Music from the Tang Court: Volume 7

Music from the Tang Court: Volume 7 PDF

Author: Laurence E. R. Picken

Publisher: Cambridge University Press

Published: 2006-01-30

Total Pages: 0

ISBN-13: 9780521543361

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The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This 'Tang Music' (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earliest sources. This process has revealed surprising evidence for ancient interconnections in Asian musics, and the essays in this seventh volume present aspects of this research to date. They provide evidence, for example, of music in a scale of four notes only from Bali and from Ancient China, as well as, most significantly, for the transportation from the Tang capital to Japan of 'several tens of scrolls of music in tablature'.

Music from the Tang Court: Volume 6

Music from the Tang Court: Volume 6 PDF

Author: Laurence E. R. Picken

Publisher: Cambridge University Press

Published: 1997-10-30

Total Pages: 328

ISBN-13: 9780521621007

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This volume brings to an end the transcription and description of thirty-one items from the Court Entertainment Music of the Tang. Of particular interest are a tune for a birthplace-ode by the Taizong Emperor, music for spear throwing, and a piece imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions, Tang compositions with military associations, and relatedness between movements in suites from the Tang.

Music from the Tang Court: Volume 2

Music from the Tang Court: Volume 2 PDF

Author: R. F. Wolpert

Publisher: CUP Archive

Published: 1981

Total Pages: 116

ISBN-13: 9780521318587

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This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song.

Analytical and Cross-Cultural Studies in World Music

Analytical and Cross-Cultural Studies in World Music PDF

Author: Michael Tenzer

Publisher: Oxford University Press

Published: 2011-10-06

Total Pages: 472

ISBN-13: 0199874700

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This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process. It suggests analytical approaches that apply across cultures, proposes a new way of classifying music, and treats provocative questions about the juxtaposition of music from different cultures.

Music from the Tang Court: Volume 3

Music from the Tang Court: Volume 3 PDF

Author: Laurence Picken

Publisher: CUP Archive

Published: 1985-11-07

Total Pages: 120

ISBN-13: 9780521278386

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Fáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.

Music, Mind, and Language in Chinese Poetry and Performance

Music, Mind, and Language in Chinese Poetry and Performance PDF

Author: Casey Schoenberger

Publisher: Oxford University Press

Published: 2024-02-28

Total Pages: 304

ISBN-13: 0198886241

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"Poetry puts intent into words; singing lengthens words"--this is one of the earliest Chinese comments on artistic expression. Poetic language extends the reach of a sentiment beyond the individual, and musicality extends the reach of poetic language, not only across a room, but across geography and generations. The "extended mind thesis" (EMT) views minds as extending beyond individual nervous systems to include material and social environments. Music, Mind, and Language in Chinese Poetry and Performance: The Voice Extended offers a comprehensive overview of the interwoven histories of traditional Chinese poetry and performing arts. It employs cognitive and quantitative methods such as EMT, and a database of over six thousand traditional melodies, to describe cyclical, continuous interactions between social minds and material artifacts. From the ancient Canon of Poetry to the song-lyrics (ci) of the late medieval period and the dramatic arias of Kun and Beijing operas, Casey Schoenberger introduces the rhythms, melodies, pronunciation, and grammatical stylistics of the major Chinese verse and performance traditions. In doing so, he gleans insights from cognitive neuroscience, digital humanities, musicology, and linguistics to explain not only the trajectory of Chinese arts, but also bigger phenomena, like vernacularisation and improvisation.

A Portrait of Five Dynasties China

A Portrait of Five Dynasties China PDF

Author: Glen Dudbridge

Publisher: Oxford University Press

Published: 2013-02-28

Total Pages: 285

ISBN-13: 0199670684

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A portrait of daily life in tenth-century China during the turbulent period of transition following the disintegration of the Tang dynasty, using the anecdotal memoirs of the scholar Wang Renyu and providing extensive translations of these hitherto unreconstructed texts.

Sizhu Instrumental Music of South China

Sizhu Instrumental Music of South China PDF

Author: Alan Robert Thrasher

Publisher: BRILL

Published: 2008

Total Pages: 237

ISBN-13: 9004165002

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According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examination of Confucian theory, the ancient corpus of behavioral doctrine which promoted music as a means of achieving social harmony and which, together with Daoist belief, exercised unusually strong influence over common-practice music and aesthetics. This is followed by a rigorous analysis of the music itself, focusing upon linear and modal structures and performance styles which reflect a fascinating mix of ancient ideologies and more recent influences.