio Laboratories Erlangen.
