Music & Poetry in the Early Tudor Court
Author: John Stevens
Publisher: CUP Archive
Published: 1961
Total Pages: 504
ISBN-13:
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Music and Poetry in the Early Tudor Court
Author: John Stevens
Publisher: Cambridge University Press
Published: 1979-06-21
Total Pages: 496
ISBN-13: 9780521294171
DOWNLOAD EBOOK →First published in 1962, John Stevens' book examines the complex interplay between lyrical and musical compositions in the courts of Henry VII and VIII. One of the persistent problems for the reader of an English lyric is this: was the poem meant to be sung? and if so, how did music affect the writing, and how should it affect our reading of the poem? Stevens aims to answer these questions by challenging the notion of a traditional union between music and verse. He examines late medieval ideas about music and poetry and the impact of the Reformation on them, and uses the social information about music and musicians to interpret the evidence of the early Tudor songbooks. This book is supplemented by four appendices containing the texts of all the poems in the three main Tudor songbooks together with information about musical settings and related poems, an index of selected songs, a list of sources, and a bibliography of relevant books and articles. It is hoped that this volume will appeal to practising musicians and scholars, as well as anyone for whom music is a continuing intellectual interest and a pleasure.
Music & Poetry in the Early Tudor Court
Music and Poetry in the Early Tudor Court
Author: John Stevens
Publisher:
Published: 1961
Total Pages: 514
ISBN-13:
DOWNLOAD EBOOK →While the music of the Elizabethans is widely known, that of the early Tudors is still mostly unpublished. Dr. Stevens provides a scholarly study of this un-accountably neglected subject, and gives the first full description of three song-books which contain virtually all that remains of English secular song from 1480-1530. Beginning with a detailed description of the song-books, he goes on to discuss the relationship between music and poetry during the period before the Reformation. This is followed by a description of the tradition of the 'courtly makers' from Chaucer to Wyatt, including an important section on the social manifestations of courtly love, and he deals thoroughly with the role of the musician and the quality of musical life at the time. This is a book which for the first time provides the relevant musical and social information on which a fresh assessment of the poetry of the early Tudors can be based. Dr. Stevens's conclusions lead him to question the prevailing view that there was an idealized union of poetry and music in early Tudor England which led up to and culminated in the great Elizabethans. The literary text of the songs in the three song-books is given in an appendix, together with a commentary, a first-line index of some 370 songs, and a list of sources.
Music & Poetry in the Early Tudor Court
Author: John E 1921- Stevens
Publisher: Hassell Street Press
Published: 2021-09-09
Total Pages: 512
ISBN-13: 9781013473159
DOWNLOAD EBOOK →This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Music & Poetry in the Early Tudor Court /cJohn Stevens
The Early Tudor Court and International Musical Relations
Author: Theodor Dumitrescu
Publisher: Routledge
Published: 2017-07-05
Total Pages: 429
ISBN-13: 1351544950
DOWNLOAD EBOOK →Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
Early Music History: Volume 17
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 1999-03-04
Total Pages: 350
ISBN-13: 9780521622424
DOWNLOAD EBOOK →Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
Patrons and Musicians of the English Renaissance
Author: David C. Price
Publisher: Cambridge University Press
Published: 1981-02-05
Total Pages: 274
ISBN-13: 0521228069
DOWNLOAD EBOOK →The author examines the secular music of the late Renaissance period primarily through families of varying importance.
Music in Elizabethan Court Politics
Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
Published: 2015
Total Pages: 273
ISBN-13: 1843839814
DOWNLOAD EBOOK →Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
