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Musical Theatre in Europe 1830-1945

Author: Michela Niccolai

Publisher: Brepols Publishers

Published: 2017

Total Pages: 0

ISBN-13: 9782503577661

From the mid-1800s in Europe there was a vigorous and enthusiastic expansion of diverse forms of musical theatre. The cabarets, music-halls and private theatres rubbed shoulders with the subsidised and official theatres that offered more established types of spectacle, creating a milieu which welcomed a number of new musical and theatrical genres which fed from and into one another. In the midst of this creative dynamism, alongside revues and café-concert spectacles, operetta and its derivative forms took centre stage. Divided into six sections, the volume covers the revue de fin d'année as a theatrical genre which also influenced all other lighter genres in France during its heyday ; dance music in Offenbach's operettas and his musical recreation of the Parisian soundscape ; transformation of the opera repertoire in operetta and revue parodies ; Viennese and English operetta and musical comedy from the end of the 'reign' of Gilbert and Sullivan until the outbreak of World War II ; diverse theatrical practices from Parisian puppet theatre and the posters of musical spectacles in the café conchantant, to contemporary Italian operetta before the rise of Fascism, and its dissemination, via the impresario Vittorio Rosi, in Japan.

Paris and the Musical

Author: Olaf Jubin

Publisher: Routledge

Published: 2021-03-18

Total Pages: 408

ISBN-13: 0429878613

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Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries. From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’. The interdisciplinary nature of this collection renders it as a fascinating resource for a wide range of courses; it will be especially valuable for students and scholars of Musical Theatre and those interested in Theatre and Film History more generally.

The Oxford Handbook of the Global Stage Musical

Author: Robert Gordon

Publisher: Oxford University Press

Published: 2023-11-14

Total Pages: 1001

ISBN-13: 0190909757

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The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.

The Cambridge Companion to Operetta

Author: Anastasia Belina

Publisher: Cambridge University Press

Published: 2019-12-05

Total Pages: 347

ISBN-13: 1107182166

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A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.

German Operetta on Broadway and in the West End, 1900–1940

Author: Derek B. Scott

Publisher: Cambridge University Press

Published: 2019-07-11

Total Pages: 395

ISBN-13: 1108484581

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Uncovers a world of forgotten triumphs of musical theatre that shine a light on major social topics. This book is also available as Open Access on Cambridge Core.

Carmen Abroad

Author: Richard Langham Smith

Publisher: Cambridge University Press

Published: 2020-07-30

Total Pages: 387

ISBN-13: 1108481612

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A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.

Fanfare for a City

Author: Jacek Blaszkiewicz

Publisher: Univ of California Press

Published: 2023-12-05

Total Pages: 263

ISBN-13: 0520393481

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Fanfare for a City invites us to listen to the sounds of Paris during the Second Empire (1852–1870), a regime that oversaw dramatic social change in the French capital. By exploring the sonic worlds of exhibitions, cafés, streets, and markets, Jacek Blaszkiewicz shows how the city's musical life shaped urban narratives about le nouveau Paris: a metropolis at a crossroads between its classical, Roman past and its capitalist, imperial future. At the heart of the narrative is "Baron" Haussmann, the engineer of imperial urbanism and the inspiration for a range of musical responses to modernity, from the enthusiastic to the nostalgic. Drawing on theoretical approaches from historical musicology, urban sociology, and sound studies to shed light on newly surfaced archival material, Fanfare for a City argues that urbanism was a driving force in how nineteenth-century music was produced, performed, and policed.

Urban Popular Culture and Entertainment

Author: Antje Dietze

Publisher: Taylor & Francis

Published: 2022-12-09

Total Pages: 251

ISBN-13: 1000803333

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This book is part of an ongoing transnational turn in cultural history. Studies on the history of urban popular culture and the entertainment industries increasingly engage with the European or global circulation of genres, actors, and shows, especially during the period of massive growth and expansion of the sector from the 1870s to the 1930s. Nevertheless, a large part of this research remains focused on exchanges between Western and Central European, and North American metropolises. To provide a fuller picture of the emergence and cross-border transfer of different genres of popular culture, this volume investigates Northern, East Central, and Southern European cities and their relations with each other and the West. The authors analyze the mediating agents, transnational networks, and local responses to new forms of entertainment from Madrid to Vyborg, and from Istanbul to Reykjavík. These examples re-focus the history of urban popular culture in Europe in view of multidirectional transfers and a wider range of regional experiences. Urban Popular Culture and Entertainment will appeal to researchers and students alike interested in the history of popular culture in modern societies, particularly those studying urban centers in Europe, and their transnational and transregional connections.

Genre Beyond Borders

Author: Bruno Bower

Publisher: Taylor & Francis

Published: 2023-12-18

Total Pages: 264

ISBN-13: 1003826032

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This book offers an innovative approach to understanding operetta, drawing attention to its malleability and resistance to boundaries. These shows have traversed (and continue to traverse) with ease the national borders which might superficially define them, or draw on features from many other genres without fundamentally changing in tone or approach. The chapters move from nineteenth-century London and Paris to twentieth-century North America, South America and Europe to present-day Australia. Some offer fresh understandings of familiar composers, such as Johann Strauss or Gilbert and Sullivan, while others examine works or composers that are less well-known. The chapter on Socialist operetta in Czechoslovakia in particular will almost certainly be a revelation to anyone from Western Europe or the US, where operetta is often understood to be a bourgeois phenomenon. As a summary of the current state of the field, this collection showcases the many possible pathways for future scholars who wish to explore it.

Madama Butterfly/Madamu Batafurai

Author: Arthur Groos

Publisher: Cambridge University Press

Published: 2023-01-31

Total Pages: 297

ISBN-13: 1009250701

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Puccini's famous but controversial Madama Butterfly reflects a practice of 'temporary marriage' between Western men and Japanese women in nineteenth-century treaty ports. Groos' book identifies the plot's origin in an eye-witness account and traces its transmission via John Luther Long's short story and David Belasco's play. Archival sources, many unpublished, reveal how Puccini and his librettists imbued the opera with differing constructions of the action and its heroine. Groos's analysis suggests how they constructed a 'contemporary' music-drama with multiple possibilities for interpreting the misalliance between a callous American naval officer and an impoverished fifteen-year-old geisha, providing a more complex understanding of the heroine's presumed 'marriage'. As an orientalizing tragedy with a racially inflected representation of Cio-Cio-San, the opera became a lightning rod for identity politics in Japan, while also stimulating decolonizing transpositions into indigenous theatre traditions such as Bunraku puppet theatre and Takarazuka musicals.