Nature's Prophet

Nature's Prophet PDF

Author: Michael A. Flannery

Publisher: University of Alabama Press

Published: 2018-08-07

Total Pages: 277

ISBN-13: 0817319859

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An astute study of Alfred Russel Wallace’s path to natural theology. A spiritualist, libertarian socialist, women’s rights advocate, and critic of Victorian social convention, Alfred Russel Wallace was in every sense a rebel who challenged the emergent scientific certainties of Victorian England by arguing for a natural world imbued with purpose and spiritual significance. Nature’s Prophet:Alfred Russel Wallace and His Evolution from Natural Selection to Natural Theology is a critical reassessment of Wallace’s path to natural theology and counters the dismissive narrative that Wallace’s theistic and sociopolitical positions are not to be taken seriously in the history and philosophy of science. Author Michael A. Flannery provides a cogent and lucid account of a crucial—and often underappreciated—element of Wallace’s evolutionary worldview. As co-discoverer, with Charles Darwin, of the theory of natural selection, Wallace willingly took a backseat to the well-bred, better known scientist. Whereas Darwin held fast to his first published scientific explanations for the development of life on earth, Wallace continued to modify his thinking, refining his argument toward a more controversial metaphysical view which placed him within the highly charged intersection of biology and religion. Despite considerable research into the naturalist’s life and work, Wallace’s own evolution from natural selection to natural theology has been largely unexplored; yet, as Flannery persuasively shows, it is readily demonstrated in his writings from 1843 until his death in 1913. Nature’s Prophet provides a detailed investigation of Wallace’s ideas, showing how, although he independently discovered the mechanism of natural selection, he at the same time came to hold a very different view of evolution from Darwin. Ultimately, Flannery shows, Wallace’s reconsideration of the argument for design yields a more nuanced version of creative and purposeful theistic evolution and represents one of the most innovative contributions of its kind in the Victorian and Edwardian eras, profoundly influencing a later generation of scientists and intellectuals.

The Palgrave Handbook of Global Sustainability

The Palgrave Handbook of Global Sustainability PDF

Author: Robert Brinkmann

Publisher: Springer Nature

Published: 2023-04-04

Total Pages: 2585

ISBN-13: 3031019490

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The field of sustainability continues to evolve as a discipline. The world is facing multiple sustainability challenges such as climate change, water depletion, ecosystem loss, and environmental racism. The Handbook of Sustainability will provide a comprehensive reference for the field that examines in depth the major themes within what are known as the three E’s of sustainability: environment, equity, and economics. These three themes will serve as the main organizing body of the work. In addition, the work will include sections on history and sustainability, major figures in the development of sustainability as a discipline, and important organizations that contributed or that continue to contribute to sustainability as a field. The work is explicitly global in scope as it considers the very different issues associated with sustainability in the global north and south

Nature Into Art

Nature Into Art PDF

Author: Carl Woodring

Publisher:

Published: 1989

Total Pages: 366

ISBN-13:

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The nineteenth century began with reverence for nature and ended with the apotheosis of art. In this wide-ranging excursion through the literature, visual arts, and natural sciences of the era from Wordsworth to Wilde, Carl Woodring traces shifting ideas and attitudes concerning nature, art, and the relations between the two. The veneration of nature as aesthetic model and ethical norm was gradually eroded not least by the study of biology, which revealed organic nature to be wasteful and murderous. Darwin's work verified the growing perception of nature as amoral by stressing the role of chance in natural selection, a further blow to trust in natural law. Once nature was not worth imitating, art by the century's close could be an end to itself, free of responsibility to the natural. The author examines individual works by Romantic and Victorian poets; narrative prose from James Hogg and Mary Shelley to Conrad, James, and Stevenson; painters from Wilkie through the Pre-Raphaelites to Whistler--all within such general contexts as the picturesque, the sublime, natural theology, romantic irony, romantic Hellenism, realism, photography, aestheticism, arts and crafts, art nouveau, and decadence. Although Woodring focuses on events, movements, and creative minds in England, he also draws upon a range of seminal figures from the Continent and the United States: Alexander von Humboldt, Delacroix, Thomas Cole, and Hawthorne are prominent examples. Nature into Art will fascinate scholars and amateurs of movements in literature, art, science, and cultural history in the Western world after 1780.