Modern Art And Modernism

Modern Art And Modernism PDF

Author: Francis Frascina

Publisher: Routledge

Published: 2018-05-04

Total Pages: 340

ISBN-13: 0429978537

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Modern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas interpretations. The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken. The nature of modern art cannot be understood without some analysis of the concept of Modernism itself.Modern Art and Modernism presents a selection of texts by the major contributors to debate on this subject, from Baudelaire and Zola in the nineteenth century to Greenberg and T. J. Clark in our own times. It offers a balanced section of essays by contributors to the mainstream of Modernist criticism, representative examples of writing on the themes of abstraction and expression in modern art, and a number of important contributions to the discussion of aesthetics and the social role of the artist. Several of these are made available in English translation for the first time, and others are brought together from a wide range of periodicals and specialized collections.This book will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.

Boston Modern

Boston Modern PDF

Author: Judith Arlene Bookbinder

Publisher: UPNE

Published: 2005

Total Pages: 418

ISBN-13: 9781584654889

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A fresh, incisive study of the expressionist approach to modern art in Boston.

The Theory of Criticism

The Theory of Criticism PDF

Author: Raman Selden

Publisher: Routledge

Published: 2014-09-25

Total Pages: 456

ISBN-13: 1317902297

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This book is divided into five parts and covers: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history.

Another Aesthetics Is Possible

Another Aesthetics Is Possible PDF

Author: Jennifer Ponce de León

Publisher: Duke University Press

Published: 2021-02-08

Total Pages: 225

ISBN-13: 1478012781

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In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.

Radical History and the Politics of Art

Radical History and the Politics of Art PDF

Author: Gabriel Rockhill

Publisher: Columbia University Press

Published: 2014-07-15

Total Pages: 289

ISBN-13: 0231527780

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Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.

Politics of Culture and the Spirit of Critique

Politics of Culture and the Spirit of Critique PDF

Author: Gabriel Rockhill

Publisher: Columbia University Press

Published: 2014

Total Pages: 290

ISBN-13: 0231152000

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Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.

Post-Marxism

Post-Marxism PDF

Author: Stuart Sim

Publisher: Routledge

Published: 2013-04-15

Total Pages: 235

ISBN-13: 1134601689

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This book traces the crystallisation of post-Marxism as a specific theoretical position in its own right and considers the role played in its development by post-structuralism, postmodernism and second-wave feminism. It examines the history of dissenting tendencies within the Marxist tradition and considers what the future prospects of post-Marxism are likely to be.

Aesthetics and Politics

Aesthetics and Politics PDF

Author: Bertolt Brecht

Publisher: Verso Books

Published: 2018-06-26

Total Pages: 301

ISBN-13: 1788735293

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No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.

Satire in an Age of Realism

Satire in an Age of Realism PDF

Author: Aaron Matz

Publisher: Cambridge University Press

Published: 2010-07-15

Total Pages:

ISBN-13: 1139488317

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As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.