The Inrō Handbook

The Inrō Handbook PDF

Author: Raymond Bushell

Publisher: Weatherhill, Incorporated

Published: 1979

Total Pages: 272

ISBN-13:

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For collectors who have discovered the delights of such miniature Japanese art forms as theinroand thenetsuke, this authoritative and enlightening book offers a wealth of valuable information. That it also affords entry to a world of fascinating design and superb craftsmanship goes without saying. In addition to illustrating in color and discussing in detail 108 distinguished inro and their accompanyingnetsuke, as well as 18 related miniature objects, it presents highly informative essays on the making ofinro, on pearl shell inlays, and, in particular on the materials and techniques of lacquer art, the last of these with 62 color photos. It also furnishes an extensive list of lacquer artists' signatures with 386 photos. It is refreshing to have an author tell his readers not only what his book is but also what it is not. In his introduction Bushell says: "This book is addressed to the collector ofinro, netsuke,and other forms of miniature Japanese art, with emphasis on works in lacquer. Its purpose is specific and limited. It is not a comprehensive study of lacquer. It is not a historical survey, a technical analysis, a comparative examination, or a compendium of terms and definitions. In point of time it is limited to the Tokugawa, Meiji, Taisho, and early Showa periods. In point of craft it is limited to the later development of precise and sophisticated techniques, with their brilliant decorative effects." Bushell points out that he is not making an unnecessary emotional appeal in praise of lacquer. His objective is far more practical. This book is the product of his efforts to understand the structure underlying the beauty of lacquer art and to provide clear and simple explanations. Because other books on the subject had not satisfied him, he undertook his own basic research, and here he presents the information he acquired through painstaking study with master lacquer craftsmen and other authorities.

Japanese Inrō

Japanese Inrō PDF

Author: Julia Hutt

Publisher: Victoria & Albert Museum

Published: 1997

Total Pages: 136

ISBN-13:

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This is a comprehensive study of the inro, the small lacquer container used by Japanese men wearing traditional dress to carry items in daily use, drawing on the V&A's collection. Suspended from the belt by means of a netsuke and originally intended to hold a seal and ink or a supply of medicines, the inro gradually developed as a highly decorative dress accessory and became an object of high fashion, which is now prized by collectors. The majority of inro were made of lacquer, and include some of the finest and most innovative examples of the Japanese lacquerer's craft. The book traces the diverse origins of the inro from around 1600 until the early-20th century, and includes sections on construction and techniques of manufacture, on materials used, as well as on individual craftsmen, with photographs of their signatures. The sources of inro designs are explored, from paintings, ukiyoe prints and woodblock-printed books, with many examples illustrated. Methods of dating are also discussed, making this a useful reference for collectors and experts, while those with a general interest in Japanese art should be drawn to the craftsmanship of the individual pieces.

Area Bibliography of Japan

Area Bibliography of Japan PDF

Author: Ria Koopmans-de Bruijn

Publisher: Scarecrow Press

Published: 1998

Total Pages: 324

ISBN-13: 9780810833746

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Provides a general overview of literature relating to Japan and covers a broad range of subject matter, from art, feminism, and linguistics, to corporate culture, history, and medicine. Includes books published since 1980 that are related to the geographical area of Japan and to Japanese culture within that area.

The Grove Encyclopedia of Decorative Arts

The Grove Encyclopedia of Decorative Arts PDF

Author: Gordon Campbell

Publisher: Oxford University Press

Published: 2006-11-09

Total Pages: 1277

ISBN-13: 0195189485

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The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.

Reading Asian Art and Artifacts

Reading Asian Art and Artifacts PDF

Author: Paul Nietupski

Publisher: Lehigh University Press

Published: 2011-04-04

Total Pages: 249

ISBN-13: 1611460727

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This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a 'visible language' with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as 'windows' into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines. The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors. This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.