eBook PDF Download Digital Library
Author: J. Frieze
Publisher: Springer
Published: 2009-10-16
Total Pages: 215
ISBN-13: 0230245706
DOWNLOAD EBOOK →Reading a range of work from the US and UK over the last two decades, this is an innovative study of theatre's growing obsession with technologies and effects of naming. How does theatre reflect, and intervene in, naming practices across domains such as philosophy, computing, journalism, anthropology, advertising, military training, and genetics?
Author: A. Jeffers
Publisher: Springer
Published: 2011-10-25
Total Pages: 323
ISBN-13: 0230354823
DOWNLOAD EBOOK →Using examples of refugee arts and theatrical activity since the 1990s, this book examines how the 'refugee crisis' has conditioned all arts and cultural activity with refugees in a world where globalization and migration go hand in hand.
Author: Cheryl Threadgold
Publisher:
Published: 2020-06-29
Total Pages:
ISBN-13: 9780646813394
DOWNLOAD EBOOK →Part One: The history of amateur theatre in Victoria, commencing in 1788 in New South Wales, from Melbourne in 1842 and working through decades to modern day, based on an award-winning PhD thesis. Live cultural performances presented by First Nations People for over sixty years are respectfully acknowledged.Part Two: The Culture and Voices of Victorian musical and non-musical amateur theatre are represented by individual stories from 129 currently operating theatre companies in urban and regional Victoria. Known past theatre companies are listed to honour their existence and some research data collated from interviews with representatives from 70 theatre companies gives insight into the transformative benefits of amateur theatre, and perceived strengths, threats and weaknesses of companies.
Author: Namrata Pathak
Publisher: Partridge Publishing
Published: 2015-03-27
Total Pages: 265
ISBN-13: 1482846543
DOWNLOAD EBOOK →It is the very nature of representation to be theatrical and self-referential. This book undercuts the fact that all representational knowledge is autonomous and sovereign. At times, theatrical representations can misguide and mislead. Representation can also ineluctably project ones own preferences and preoccupations. Thus, representation and subjective interpretation divulge into myriad domains. This book is concerned with the effects and consequences of representation and its politics. This book examines not only how language as well as representation produce meaning, but also how discursive knowledge connected to power regulates, conducts, and constructs identities and defines the way certain things are thought about practices and are studied. The book takes note of the fact that within the framework of performance, a performative subject does not wear a coherent identity as it is fragmented, decentered, simulated and is unstable, while being both virtual as well as actual. In the field of semiotics, theatre is historically and reciprocally affected by practice, especially within contingent conditions of time. In theatre semiotics, the new image of knowledge is that of turbulence. Here, knowledge is not so much a system as it is a confluence. Carrying this stance further we can say that contemporary Assamese theatre is characterised by shifting counter-voices and sub-textual underpinnings. This act forces reading into two directions: dialogic openness and variability of meaning that question the theatre directors as the only ones who know.
Author: C. Finburgh
Publisher: Springer
Published: 2011-05-17
Total Pages: 255
ISBN-13: 0230305660
DOWNLOAD EBOOK →This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France.
Author: James Frieze
Publisher:
Published: 2009
Total Pages: 215
ISBN-13: 9781349355372
DOWNLOAD EBOOK →Closely reading a range of performance work from the late twentieth and early twenty-first centuries, Naming Theatre is a ground-breaking study of theatre's growing obsession with technologies and effects of naming. How do theatre-makers such as Ping Chong, Anne Bogart, Suzan-Lori Parks, Forced Entertainment, Lightwork, Ridiculusmus, Theodora Skipitares, Paula Vogel, and Riot Group intervene in naming practices across domains such as medicine, political activism, philosophy, horror films, television and print journalism, anthropology, advertising and brand development, semiotics, military training, and genetics?
Author: Brian Powell
Publisher: Routledge
Published: 2013-12-16
Total Pages: 268
ISBN-13: 1134242018
DOWNLOAD EBOOK →This book endeavours to unravel the complicated skeins of Japanese theatre in the modern period and offers an appreciation of the richness of choice of presentational and representational theatre forms. Since the end of world War II there has been continuing but different conflict between the major theatrical genres. Kabuki continues to defend its ground successfully, but the 'new drama' (shingeki) became firmly established in its own right in the 1960s. It was a vigorous and exuberant 'underground' theatre which exploited anything and everything in the Japanese and western theatre traditions. Now, thirty years on, they too have been superseded. The youth theatre of the 1980s and 90s has thrown aside the concerns of the angry underground and developed a fast-moving bewilderingly kaleidoscopic drama of breath-taking energy.
Author: Glyn Trefor-Jones
Publisher:
Published: 2015
Total Pages: 0
ISBN-13: 9781848422858
DOWNLOAD EBOOK →Packed full of drama games, ideas and suggestions, Drama Menu is a unique new resource for drama teachers.
Author: Sanjay Kumar
Publisher: Cambridge Scholars Publishing
Published: 2022-11-29
Total Pages: 280
ISBN-13: 1527591174
DOWNLOAD EBOOK →Drawing on the writer’s experience of three and a half decades of performing, teaching and writing theatre, this book explores the performance practice of a theatre group (pandies’ theatre, Delhi) by placing this practice in a frame of international activist theatre movements. The teaching aspect provides a historical backdrop and the writing of plays adds depth and sharpens the political position. It identifies theatre as a force for changing society across the centuries and beyond national borders. The book examines a large variety of theatrical experiences, including well-known forms of proscenium, workshop and street theatre.
