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New Museums

Author: Mimi Zeiger

Publisher: Universe Publishing(NY)

Published: 2005

Total Pages: 212

ISBN-13:

Since the opening in 1997 of the Guggenheim Bilbao, designed by Frank Gehry, museum architecture has enjoyed worldwide attention on an unprecedented scale. That single watershed project demonstrated to municipalities that architecture has the power to transform the image of an entire city, thus making the turn of the twenty-first century the unofficial age of the museum building. New Museums examines the boom in high-design museum projects in detail, beginning with the Guggenheim Bilbao’s groundbreaking role in the development of contemporary museum architecture. It continues with a beautifully illustrated tour of 30 examples of the most innovative and exciting museum architecture around the world, including Tadao Ando’s Museum of Modern Art in Fort Worth, Zaha Hadid’s Contemporary Arts Center in Cincinnati, Renzo Piano’s Nasher Sculpture Center in Dallas, and many others.

New Museums in China

Author: Clare Jacobson

Publisher: Princeton Architectural Press

Published: 2013-10-29

Total Pages: 0

ISBN-13: 9781616891503

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China's explosive urban growth continues to make headlines, illustrated by dramatic shots of the latest commercial or residential buildings, each more outstanding (and often more outlandish) than the next. As the country's new money matures, it is increasingly being redirected from the necessity of industry to the nicety of culture. While the recession has put a damper on plans for new cultural venues in many world cities, museums in China are booming. Once scarce, they have multiplied rapidly, with more than one thousand opening during the last decade. They are now found throughout the country in megacities, smaller urban centers, and even in more remote places like Ordos, Inner Mongolia (in the middle of the Gobi Desert). New Museums in China presents fifty-one of the most innovative museums of the last ten years in beautiful photographs, detailed drawings, and insightful texts based on interviews with an international slate of architects. This spectacular collection makes an excellent survey and sourcebook for architects, art and design enthusiasts, and Sinophiles alike.

Museums, Monuments, and National Parks

Author: Denise D. Meringolo

Publisher: Univ of Massachusetts Press

Published: 2012

Total Pages: 260

ISBN-13: 1558499407

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The rapid expansion of the field of public history since the 1970s has led many to believe that it is a relatively new profession. In this book, Denise D. Meringolo shows that the roots of public history actually reach back to the nineteenth century, when the federal government entered into the work of collecting and preserving the nation's natural and cultural resources. Yet it was not until the emergence of the education-oriented National Park Service history program in the 1920s and 1930s that public history found an institutional home. Even then, tensions between administrators in Washington and practitioners on the ground at National Parks, monuments, and museums continued to redefine the scope and substance of the field. The process of definition persists to this day as public historians establish a growing presence in major universities throughout the United States and abroad. Book jacket.

The Brutish Museums

Author: Dan Hicks

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781786806840

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Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. 0The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museum, Dan Hicks makes a powerful case for the urgent return of such objects, as part of awider project of addressing the outstanding debt of colonialism.

Clémentine Deliss

Author: Clémentine Deliss

Publisher: Hatje Cantz Verlag

Published: 2020-07-15

Total Pages: 153

ISBN-13: 3775748016

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For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation. Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations. CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg.

Art Museums Plus

Author: Traute M. Marshall

Publisher: UPNE

Published: 2009

Total Pages: 400

ISBN-13: 9781584656210

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An engaging guide to over 150 art museums and more throughout New England

Saturation

Author: C. Riley Snorton

Publisher: National Geographic Books

Published: 2020-05-19

Total Pages: 0

ISBN-13: 0262043688

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Essays, conversations, and artist portfolios confront questions at the intersection of race, institutional life, and representation. Controversies involving race and the art world are often discussed in terms of diversity and representation—as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation. The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity. Copublished with the New Museum

Soft Water Hard Stone

Author: Margot Norton

Publisher: Phaidon Press

Published: 2021-11-18

Total Pages: 320

ISBN-13: 9781838664039

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The official catalogue for the 2021 New Museum Triennial, a global survey of today's up-and-coming artists. The New Museum's Triennial, curated by Jamilla James and Margot Norton, is a signature survey of emerging artists from around the world. In this moment of profound change, where structures once thought to be stable have been revealed to be precarious, the 2021 Triennial showcases 40 artists and collectives reimagining traditional models, materials, and techniques beyond established institutional paradigms. Their works explore states of transformation, calling attention to the malleability of structures and the fluid and adaptable potential of both technological and organic media.00Exhibition: New Museum, New York, USA (10.07.2021 - 01.23.2022).