Of Dramatick Poesie

Of Dramatick Poesie PDF

Author: John Dryden

Publisher:

Published: 1928

Total Pages: 120

ISBN-13:

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A facsimile edition of Dryden's famous essay preceded by a dialogue on poetic drama by T. S. Eliot. This is a very rare work.

An Essay of Dramatick Poesie

An Essay of Dramatick Poesie PDF

Author: John Dryden

Publisher: ReadHowYouWant.com

Published: 2006

Total Pages: 94

ISBN-13: 1442936827

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A superb piece of literary criticism by Dryden written during the Plague of 1666 and first published in 1668. The essay is a discourse between 4 speakers including Dryden himself. They discuss the necessity of abiding by the 3 dramatic unities prescribed by Aristotle if necessary, but also trying new techniques. They also discuss traditions of classicism and the neo-classicism. Absorbing!

Psalm Culture and Early Modern English Literature

Psalm Culture and Early Modern English Literature PDF

Author: Hannibal Hamlin

Publisher: Cambridge University Press

Published: 2004-02-05

Total Pages: 310

ISBN-13: 9780521832700

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Psalm Culture and Early Modern English Literature examines the powerful influence of the biblical Psalms on sixteenth- and seventeenth-century English literature. It explores the imaginative, beautiful, ingenious and sometimes ludicrous and improbable ways in which the Psalms were 'translated' from ancient Israel to Renaissance and Reformation England. No biblical book was more often or more diversely translated than the Psalms during the period. In church psalters, sophisticated metrical paraphrases, poetic adaptations, meditations, sermons, commentaries, and through biblical allusions in secular poems, plays, and prose fiction, English men and women interpreted the Psalms, refashioning them according to their own personal, religious, political, or aesthetic agendas. The book focuses on literature from major writers like Shakespeare and Milton to less prominent ones like George Gascoigne, Mary Sidney Herbert and George Wither, but it also explores the adaptations of the Psalms in musical settings, emblems, works of theology and political polemic.

In Search of the Classic

In Search of the Classic PDF

Author: Steven Shankman

Publisher: Penn State Press

Published: 2010-11

Total Pages: 353

ISBN-13: 0271043199

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The &"classical,&" Steven Shankman argues, should not be confused with a particular historical period of Western antiquity, although it may owe its original articulation to the literary and philosophical explorations of ancient Greek authors. Shankman's book searches for and attempts to formulate the shape of the continuing presence&—as embodied in particular literary works mainly from Western antiquity and the neoclassical and modern periods&—of what the author calls a &"classical&" understanding of literature. For Shankman, literature, defined from a classical perspective, is a coherent, compelling, and rationally defensible representation that resists being reduced either to the mere recording of material reality or to the bare exemplification of an abstract philosophical precept. He derives his definition largely from his reading of Greek literature from Homer through Plato, from the history of literary criticism, and from the Greco-Roman tradition in English, American, and French literature. Shankman reveals unsuspected yet convincing connections among authors of such widely disparate times and places. His idea of the &"classic&" that authorizes these connections is presented as normative, thus making possible the evaluation of literary works and, in turn, forthright discussion of what constitutes the &"literary&" as distinct from other kinds of discourse. Shankman's study runs counter to a strong tendency of contemporary criticism that argues precisely against any distinct category of the &"literary.&" He offers a series of interpretations that cumulatively advance theoretical discussion by challenging scholars to rethink the critical paradigms of postmodernism. At the center of the book is a discussion of the quintessentially classic Val&éry poem Le Cimeti&ère marin and the classic qualities it shares with Pindar's third Pythian ode, from which Val&éry derives the epigraph for his poem.