National Traditions in Nineteenth-Century Opera, Volume I

National Traditions in Nineteenth-Century Opera, Volume I PDF

Author: Steven Huebner

Publisher: Routledge

Published: 2017-03-02

Total Pages: 465

ISBN-13: 1351915851

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This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.

National Traditions in Nineteenth-century Opera: Italy, France, England and the Americas

National Traditions in Nineteenth-century Opera: Italy, France, England and the Americas PDF

Author: Steven Huebner

Publisher: Routledge

Published: 2010

Total Pages: 537

ISBN-13: 9780754628996

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This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.

National Traditions in Nineteenth-Century Opera, Volume II

National Traditions in Nineteenth-Century Opera, Volume II PDF

Author: Michael C. Tusa

Publisher: Routledge

Published: 2017-03-02

Total Pages: 376

ISBN-13: 1351915827

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This volume offers a cross-section of English-language scholarship on German and Slavonic operatic repertories of the "long nineteenth century," giving particular emphasis to four areas: German opera in the first half of the nineteenth century; the works of Richard Wagner after 1848; Russian opera between Glinka and Rimsky-Korsakov; and the operas of Richard Strauss and Janácek. The essays reflect diverse methods, ranging from stylistic, philological, and historical approaches to those rooted in hermeneutics, critical theory, and post-modernist inquiry.

The Italian Traditions & Puccini

The Italian Traditions & Puccini PDF

Author: Nicholas Baragwanath

Publisher: Indiana University Press

Published: 2011-07-08

Total Pages: 439

ISBN-13: 0253001668

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“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice

Staging the Nation: Opera and Nationalism in 19th-Century Hungary

Staging the Nation: Opera and Nationalism in 19th-Century Hungary PDF

Author: Krisztina Lajosi

Publisher: BRILL

Published: 2018-02-27

Total Pages: 187

ISBN-13: 9004347224

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In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the crucial role of theatre and opera in the shaping of historical consciousness and the formation of national identity by turning opera-loving audiences into a national public.

Studies in Seventeenth-Century Opera

Studies in Seventeenth-Century Opera PDF

Author: BethL. Glixon

Publisher: Routledge

Published: 2017-07-05

Total Pages: 514

ISBN-13: 1351547631

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The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.

Medievalism and Nationalism in German Opera

Medievalism and Nationalism in German Opera PDF

Author: Michael S. Richardson

Publisher: Routledge

Published: 2020-11-29

Total Pages: 198

ISBN-13: 135180636X

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Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Opera after 1900

Opera after 1900 PDF

Author: Margaret Notley

Publisher: Routledge

Published: 2017-07-05

Total Pages: 780

ISBN-13: 1351555782

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The articles reprinted in this volume treat operas as opera and from some sort of critical angle; none of the articles uses methodology appropriate for another kind of musical work. Additional criteria used in selecting the articles were that they should not have been reprinted widely before and that taken together they should cover an extended array of significant operas and critical questions about them. Trends in Anglophone scholarship on post-1900 opera then determined the structure of the volume. The anthologized articles are organized according to the place of origin of the opera discussed in each of them; the introduction, however, follows a thematic approach. Themes considered in the introduction include questions of genre and reception; perspectives on librettos and librettists; words, lyricism, and roles of the orchestra; and modernism and other political contexts.