-PDF Download- Music Buff EBOOK

Privileged Son

Author: Dennis Mcdougal

Publisher: Da Capo Press

Published: 2009-08-05

Total Pages: 566

ISBN-13: 0786751134

The Boston Globe hailed Privileged Son as "a well-researched, tough-minded, superbly composed story" by an author "adept at mixing scandal and gossip with art and business." It's the riveting tale of how a second-rate newspaper rose to greatness only to become a casualty of war—a civil war within the family that owned it. The story, never before told in such hard-edged style, spans the American Century, from 1884, when the Chandler family gained control of the just-born daily, through April 2000, when they sold it to the Tribune Company. With a capriciousness that is seldom seen even in the most dysfunctional media dynasties, the Chandlers, who helped make the national careers of Richard Nixon, Ronald Reagan, and other major political figures, controlled Los Angeles and the Times Mirror Corporation—and Privileged Son captures it all.

Teaching Music Creatively

Author: Pamela Burnard

Publisher: Routledge

Published: 2013-06-07

Total Pages: 270

ISBN-13: 1135049955

DOWNLOAD EBOOK →

Offering a brand new approach to teaching music in the primary classroom, Teaching Music Creatively provides training and qualified teachers with a comprehensive understanding of how to effectively deliver a creative music curriculum. Exploring research-informed teaching ideas, diverse practices and approaches to music teaching, the authors offer well-tested strategies for developing children’s musical creativity, knowledge, skills and understanding. With ground-breaking contributions from international experts in the field, this book presents a unique set of perspectives on music teaching. Key topics covered include: Creative teaching, and what it means to teach creatively; Composition, listening and notation; Spontaneous music-making; Group music and performance; The use of multimedia; Integration of music into the wider curriculum; Musical play; Cultural diversity; Assessment and planning. Packed with practical, innovative ideas for teaching music in a lively and creative way, together with the theory and background necessary to develop a comprehensive understanding of creative teaching methods, Teaching Music Creatively is an invaluable resource for undergraduate and postgraduate students in initial teacher training, practising teachers, and undergraduate students of music and education.

Sea Nile, the desert, and Nigritia

Author: Joseph H. Churi

Publisher:

Published: 1853

Total Pages: 352

ISBN-13:

DOWNLOAD EBOOK →

Sea Nile

Author: Joseph H. Churi

Publisher:

Published: 1853

Total Pages: 410

ISBN-13:

DOWNLOAD EBOOK →

Interpreting Popular Music

Author: David Brackett

Publisher: CUP Archive

Published: 1995-11-30

Total Pages: 288

ISBN-13: 9780521473378

DOWNLOAD EBOOK →

A study of American popular music, focusing on genre and cultural contexts. Individual chapters treat particular artists and the different genres and styles that they exemplify. Copyright © Libri GmbH. All rights reserved.

Baroque Music

Author: Peter Walls

Publisher: Routledge

Published: 2017-07-05

Total Pages: 588

ISBN-13: 1351574728

DOWNLOAD EBOOK →

Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.

The Passion for Music: A Sociology of Mediation

Author: Antoine Hennion

Publisher: Routledge

Published: 2017-07-05

Total Pages: 352

ISBN-13: 1351541668

DOWNLOAD EBOOK →

Music is an accumulation of mediators: instruments, languages, sheets, performers, scenes, media and so on. There is no musical object in itself; music must always be made again. In this innovative book, Hennion turns the elusiveness of music into a resource for a pragmatic analysis: by which collective process do we make music appear among us? Rather than offering a sociology of music, The Passion for Music listens to the lesson provided by the case of music - this art of infinite mediations. Learning from music allows us to transform the paradigm to be offered by sociology, by confronting it (from Durkheim and Weber to Bourdieu) with a different way of considering objects. For this task, Hennion draws on aesthetics (Adorno) and art history (Haskell, Baxandall), as well as science and technology studies and popular music studies (Latour, Frith, DeNora). As part of that project, The Passion for Music presents a wide-ranging series of case studies, restoring attention to the rich and varied intermediaries through which music is brought to life: from the debate around the reinterpretation of baroque music, to the classroom, the rock scene, the classical music concert, Bachs social career in the nineteenth and twentieth centuries, and the practices of music amateurs today. This is the first English translation of one of the most important works of French scholarship on music and society.

Loving Music Till It Hurts

Author: William Cheng

Publisher: Oxford University Press, USA

Published: 2019

Total Pages: 409

ISBN-13: 0190620137

DOWNLOAD EBOOK →

Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the "Star-Spangled Banner" at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection. There's nothing wrong with the human instinct to safeguard beloved music . . . except, perhaps, when this instinct leads us to hurt or neglect fellow human beings in turn: say, by heaping outsized shame upon those who seem to do music wrong; or by rushing to defend a conductor's beautiful recordings while failing to defend the multiple victims who have accused this maestro of sexual assault. Loving Music Till It Hurts is a capacious exploration of how people's head-over-heels attachments to music can variously align or conflict with agendas of social justice. How do we respond when loving music and loving people appear to clash?

The Music of James Bond

Author: Jon Burlingame

Publisher: Oxford University Press

Published: 2012-10-11

Total Pages: 304

ISBN-13: 019986330X

DOWNLOAD EBOOK →

Chronicles all the behind-the-scenes stories of every song and score written for the James Bond films and draws from new interviews with many of the songwriters and composers.

Reeled In: Pre-existing Music in Narrative Film

Author: Jonathan Godsall

Publisher: Routledge

Published: 2018-09-12

Total Pages: 232

ISBN-13: 1351970445

DOWNLOAD EBOOK →

How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment.