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Author: Gwynn S. McPeek
Publisher: Taylor & Francis
Published: 1988
Total Pages: 412
ISBN-13: 9782881242168
DOWNLOAD EBOOK →First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Reinhard Strohm
Publisher:
Published: 2001
Total Pages: 522
ISBN-13: 9780198162056
DOWNLOAD EBOOK →This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Author: Harold Gleason
Publisher: Alfred Music Publishing
Published: 1981
Total Pages: 226
ISBN-13: 9780882843797
DOWNLOAD EBOOK →This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
Author: Carmelo Peter Comberiati
Publisher:
Published: 1988
Total Pages: 393
ISBN-13: 9780288124216
DOWNLOAD EBOOK →Author: John Haines
Publisher: Routledge
Published: 2013-10-30
Total Pages: 248
ISBN-13: 1135927693
DOWNLOAD EBOOK →This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries.
Author: John Stevens
Publisher: Cambridge University Press
Published: 1986-10-16
Total Pages: 582
ISBN-13: 9780521245074
DOWNLOAD EBOOK →This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.
Author: Mark Everist
Publisher: Cambridge University Press
Published: 2018-08-09
Total Pages:
ISBN-13: 1108577075
DOWNLOAD EBOOK →Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: TimothyJ. McGee
Publisher: Routledge
Published: 2017-07-05
Total Pages: 556
ISBN-13: 135156272X
DOWNLOAD EBOOK →This is a collection of twenty-nine of the most influential articles and papers about medieval musical instruments and their repertory. The authors discuss the construction of the instruments, their playing technique, the occasions for which they performed and their repertory. Taken as a whole, they paint a very broad, as well as detailed, picture of instrumental performance during the medieval period.
Author: Albert Seay
Publisher: Englewood Cliffs, N.J. : Prentice-Hall
Published: 1975
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOK →This book introduces the music of the Middle Ages while tracing the interrelations between the labors of musicians on the practical side & the monuments of rational organization erected by the thinkers of the age.
Author: Jaume Aurell i Cardona
Publisher: Brepols Publishers
Published: 2005
Total Pages: 0
ISBN-13: 9782503531441
DOWNLOAD EBOOK →"The second volume of the collection, centred on "National Traditions", is focused on eighteen medievalists who have been significant in diverse countries in the development of both medievalism and national identity. Medievalism has been closely united to national traditions since its beginning, and this book contributes to our understanding of this phenomenon. Romantic intellectuals' attraction to the medieval period largely explains the influence of medievalism in the formation of contemporary national identities, as from the 19th century, medievalists have also functioned as intellectuals present in the public debate. In the 20th century, important scholars of the Middle Ages, some of whom are studied in this volume, had already become authentic "national chroniclers", consolidators of the identities of the countries to which they felt closely linked both intellectually and emotionally. They actively participated in debates that exceeded strictly academic limits, delving into a wide range of political and cultural issues.".
