Teaching Music Through Performance in Band
Author: Larry Blocher
Publisher:
Published: 1997
Total Pages: 950
ISBN-13:
DOWNLOAD EBOOK →Recordings of works composed for band and suitable for grades 2-5.
Author: Larry Blocher
Publisher:
Published: 1997
Total Pages: 950
ISBN-13:
DOWNLOAD EBOOK →Recordings of works composed for band and suitable for grades 2-5.
Author: Ira Robbins
Publisher:
Published: 2022-01-10
Total Pages: 458
ISBN-13: 9780984253975
DOWNLOAD EBOOK →Fifty years on a rock and roll soapbox.
Author: CreativePuzzlers
Publisher:
Published: 2019-12-09
Total Pages: 80
ISBN-13: 9781673314854
DOWNLOAD EBOOK →A fun and engaging word search puzzle book for all ages! Try to solve the 64 puzzles related to country music! Features: -Country Theme: Contains word searches featuring country singers, bands, albums, singles and much more including searches from all eras of country music! -Large Size: 8.5x11" dimensions for easy reading and solving! -Medium Challenge: The word searches are set at a medium difficulty so they can be played by any age group! The words are found in any direction but are limited to a 15x15 grid. -64 Puzzles with Solutions: This book contains many hours of fun with 64 puzzles to solve with over 700 individual words to be found! Makes a perfect gift for any word search lovers or country music fans that are in your life!
Author: Michael Allen
Publisher:
Published: 2001
Total Pages: 708
ISBN-13: 9781579992774
DOWNLOAD EBOOK →"The book contains thorough analyses of 100 of the most significant works for strings and full orchestra, Grades 1-6. Researched and compiled by scholarly musicians and teachers around the country, the book gives important information on each musical selection, including composer and composition information, historical background, technical requirements, stylistic considerations, musical elements, suggestions for additional listening, and a guide to selected references"--Publisher's website
Author: William T. Dargan
Publisher: Univ of California Press
Published: 2006-06-27
Total Pages: 356
ISBN-13: 9780520928923
DOWNLOAD EBOOK →This book, a milestone in American music scholarship, is the first to take a close look at an important and little-studied component of African American music, one that has roots in Europe, but was adapted by African American congregations and went on to have a profound influence on music of all kinds—from gospel to soul to jazz. "Lining out," also called Dr. Watts hymn singing, refers to hymns sung to a limited selection of familiar tunes, intoned a line at a time by a leader and taken up in turn by the congregation. From its origins in seventeenth-century England to the current practice of lining out among some Baptist congregations in the American South today, William Dargan’s study illuminates a unique American music genre in a richly textured narrative that stretches from Isaac Watts to Aretha Franklin and Ornette Coleman. Lining Out the Word traces the history of lining out from the time of slavery, when African American slaves adapted the practice for their own uses, blending it with other music, such as work songs. Dargan explores the role of lining out in worship and pursues the cultural implications of this practice far beyond the limits of the church, showing how African Americans wove African and European elements together to produce a powerful and unique cultural idiom. Drawing from an extraordinary range of sources—including his own fieldwork and oral sources—Dargan offers a compelling new perspective on the emergence of African American music in the United States. Copub: Center for Black Music Research
Author: Richard Louis Evans
Publisher: Shadow Mountain
Published: 2003
Total Pages: 372
ISBN-13: 9781570089619
DOWNLOAD EBOOK →The messages will inspire and bring hope to a nation during a very challenging period of our history. The messages will appeal to everyone from all religions and from all walks of life. Each decade is preceded by a brief introduction describing the major events and challenges of the times. The messages given many years ago are as applicable today as they were then.
Author: Dean Kurtz
Publisher: Xulon Press
Published: 2008-07
Total Pages: 366
ISBN-13: 1606473239
DOWNLOAD EBOOK →Are you passionate to know what the Bible says about worship and music? Confused by the myriad voices trumpeting their opinions about worship and music? This book not only gives you a Genesis to Revelation concordance of passages dealing with worship and music but also explores many texts critical for the church today. Practical and heartfelt applications from a pastor's heart punctuate the book, always with an eye to the final authority, the inspired Word of God. "What saith the Scriptures? Many preferences and opinions have been expressed, but the important source has not always been considered. Dr. Kurtz makes clear principles and patterns of music in worship that we need to make basic and should keep primary as we endeavor to honor God." - Dr. Warren Vanhetloo, Retired Seminary Dean "It is with great joy and excitement that I heartily recommend Brother Dean Kurtz's book to all pastors and musicians! We have been longing for, desperately needing an exegetical study of music and worship from the Word of God. You will find his insights right on target, his theological perspectives sound and his musical expertise encouraging. Your heart will be blessed." -Dr. Robert Loggans, Senior Pastor, Calvary Baptist Church, Watertown, WI Dean Kurtz, (BS Music Education; BS Bible; MA Sacred Music; Doctor of Ministry) has been passionate to communicate the Word about worship and music for over twenty-five years. His heart for ministry has taken him to classrooms and churches on five continents teaching and preaching to elementary students through seminarians. After twenty-five years at Calvary Baptist Church, Lansdale, PA, Pastor Dean currently serves Calvary Baptist Church, Watertown, WI. He also teaches as adjunct professor at Maranatha Baptist Bible College. He and his wife Brenda have two daughters. For more information on worship and music visit worshipintheword.org.
Author: Nicholas Temperley
Publisher: Cambridge University Press
Published: 1979
Total Pages: 496
ISBN-13: 9780521274579
DOWNLOAD EBOOK →Companion volume (v. 2) contains examples of the music, sources and critical notes.
Author: Mark Mitchell
Publisher: Indiana University Press
Published: 2005-11-03
Total Pages: 418
ISBN-13: 0253111668
DOWNLOAD EBOOK →As a pianist, Rosenthal was unparalleled: his legato touch came from Chopin through his pupil Mikuli; his awareness of composition was developed by Liszt; his Brahms interpretation shaped by the composer himself; and his ingeniously crafted piano-paraphrases memorialized his friendship with Johann Strauss II. Yet Rosenthal's pianistic abilities were married to a rare intellectual erudition -- a knowledge of literature, history, philology, science, philosophy, and society that few pianists have ever matched, let alone surpassed. In these striking pieces, we see every facet of Rosenthal: memoirist, social critic, pedagogue, and virtuoso. He could write with gravity and pathos, yet his famous and sometimes devastating wit is legendary. This volume combines Rosenthal's writings with critical assessments of the pianist by such contemporaries as Eduard Hanslick, Edward Prime-Stevenson, and Hugo Wolf. It is rounded out with an illuminating preface by Charles Rosen, perhaps Rosenthal's most renowned pupil; a discography and concertography; and a CD featuring never-before-released Rosenthal recordings.
Author: Ian Bent
Publisher: Cambridge University Press
Published: 1994-03-17
Total Pages: 404
ISBN-13: 9780521259699
DOWNLOAD EBOOK →This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.