Modernism and Physical Illness

Modernism and Physical Illness PDF

Author: Peter Fifield

Publisher: Oxford University Press

Published: 2020-07-08

Total Pages: 272

ISBN-13: 0192559346

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T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.

Moonlighting

Moonlighting PDF

Author: Nathan Waddell

Publisher: Oxford University Press

Published: 2019-06-27

Total Pages: 272

ISBN-13: 0192548646

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How and why did the life and music of Ludwig van Beethoven (1770-1827) matter to experimental writers in the early twentieth century? Previous answers to this question have tended to focus on structural analogies between musical works and literary texts, charting the many different ways in which poetry and prose resemble Beethoven's compositions. This book takes a different approach. It focuses on how early twentieth-century writers—chief among them E. M. Forster, Aldous Huxley, Wyndham Lewis, Dorothy Richardson, Rebecca West, and Virginia Woolf—profited from the representational conventions associated in the nineteenth century and beyond with Beethovenian culture. The emphasis of Moonlighting falls for the most part on how modernist writers made use of Beethovenian legend. It is concerned neither with formal similarities between Beethoven's music and modernist writing nor with the music of Beethoven per se, but with certain ways of understanding Beethoven's music which had long before 1900 taken shape as habit, myth, cliché, and fantasy, and with the influence they had on experimental writing up to 1930. Moonlighting suggests that the modernists drew knowingly and creatively on the conventional. It proposes that many of the most experimental works of modernist literature were shaped by a knowing reliance on Beethovenian consensus; in short, that the literary modernists knew Beethovenian legend when they saw it, and that they were eager to use it.

Dawn's Left Hand

Dawn's Left Hand PDF

Author: Dorothy M. Richardson

Publisher: DigiCat

Published: 2022-08-16

Total Pages: 139

ISBN-13:

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DigiCat Publishing presents to you this special edition of "Dawn's Left Hand" by Dorothy M. Richardson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Clear Horizon

Clear Horizon PDF

Author: Dorothy M. Richardson

Publisher: Good Press

Published: 2021-08-30

Total Pages: 130

ISBN-13:

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The story of 'Clear Horizon' opens with a longing for the presence of Lionel Cholmley, a figure whose influence is keenly felt. Delve into the complex dynamics and conversations that unfold within the walls of Mrs. Bailey's house, where Lionel's charm and poetic ambitions leave a lasting impression on those around him. As the narrative unfolds, discover the unifying power of sound and Lionel's ability to navigate the intricacies of social interactions with grace and sympathy. Brace yourself for an enchanting journey, where the pearls of Oberland, both literal and metaphorical, hold the key to unlocking a world of strength, gentleness, and the captivating essence of human connection.

Uses of Great Men

Uses of Great Men PDF

Author: Ralph Waldo Emerson

Publisher: Createspace Independent Publishing Platform

Published: 2017-04-14

Total Pages: 36

ISBN-13: 9781545386170

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Ralph Waldo Emerson (May 25, 1803 - April 27, 1882) was an American essayist, lecturer, and poet who led the transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States. Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay "Nature." Following this work, he gave a speech entitled "The American Scholar" in 1837, which Oliver Wendell Holmes Sr. considered to be America's "intellectual Declaration of Independence." Emerson wrote most of his important essays as lectures first and then revised them for print. His first two collections of essays, Essays: First Series (1841) and Essays: Second Series (1844), represent the core of his thinking. They include the well-known essays "Self-Reliance," "The Over-Soul," "Circles," "The Poet" and "Experience." Together with "Nature," these essays made the decade from the mid-1830s to the mid-1840s Emerson's most fertile period. Emerson wrote on a number of subjects, never espousing fixed philosophical tenets, but developing certain ideas such as individuality, freedom, the ability for humankind to realize almost anything, and the relationship between the soul and the surrounding world. Emerson's "nature" was more philosophical than naturalistic: "Philosophically considered, the universe is composed of Nature and the Soul." Emerson is one of several figures who "took a more pantheist or pandeist approach by rejecting views of God as separate from the world." He remains among the linchpins of the American romantic movement, and his work has greatly influenced the thinkers, writers and poets that followed him. When asked to sum up his work, he said his central doctrine was "the infinitude of the private man." Emerson is also well known as a mentor and friend of Henry David Thoreau, a fellow transcendentalist. Emerson was born in Boston, Massachusetts, on May 25, 1803, a son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. He was named after his mother's brother Ralph and his father's great-grandmother Rebecca Waldo. Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles. Three other children-Phebe, John Clarke, and Mary Caroline-died in childhood. Emerson was entirely of English ancestry, and his family had been in New England since the early colonial period.