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Author: Geoffrey Baker
Publisher: Cambridge University Press
Published: 2011
Total Pages: 393
ISBN-13: 0521766869
DOWNLOAD EBOOK →Representing pioneering research, essays in this collection investigate musical developments in the urban context of colonial Latin America.
Author: Louisa Schell Hoberman
Publisher:
Published: 1986
Total Pages: 376
ISBN-13:
DOWNLOAD EBOOK →Author: Geoffrey Baker
Publisher: Duke University Press
Published: 2008-03-24
Total Pages: 322
ISBN-13: 0822388758
DOWNLOAD EBOOK →Imposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology’s cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzco’s musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged. Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
Author: Pablo Palomino
Publisher: Oxford University Press, USA
Published: 2020
Total Pages: 273
ISBN-13: 0190687401
DOWNLOAD EBOOK →"This book reconstructs the transnational history of the category "Latin American music" during the first half of the 20th century, from a longer perspective that begins in the 19th century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors, such as intellectuals, musicologists, policy-makers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. It proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces-imperial, economic, and ideological. It argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history"--
Author: Geoffrey Baker
Publisher: Duke University Press
Published: 2008-03-24
Total Pages: 324
ISBN-13: 9780822341604
DOWNLOAD EBOOK →Imposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology’s cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzco’s musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged. Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
Author: Juan Pablo González
Publisher: Lexington Books
Published: 2018-02-20
Total Pages: 200
ISBN-13: 1498568653
DOWNLOAD EBOOK →Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. The book addresses such topics as popular music, post-colonialism, women in Latin American music, tradition and modernity, musical counterculture, globalization, and identity construction through music. It contributes to the development of paradigms of cultural analysis that originated outside of Latin America by testing them in the Latin American musical context, while also exploring how specifically Latin American models can contribute to broader cultural analysis.
Author: Joseph Arbena
Publisher:
Published: 1980
Total Pages: 96
ISBN-13:
DOWNLOAD EBOOK →This essay presents background information and suggests teaching stragegies to aid community and junior college classroom teachers of history and civilization as they develop and implement educational programs on Latin American music. It is based on the premise that Latin American music can best be understood as a reflection of other historical and cultural themes. Emphasis is placed on the music of Mexico, Brazil, and Colombia. The document is presented in six chapters. Chapter one introduces the document, identifies objectives, and presents information on major influences of Latin America's musical heritage, including indigenous, Iberian, and African. Chapters two, three, and four focus on the music of Mexico, Brazil, and Colombia, respectively. For each country, information is organized around six themes--(1) ethnic variety and fusion, (2) regionalism, (3) cultural imperialism and imitativeness, (4) nationalism, (5) protest and revolution, and (6) urbanization and cultural standardization. Titles and themes of various types of music are interwoven throughout the narrative. A brief introductory section for each of these three chapters relates the folk, popular, and art music traditions of each country to Latin American music at various times throughout history. Chapter five offers additional suggestions on relating music to nationalistic and social action themes in other Latin American nations. Chapter six suggests teaching methods, including playing musical selections in class, asking students to identify various rhythmic and stylistic differences, and directing students to identify traditional motifs while listening to nationalistic music. The document concludes with a bibliography and a discography. (DB)
Author: Jesús A. Ramos-Kittrell
Publisher: Oxford University Press
Published: 2016
Total Pages: 249
ISBN-13: 0190236817
DOWNLOAD EBOOK →This work explores how cathedral musicians in eighteenth-century Mexico City relied on music and on their institutional affiliation to define their social place. In the tensions that brewed within New Spain's racial casta (or caste) system, people of mixed race increasingly competed for Spanish benefits and prerogatives.
Author:
Publisher: BRILL
Published: 2017-09-25
Total Pages: 313
ISBN-13: 9004353437
DOWNLOAD EBOOK →In this volume historians, anthropologists, musicologists, political scientists and literary scholars address different dimensions of cosmopolitanism in Portugal, Brazil, Angola and other parts of the world. Migrants, traders, writers, freemasons, architects, conservative and postcolonial politicians are among the figures analysed here.
Author: Danna A. Levin Rojo
Publisher: Oxford University Press, USA
Published: 2019-12-04
Total Pages: 923
ISBN-13: 019934177X
DOWNLOAD EBOOK →This collaborative multi-authored volume integrates interdisciplinary approaches to ethnic, imperial, and national borderlands in the Iberian World (16th to early 19th centuries). It illustrates the historical processes that produced borderlands in the Americas and connected them to global circuits of exchange and migration in the early modern world. The book offers a balanced state-of-the-art educational tool representing innovative research for teaching and scholarship. Its geographical scope encompasses imperial borderlands in what today is northern Mexico and southern United States; the greater Caribbean basin, including cross-imperial borderlands among the island archipelagos and Central America; the greater Paraguayan river basin, including the Gran Chaco, lowland Brazil, Paraguay, and Bolivia; the Amazonian borderlands; the grasslands and steppes of southern Argentina and Chile; and Iberian trade and religious networks connecting the Americas to Africa and Asia. The volume is structured around the following broad themes: environmental change and humanly crafted landscapes; the role of indigenous allies in the Spanish and Portuguese military expeditions; negotiations of power across imperial lines and indigenous chiefdoms; the parallel development of subsistence and commercial economies across terrestrial and maritime trade routes; labor and the corridors of forced and free migration that led to changing social and ethnic identities; histories of science and cartography; Christian missions, music, and visual arts; gender and sexuality, emphasizing distinct roles and experiences documented for men and women in the borderlands. While centered in the colonial era, it is framed by pre-contact Mesoamerican borderlands and nineteenth-century national developments for those regions where the continuity of inter-ethnic relations and economic networks between the colonial and national periods is particularly salient, like the central Andes, lowland Bolivia, central Brazil, and the Mapuche/Pehuenche captaincies in South America. All the contributors are highly recognized scholars, representing different disciplines and academic traditions in North America, Latin America and Europe.
