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Author: Stephen Davies
Publisher: Oxford University Press on Demand
Published: 2004
Total Pages: 383
ISBN-13: 0199274118
DOWNLOAD EBOOK →Stephen Davies addresses such questions as: What are musical works?; are they discovered or created?; of what elements are they comprised?; how are they specified?; what's a performance?; and, is it possible to perform old music authentically?
Author: John Rink
Publisher: Cambridge University Press
Published: 2002-12-12
Total Pages: 264
ISBN-13: 9780521788625
DOWNLOAD EBOOK →Table of contents
Author: David Cashman
Publisher: Routledge
Published: 2019-11-21
Total Pages: 154
ISBN-13: 0429012667
DOWNLOAD EBOOK →This book explores the fundamentals of popular music performance for students in contemporary music institutions. Drawing on the insights of performance practice research, it discusses the unwritten rules of performances in popular music, what it takes to create a memorable performance, and live popular music as a creative industry. The authors offer a practical overview of topics ranging from rehearsals to stagecraft, and what to do when things go wrong. Chapters on promotion, recordings, and the music industry place performance in the context of building a career. Performing Popular Music introduces aspiring musicians to the elements of crafting compelling performances and succeeding in the world of today’s popular music.
Author: Stephen Davies
Publisher: Oxford University Press on Demand
Published: 2004
Total Pages: 374
ISBN-13: 9780199274116
DOWNLOAD EBOOK →What are musical works? Are they discovered or created? Of what elements are they comprised? How are they specified by notations? What makes a performance of one piece and not another? Is it possible to perform old music authentically? Can ethnic music influenced by foreign sources and presented to tourists genuinely reflect the culture's musical and wider values? Can recordings substitute faithfully for live performances? These are the questions considered in Musical Works and Performances. Part One outlines the nature of musical works, their relation to performances, and their notational specification. Works for performance differ from ones that are merely for playback, and pieces for live rendition are unlike those for studio performance. Pieces vary in the number and kind of their constitutive properties. The identity of musical works goes beyond their sonic profile and depends on their music-historical context. To be of a given work, a performance must match its contents by following instructions traceable to its creation. Some pieces are indicated via exemplars, but many are specified notationally. Scores must be interpreted in light of notational conventions and performance practices they assume. Part Two considers authenticity in performance, musical traditions, and recordings. A performance should follow the composer's instructions. Departures from the ideal are tolerable, but faithfulness is central to the enterprise of work performance, not merelyan interpretative option. When musical cultures interact, assimilation from within differs from destruction from without. Even music subject to foreign influences can genuinely reflect the musical traditions and social values of a culture, however. Finally, while most works are for live performance, most performances are experienced via recordings, which have their own, distinctive characteristics. This comprehensive and original analysis of musical ontology discusses many kinds of music, and applies its conclusions to issues as diverse as the authentic performance movement, the cultural integrity of ethnic music, and the implications of the dominance of recorded over live music.
Author: Beverly Jerold
Publisher:
Published: 2016
Total Pages: 348
ISBN-13: 9781576472750
DOWNLOAD EBOOK →Frontcover -- Contents -- Abbreviations -- Preface -- 1 Dilettante and Amateur: Our Evolving Language -- 2 Bach's Lament about Leipzig's Professional Instrumentalists -- 3 Choral Singing Before the Era of Recordings -- 4 Why Most a cappella Music Could Not Have Been Sung Unaccompanied -- 5 Fasch and the Beginning of Modern Artistic Choral Singing -- 6 What Handel's Casting Reveals About Singers of the Time -- 7 Intonation Standards and Equal Temperament -- 8 Eighteenth-Century Stringed Keyboard Instruments from a Performance Perspective -- 9 The Tromba and Corno in Bach's Time -- 10 Maelzel's Role in Beethoven's Symphonic Metronome Marks -- 11 The French Time Devices Revisited -- 12 The Notable Significance of C and (in Bach's Era -- 13 Numbers and Tempo: 1630-1800 -- 14 Overdotting in Handel's Overtures Reconsidered -- 15 Notes inégales: A Definitive New Parameter -- 16 Distinguishing Between Artificial and Natural Vibrato in Premodern Music -- 17 A Solution for Simple (secco) Theater Recitative -- 18 How Composers Viewed Performers' Additions -- 19 The Varied Reprise in Eighteenth-Century Intrumental Music-A Reappraisal
Author: Stephen Davies
Publisher: Cornell University Press
Published: 1994
Total Pages: 436
ISBN-13: 9780801481512
DOWNLOAD EBOOK →We talk not only of enjoying music, but of understanding it. Music is often taken to have expressive import--and in that sense to have meaning. But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Reviewing and criticizing the aesthetic positions of recent years, he offers a spirited explanation of his own position. Davies considers and rejects in turn the positions that music describes (like language), or depicts (like pictures), or symbolizes (in a distinctive fashion) emotions. Similarly, he resists the idea that music's expressiveness is to be explained solely as the composer's self-expression, or in terms of its power to evoke a response from the audience. Music's ability to describe emotions, he believes, is located within the music itself; it presents the aural appearance of what he calls emotion characteristics. The expressive power of music awakens emotions in the listener, and music is valued for this power although the responses are sometimes ones of sadness. Davies shows that appreciation and understanding may require more than recognition of and reaction to music's expressive character, but need not depend on formal musicological training.
Author: Stan Godlovitch
Publisher: Routledge
Published: 2002-01-31
Total Pages: 188
ISBN-13: 1134654391
DOWNLOAD EBOOK →Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered. Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses for philosophical aesthetics. Where does does the value of musical performance lie? Is human performance of music a mere transfer medium? Is the performance of music more expressive than recorded music? Musical Performance poses questions such as these to develop a fascinating account of music today. musicians - but via some recording medium on which sound has been stored.
Author: Ioulia Papageorgi
Publisher: Routledge
Published: 2016-03-23
Total Pages: 405
ISBN-13: 1317185269
DOWNLOAD EBOOK →To reach the highest standards of instrumental performance, several years of sustained and focused learning are required. This requires perseverance, commitment and opportunities to learn and practise, often in a collective musical environment. This book brings together a wide range of enlightening current psychological and educational research to offer deeper insights into the mosaic of factors and related experiences that combine to nurture (and sometimes hinder) advanced musical performance. Each of the book's four sections focus on one aspect of music performance and learning: musics in higher education and beyond; musical journeys and educational reflections; performance learning; and developing expertise and professionalism. Although each chapter within its home section offers a particular focus, there is an underlying conception across all the book’s contents of the achievability of advanced musical performance and of the important nurturing role that higher education can play, particularly if policy and practice are evidence-based and draw on the latest international research findings. The narrative offers an insight into the world of advanced musicians, detailing their learning journeys and the processes involved in their quest for the development of expertise and professionalism. It is the first book of its kind to consider performance learning in higher education across a variety of musical genres, including classical, jazz, popular and folk musics. The editors have invited an international community of leading scholars and performance practitioners to contribute to this publication, which draws on meticulous research and critical practice. This collection is an essential resource for all musicians, educators, researchers and policy makers who share our interest in promoting the development of advanced performance skills and professionalism.
Author: Gianmario Borio
Publisher: Taylor & Francis
Published: 2020-05-21
Total Pages: 257
ISBN-13: 0429651759
DOWNLOAD EBOOK →Investigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms. The chapters present different approaches to this multi-layered phenomenon, including the results of significant research projects. The complex nature of musical performance is revealed within each section which either suggests aspects of dialogue and contiguity or discusses divergences between theoretical models and perspectives. Part I elaborates on the history, current trends and crucial aspects of the study of musical performance; Part II is devoted to the development of theoretical models, highlighting sharply distinguished positions; Part III explores the relationship between sign and sound in score-based performances; finally, the focus of Part IV centres on gesture considered within different traditions of musicmaking. Three extra chapters by the editors complement Parts I and III and can be accessed via the online Routledge Music Research Portal. The volume shows actual and possible connections between topics, problems, analytical methods and theories, thereby reflecting the wealth of stimuli offered by research on the musical cultures of our times.
Author: Larry Blocher
Publisher:
Published: 1997
Total Pages: 950
ISBN-13:
DOWNLOAD EBOOK →Recordings of works composed for band and suitable for grades 2-5.
