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Author: Chris Hiscock
Publisher: Heinemann
Published: 1999
Total Pages: 68
ISBN-13: 9780435810917
DOWNLOAD EBOOK →This series takes a project-based approach to performing and composing, listening and appraising. The student book contains background information and illustrations to support the projects; scores for performing and listening and appraising work; and listening questions and tasks for homework. (Adapted from back cover).
Author: Marian Metcalfe
Publisher: Heinemann International Incorporated
Published: 2000-04-01
Total Pages:
ISBN-13: 9780435810986
DOWNLOAD EBOOK →Author: Chris Hiscock
Publisher: Heinemann
Published: 2000
Total Pages: 70
ISBN-13: 9780435810924
DOWNLOAD EBOOK →"... takes a project-based approach to cover performing and composing, listening and appraising..." -- Back cover.
Author: Marian Metcalfe
Publisher:
Published: 1999
Total Pages:
ISBN-13: 9780435810948
DOWNLOAD EBOOK →Author: Barry Gibson
Publisher: Heinemann
Published: 2001
Total Pages: 230
ISBN-13: 0435810332
DOWNLOAD EBOOK →"Performing Matters" supports musical performance in the classroom throughout Key Stage 3. A series of projects - including supporting teacher's material - take you through musical performance, from combating nerves and increasing confidence, through to performing short pieces.
Author: David James Elliott
Publisher: New York ; Toronto : Oxford University Press
Published: 1995
Total Pages: 380
ISBN-13: 9780195091717
DOWNLOAD EBOOK →The author constructs a new concept of music education, one designed to stimulate, guide, and support the efforts of pre-service and practicing music teachers as they tackle the many theoretical and practical issues involved in music education. He provides rigorous reflections on the "why, what, and how" of music teaching and learning that serve as catalysts for critical thinking and individual-philosophy building.
Author: Chris Hiscock
Publisher: Heinemann
Published: 1998
Total Pages: 68
ISBN-13: 9780435810900
DOWNLOAD EBOOK →This pupil's book contains: background information and illustrations to support the music projects; the melody lines and lyrics for songs; the scores needed for listening and appraising; listening questions; questions for homework; and pieces for performing.
Author: Chris Hiscock
Publisher:
Published: 1999
Total Pages:
ISBN-13: 9780435811006
DOWNLOAD EBOOK →Author: David Hesmondhalgh
Publisher: John Wiley & Sons
Published: 2013-06-26
Total Pages: 213
ISBN-13: 1118535812
DOWNLOAD EBOOK →Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here: www.bbc.co.uk/iplayer/episode/b03q9q2n/Thinking_Allowed_Why_Music_Matters_Bhangra_and_Belonging/ In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies. First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voice Combines a broad yet theoretically sophisticated approach to music and society with real clarity and accessibility A historically and sociologically informed understanding of music in relation to questions of social power and inequality By drawing on both popular and academic talk about a range of musical forms and practices, readers will engage with a wide musical terrain and a wealth of case studies
Author: Lee Marshall
Publisher: Routledge
Published: 2016-03-23
Total Pages: 252
ISBN-13: 1317078047
DOWNLOAD EBOOK →Simon Frith has been one of the most important figures in the emergence and subsequent development of popular music studies. From his earliest academic publication, The Sociology of Rock (1978), through to his recent work on the live music industry in the UK, in his desire to ’take popular music seriously’ he has probably been cited more than any other author in the field. Uniquely, he has combined this work with a lengthy career as a music critic for leading publications on both sides of the Atlantic. The contributions to this volume of essays and memoirs seek to honour Frith’s achievements, but they are not merely ’about Frith’. Rather, they are important interventions by leading scholars in the field, including Robert Christgau, Antoine Hennion, Peter J. Martin and Philip Tagg. The focus on ’sociology and industry’ and ’aesthetics and values’ reflect major themes in Frith’s own work, which can also be found within popular music studies more generally. As such the volume will become an essential resource for those working in popular music studies, as well as in musicology, sociology and cultural and media studies.
