New Theatre Quarterly 83
Author: Simon Trussler
Publisher:
Published: 2008-03
Total Pages:
ISBN-13: 9780521613569
DOWNLOAD EBOOK →Lanterna Rally
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New Theatre Quarterly 73: Volume 19, Part 1
Author: Simon Trussler
Publisher: Cambridge University Press
Published: 2003-08-25
Total Pages: 98
ISBN-13: 9780521535885
DOWNLOAD EBOOK →New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.
New Theatre Quarterly 28: Volume 7, Part 4
Author: Clive Barker
Publisher: Cambridge University Press
Published: 1992-02-06
Total Pages: 110
ISBN-13: 9780521406642
DOWNLOAD EBOOK →One of a series which discusses topics of interest in theatre studies from various perspectives. Part 28 includes discussions of 'Mother Courage' at the Citizens, 1990, by Margaret Eddershaw, and Wole Soyinka's 'Death and the King's Horseman', at the Royal Exchange, 1990, by Martin Banham.
New Theatre Quarterly 45: Volume 12, Part 1
Author: Clive Barker
Publisher: Cambridge University Press
Published: 1996-02-15
Total Pages: 98
ISBN-13: 9780521558402
DOWNLOAD EBOOK →New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet. Topics covered in number 45 include: Palimpsestus: Frank Wedekind's Theatre of Self Performance, and 'Leaking Bodies and Fractured Texts': Representing the Female Body at the Omaha Magic Theatre.
New Theatre Quarterly 41: Volume 11, Part 1
Author: Clive Barker
Publisher: Cambridge University Press
Published: 1995-04-06
Total Pages: 100
ISBN-13: 9780521483223
DOWNLOAD EBOOK →New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
New Theatre Quarterly 37: Volume 10, Part 1
Author: Clive Barker
Publisher: Cambridge University Press
Published: 1994-05-26
Total Pages: 108
ISBN-13: 9780521466561
DOWNLOAD EBOOK →One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
New Theatre Quarterly 33: Volume 9, Part 1
Author: Clive Barker
Publisher: Cambridge University Press
Published: 1993-04
Total Pages: 108
ISBN-13: 9780521448123
DOWNLOAD EBOOK →One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
New Theatre Quarterly 61: Volume 16, Part 1
Author: Clive Barker
Publisher: Cambridge University Press
Published: 2000-02-24
Total Pages: 108
ISBN-13: 9780521789011
DOWNLOAD EBOOK →Provides an international forum where theatrical scholarship and practice can meet.
New Theatre Quarterly 40: Volume 10, Part 4
Author: Clive Barker
Publisher: Cambridge University Press
Published: 1994-11-17
Total Pages: 108
ISBN-13: 9780521466592
DOWNLOAD EBOOK →New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
New Theatre Quarterly 42: Volume 11, Part 2
Author: Clive Barker
Publisher: Cambridge University Press
Published: 1995-08-10
Total Pages: 108
ISBN-13: 9780521483216
DOWNLOAD EBOOK →New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.
