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Author:
Publisher: BRILL
Published: 2019-05-20
Total Pages: 445
ISBN-13: 9004379487
DOWNLOAD EBOOK →Musical Culture in the World of Adam de la Halle explores the 13th-century composer’s music, drama, and poetry in the context of his urban environment. The authors use approaches from musicology, history, art history, and literary studies.
Author: Jennifer Saltzstein
Publisher:
Published: 2019
Total Pages: 0
ISBN-13: 9789004368453
DOWNLOAD EBOOK →Musical Culture in the World of Adam de la Halle explores the 13th-century composer's music, drama, and poetry in the context of his urban environment. The authors use approaches from musicology, history, art history, and literary studies.
Author: Mark Everist
Publisher: Cambridge University Press
Published: 2018-08-09
Total Pages:
ISBN-13: 1108577075
DOWNLOAD EBOOK →Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: Benjamin Brand
Publisher: Cambridge University Press
Published: 2016-10-27
Total Pages: 379
ISBN-13: 131679895X
DOWNLOAD EBOOK →It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
Published: 2007-10-16
Total Pages: 640
ISBN-13: 1429932880
DOWNLOAD EBOOK →Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Stephen Trask
Publisher: Dramatists Play Service Inc
Published: 2003
Total Pages: 52
ISBN-13: 9780822219019
DOWNLOAD EBOOK →Tells the story of transsexual rocker Hedwig Schmidt, an East German immigrant whose sex change operation has been botched and who finds herself living in a trailer park in Kansas.
Author: Daniel Leech-Wilkinson
Publisher: Cambridge University Press
Published: 2002-10-17
Total Pages: 358
ISBN-13: 9780521818704
DOWNLOAD EBOOK →A challenging book which questions how much is really known about the way medieval music sounded.
Author: Ardis Butterfield
Publisher: Cambridge University Press
Published: 2002
Total Pages: 406
ISBN-13: 9780521622196
DOWNLOAD EBOOK →This book, first published in 2003, examines the relationship between poetry and music in medieval France.
Author: Herve Vanel
Publisher: University of Illinois Press
Published: 2013-11-15
Total Pages: 217
ISBN-13: 0252095251
DOWNLOAD EBOOK →Triple Entendre discusses the rise and spread of background music in contexts as diverse as office workplaces, shopping malls, and musical performance. Hervé Vanel examines background music in several guises, beginning with Erik Satie's "Furniture Music" of the late 1910s and early 1920s, which first demonstrated the idea of a music not meant to be listened to and was later considered a precedent to modern, functional background music. Vanel argues that when the Muzak Corporation's commercialized ambient music became a predominant feature of modern life in the 1940s--both as a brand and a genre of background music--it also became a powerful instrument of social engineering in an advanced capitalist society. Different kinds of music were developed to encourage or incite greater productivity in the workplace, more energetic shopping, or more animated socializing. Vanel's discussion culminates in the creative response of the composer John Cage to the pervasiveness and power of background music in contemporary society. Cage neither opposed nor rejected Muzak, but literally answered its challenge by formulating a parallel concept that he called "Muzak-Plus." Forty years after Satie presented his work to general critical puzzlement, Cage saw how background music could be combined with mid-century technology and theories of art and performance to create a participatory soundscape on a scale that Satie could not have envisioned, again reconfiguring the listener's stance to music. By examining the subterranean connections existing between these three formulations of a singular idea, Triple Entendre analyzes and challenges the crucial boundary that separates an artistic concept from its actual implementation in life.
