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Luther's Liturgical Music

Author: Robin A. Leaver

Publisher: Fortress Press

Published: 2017-01-01

Total Pages: 499

ISBN-13: 1506427162

Martin Luther's relationship to music has been largely downplayed, yet music played a vital role in Luther's life -- and he in turn had a deep and lasting effect on Christian hymnody. In Luther's Liturgical Music Robin Leaver comprehensively explores these connections. Replete with tables, figures, and musical examples, this volume is the most extensive study on Luther and music ever published. Leaver's work makes a formidable contribution to Reformation studies, but worship leaders, musicians, and others will also find it an invaluable, very readable resource.

Luther's Theology of Music

Author: Miikka E. Anttila

Publisher: ISSN

Published: 2017

Total Pages: 0

ISBN-13: 9783110552157

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The sweetness of music is something that has puzzled Christian theologians for centuries. In this study, Luther's theology of music is approached from the point of view of pleasure. It examines the significance of joy, beauty and pleasure in relationship with music and Luther's theology. The notion of music as the supreme gift of God requires also a discussion about the idea of 'gift'. Music opens up new perspectives into Luther's thinking. Luther has seldom been reckoned among aesthetic theologians. Nevertheless, Luther has a peculiar view on beauty, understanding faith as a kind of aesthetic contemplation.

Music in Martin Luther's Theology

Author: Yakub E. Kartawidjaja

Publisher: Vandenhoeck & Ruprecht

Published: 2021-04-12

Total Pages: 217

ISBN-13: 3647565539

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The study aims to analyse the impact of Luther's theology on his thoughts about music. It limits itself to an analysis of the topic by focusing on the three most important statements of Luther about music in his unfinished treatise Περι της μουσικης [On Music]. The first statement is that music is "a gift of God and not of man" [Dei donum hominum est], second, music "creates joyful soul" [facit letos animos], and third, music "drives away the devil" [fugat diabolum]. The relation between these three statements to each other and to Luther's theology in general can be understood in connection with his personal experiences and commitments to music, which were undergirded by his theology. Luther, as a man of medieval times, took for granted the existence of the devil, and many of his writings contained frequent references to the personal attacks of the devil, where it influenced his thoughts about music.

Luther on Music

Author: Carl Schalk

Publisher:

Published: 1988

Total Pages: 64

ISBN-13:

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The purpose of this volume is to: (1) establish the importance of music--especially in Luther's early life, in his education in the schools, and in his life in the monastery--in shaping his understanding of the role of music in the Christian life; (2) show how Luther's developing understanding of music in Christian life and worship led him to a practical and many-faceted involvement in a variety of music's aspects; (3) bring into sharp relief several distinct paradigms, or patterns of thought, that dominated Luther's theological understanding of the role of music in the church's life and ministry.

Martin Luther's Theology

Author: Oswald Bayer

Publisher: Wm. B. Eerdmans Publishing

Published: 2008-11-03

Total Pages: 399

ISBN-13: 0802827993

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Forty years of in-depth research on Martin Luther's theology has left Oswald Bayer uniquely qualified to present this comprehensive study. He does so with clarity and care, simply enough for nontheologians to access. This remarkable book offers the basics of Luther's understanding of theology, discussing his response to the philosophy of science tradition, the formula by which he studied theology, and the basic philosophy that informed him. Bayer then takes Luther's stance on Christian dogmatics and ethics and applies it to our own theological understanding in the modern age. With such a complete Lutheran dogmatic concept -- the first of its kind offered -- the stunning inner consistency of Luther's theology and its ease of application to contemporary studies become unmistakably clear. Martin Luther's Theology is a valuable tool for students and teachers of theology and for those looking for a guide into the mind and heart of Luther -- a theologian for today.

Martin Luther's Theology of Beauty

Author: Mark C. Mattes

Publisher: Baker Academic

Published: 2017-08-22

Total Pages: 240

ISBN-13: 149341030X

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Many contemporary theologians seek to retrieve the concept of beauty as a way for people to encounter God. This groundbreaking book argues that while Martin Luther's view of beauty has often been ignored or underappreciated, it has much to contribute to that quest. Mark Mattes, one of today's leading Lutheran theologians, analyzes Luther's theological aesthetics and discusses its implications for music, art, and the contemplative life. Mattes shows that for Luther, the cross is the lens through which the beauty of God is refracted into the world.

The Theology of Martin Luther

Author: Paul Althaus

Publisher: Fortress Press

Published: 1966-01-01

Total Pages: 490

ISBN-13: 9781451415544

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This is a comprehensive and systematic survey of Martin Luther's entire thought by an internationally recognized authority in the field of Reformation research. The main theological questions which engaged the Reformer's attention are set forth in clear and simple fashion, along with a host of quotations from this own writings to illumine the presentation. Scholars and laypersons alike will appreciate the more than a thousand instances in which the author allows Luther to speak forcefully and directly for himself.

Music in Martin Luther's Theology

Author: Yakub E. Kartawidjaja

Publisher: Vandenhoeck & Ruprecht

Published: 2021

Total Pages: 0

ISBN-13: 9783525565537

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The study aims to analyse the impact of Luther's theology on his thoughts about music. It limits itself to an analysis of the topic by focusing on the three most important statements of Luther about music in his unfinished treatise ?e?? t?? ??s???? [On Music]. The first statement is that music is "a gift of God and not of man" [Dei donum hominum est], second, music "creates joyful soul" [facit letos animos], and third, music "drives away the devil" [fugat diabolum]. The relation between these three statements to each other and to Luther's theology in general can be understood in connection with his personal experiences and commitments to music, which were undergirded by his theology. Luther, as a man of medieval times, took for granted the existence of the devil, and many of his writings contained frequent references to the personal attacks of the devil, where it influenced his thoughts about music.

The Whole Church Sings

Author: Robin A. Leaver

Publisher: Wm. B. Eerdmans Publishing

Published: 2017-05-12

Total Pages: 220

ISBN-13: 1467447005

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Authoritative study by a renowned musicologist and Reformation scholar Many scholars think that congregational singing was not established in Lutheran worship until well after the start of the Reformation. In this book Robin A. Leaver calls that view into question, presenting new research to confirm the earlier view that congregational singing was both the intention and the practice right from the beginning of the Wittenberg reforms in worship. Leaver's study focuses on the Wittenberg hymnal of 1526, which until now has received little scholarly attention. This hymnal, Leaver argues, shows how the Lutheran Reformation was to a large degree defined, expressed, promoted, and taken to heart through early Lutheran hymns. Examining what has been forgotten or neglected about the origins of congregational hymnody under Martin Luther's leadership, this study of worship, music, and liturgy is a significant contribution to Reformation scholarship.

Singing the Resurrection

Author: Erin M. Lambert

Publisher: Oxford University Press

Published: 2018

Total Pages: 241

ISBN-13: 019066164X

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Singing the Resurrection brings music to the foreground of Reformation studies, as author Erin Lambert explores song as a primary mode for the expression of belief among ordinary Europeans in the sixteenth century, for the embodiment of individual piety, and the creation of new communities of belief. Together, resurrection and song reveal how sixteenth-century Christians--from learned theologians to ordinary artisans, and Anabaptist martyrs to Reformed Christians facing exile--defined belief not merely as an assertion or affirmation but as a continuous, living practice. Thus these voices, raised in song, tell a story of the Reformation that reaches far beyond the transformation from one community of faith to many. With case studies drawn from each of the major confessions of the Reformation--Lutheran, Anabaptist, Reformed, and Catholic--Singing the Resurrection reveals sixteenth-century belief in its full complexity.