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Olivier Messiaen and the Music of Time

Author: Paul Griffiths

Publisher: Faber & Faber

Published: 2012-04-05

Total Pages: 269

ISBN-13: 0571287301

Olivier Messiaen was one of the outstanding creative artists of his time. The strength of his appeal, to listeners as well as to composers, is a measure of the individuality of his music, which draws on a vast range of sources: rhythms of twentieth-century Europe and thirteenth-century India, ripe romantic harmony and brittle birdsong, the sounds of Indonesian percussion and modern electronic instruments. What binds all these together is, on one level, his unswerving devotion to praising God in his art, and on another, his independent view of how music is made. Messiaen's music offers a range of ways of experiencing time: time suspended in music of unparalleled changelessness, time racing in music of wild exuberance, time repeating itself in vast cycles of reiteration. In Olivier Messiaen and the Music of Time, leading writer and musicologist, Paul Griffiths, explores the problems of religious art, and includes searching analyses and discussions of all the major works, suggesting how they function as works of art and not only as theological symbols. This comprehensive and stimulating book covers the whole of Messiaen's output up to and including his opera, Saint Françoise d'Assise.

Olivier Messiaen

Author: Nigel Simeone

Publisher: Routledge

Published: 2017-07-05

Total Pages: 378

ISBN-13: 135155591X

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When Olivier Messiaen died in 1992, the prevailing image was of a man apart; a deeply religious man whose only sources of inspiration were God and Nature and a composer whose music progressed along an entirely individual path, artistically impervious to contemporaneous events and the whims both of his contemporaries and the critics. Whilst such a view contains a large element of truth, the past ten years has seen an explosion of interest in the composer, and the work of a diverse range of scholars has painted a much richer, more complex picture of Messiaen. This volume presents some of the fruits of this research for the first time, concentrating on three broad, interrelated areas: Messiaen's relationship with fellow artists; key developments in the composer's musical language and technique; and his influences, both sacred and secular. The volume assesses Messiaen's position as a creative artist of the twentieth century in the light of the latest research. In the process, it identifies some of the key myths, confusions and exaggerations surrounding the composer which often mask equally remarkable truths. In attempting to reveal some of those truths, the essays elucidate a little of the mystery surrounding Messiaen as a man, an artist, a believer and a musician. Specifically, the volume covers Messiaen's attitudes and associations to Cocteau, Stravinsky's Les Noces, Dutilleux and Toesca, as well as exploring his teaching techniques, the Traite rythme, de couleur et d'ornithologie, Messiaen's harmony, performing and transcription techniques, composing for Ondes Martenot, his association with ballet, Saint Fran‘s d'Assise and the influence of his faith. Messiaen himself contributes directly in the form of a speech that he gave about the tapestry-maker Jean Lur and the collection also includes the first literary translation of L' en bourgeon; the garland of poems written by Messiaen's mother, Cle Sauvage, when she was expecting him. The composer de

Music for the End of Time

Author: Jennifer Bryant

Publisher: Eerdmans Publishing Company

Published: 2005

Total Pages: 32

ISBN-13: 0802852297

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Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.

For the End of Time

Author: Rebecca Rischin

Publisher: Cornell University Press

Published: 2006

Total Pages: 218

ISBN-13: 9780801472978

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The clarinetist Rebecca Rischin has written a captivating book.... Her research dispels several long-cherished myths about the 1941 premiere.... Rischin lovingly brings to life the other musicians-- tienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist--who played with Messiaen, the pianist at the premiere."--Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end.... For the End of Time touches on many things: faith, friendship, creativity, grace in a time of despair, and the uncommon human alliances that wartime engenders."--Arnold Steinhardt, Chamber Music"The clarification of the order of composition of the movements is just one of the minor but cumulatively significant ways in which Rischin modifies the widely accepted account of the events at Stalag VIII A.... For the End of Time is a thorough and readable piece of investigative journalism that clarifies some important points about the Quartet's genesis."--Michael Downes, Times Literary Supplement The premiere of Olivier Messiaen's Quartet for the End of Time on January 15, 1941, has been called one of the great stories of twentieth-century music. Composed while Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A, the work was performed under the most trying of circumstances: the temperature, inferior instruments, and the general conditions of life in a POW camp.Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the composer's interpretive preferences, and the musicians' problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians' life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. This paperback edition features supplementary texts and information previously unavailable to the author about the Quartet's premiere, Vichy and the composer, the Paris premiere, a recording featuring Messiaen as performer, and an updated bibliography and discography.

Olivier Messiaen

Author: Peter Hill

Publisher: Ashgate Publishing, Ltd.

Published: 2007

Total Pages: 156

ISBN-13: 9780754656302

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Olivier Messiaen's Oiseaux exotiques is arguably the first of Messiaen's major works to create a successful synthesis between his music and his passion for ornithology. Messiaen regarded birdsong as music--a belief that led for a time to an obsession with truth-to-nature. Here, Peter Hill and Nigel Simeone provide the background to Oiseaux exotiques, discussing Messiaen's relations with the 1950s avant garde and his involvement with the concerts of the Domaine musical, for which Oiseaux exotiques was composed. The authors analyse Messiaen's compositional methods in unprecedented detail and trace step-by-step the evolution of musical ideas from first notation to finished score.

Birdsong in the Music of Olivier Messiaen

Author: David Kraft

Publisher: Createspace Independent Pub

Published: 2013-02-09

Total Pages: 426

ISBN-13: 9781477517796

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In this book, Dr David Kraft surveys and evaluates Messiaen's use of birdsong and formulates a chronological and critical taxonomy of his music, covering the species involved and his evolving methods of manipulation, instrumentation and harmonic incorporation. He also explores issues relating to authenticity and modification with respect to the incorporation of birdsong in Messiaen's music. Further, he develops appropriate graphical and tabular methods in order to help the reader better to understand his music. This book is essential reading for those who love Messiaen's music. It is also a useful handbook for those studying at GCSE, A level, degree and postgraduate level. I hope that you enjoy reading this book, and trust that you will continue to enjoy the unique sound world of Olivier Messiaen.

Messiaen

Author: Anthony Pople

Publisher: Cambridge University Press

Published: 1998-07-02

Total Pages: 132

ISBN-13: 9780521585385

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An examination of the popular Quartet for the End of Time by Olivier Messiaen.

Music of the Twentieth Century

Author: Ton de Leeuw

Publisher: Amsterdam University Press

Published: 2005

Total Pages: 223

ISBN-13: 9053567658

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Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.

The Rest Is Noise

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2007-10-16

Total Pages: 640

ISBN-13: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Music and Color

Author: Olivier Messiaen

Publisher: Hal Leonard Publishing Corporation

Published: 1994

Total Pages: 312

ISBN-13:

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Considering birds the "greatest musicians on our planet," Messiaen sought them out wherever he traveled, scrupulously notating their songs and transcribing them for musical instruments. At the time of his death in 1992 at the age of 83, he had made major contributions to every part of the concert repertoire.