Music and Twentieth-Century Tonality

Music and Twentieth-Century Tonality PDF

Author: Paolo Susanni

Publisher: Routledge

Published: 2012-05-04

Total Pages: 178

ISBN-13: 1136314202

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This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. Since the chromatic scale is the primary source for the pitch materials of 20th-century music, common sub-collections of the various modes and interval cycles serve as the basis for their mutual transformation. It is precisely this peculiarity of the non-serialized twelve-tone system that allows for an array of pitch relations and modal techniques hitherto perceived difficult if not impossible to analyze. Susanni and Antokoletz present the principles, concepts, and materials employed for analysis using a unique theoretic-analytical approach to the new musical language. The book contains a large number of original analyses that explore a host of composers including Ives, Stravinsky, Bartók, Messiaen, Cage, Debussy, Copland, and many more, providing insight into the music of the tonal revolution of the twentieth century and contributing an important perspective to how music works in general.

Tonality as Drama

Tonality as Drama PDF

Author: Edward David Latham

Publisher: University of North Texas Press

Published: 2008

Total Pages: 238

ISBN-13: 1574412493

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Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?

Musics with and after Tonality

Musics with and after Tonality PDF

Author: Paul Fleet

Publisher: Routledge

Published: 2021-12-31

Total Pages: 268

ISBN-13: 0429837534

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This volume is a journey through musics that emerged at the turn of the 20th Century and were neither exclusively tonal nor serial. They fall between these labels as they are metatonal, being both with and after tonality, in their reconstruction of external codes and gestures of Common Practice music in new and idiosyncratic ways. The composers and works considered are approached from analytic, cultural, creative, and performance angles by musicologists, performers and composers to enable a deeper reading of these musics by scholars and students alike. Works include those by Frank Bridge, Ferruccio Busoni, Mikalojus Konstantinas Čiurlionis, Rebecca Clarke, John Foulds, Percy Grainger, Mary Howe, Carl Nielsen, Franz Schreker, Erwin Schulhoff, Cyril Scott and Alexander Scriabin. In the process of engaging with this book the reader, will find an enrichment to their own understanding of music at the turn of the 20th Century.

Music of the Twentieth Century

Music of the Twentieth Century PDF

Author: Ton de Leeuw

Publisher: Amsterdam University Press

Published: 2005

Total Pages: 223

ISBN-13: 9053567658

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Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.

Twelve-Tone Music in America

Twelve-Tone Music in America PDF

Author: Joseph N. Straus

Publisher: Cambridge University Press

Published: 2009-10-01

Total Pages: 326

ISBN-13: 9780521899550

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Most histories of American music have ignored the presence of twelve-tone music before and during the Second World War, and virtually all have ignored its presence after 1970, even though so many major composers continued (and continue) to compose serially. This book provides a comprehensive history of twelve-tone music in America, and compels a revised picture of American music since 1925 as a dynamic steady-state within which twelve-tone serialism has long been, and still remains, a persistent presence: a vigorous and unbroken tradition for more than eighty years. Straus outlines how, instead of a rigid orthodoxy, American twelve-tone music is actually a flexible, loosely-knit cultural practice. The book provides close readings of thirty-seven American twelve-tone works by composers including Copland, Babbitt, Stravinsky and Carter, among many others, who represent a typically American diversity of background and life circumstances, and strips away the many myths surrounding twelve-tone music in America.

Bridge to Twentieth-century Music

Bridge to Twentieth-century Music PDF

Author: Paul O. Harder

Publisher: Prentice Hall

Published: 1999

Total Pages: 0

ISBN-13: 9780205287581

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This unique book utilizes programmed instruction to help students gain mastery of some concepts and techniques related to late nineteenth and early twentieth century harmony. Programmed instruction provides immediate feedback which speeds the learning process and prevents missed points and wrong ideas from causing serious trouble. Readers receive continual feedback and reinforcement as they work at their own pace. A Discography in an Appendix provides musical examples of issues in the book. This book is divided into three sections: Part 1 is Melodic Tonality; Part 2 is Harmonic Tonality; and Part 3 is The Evolution of Harmonic Tonality. For anyone interested in Music Theory and History.

The Music of Béla Bartók

The Music of Béla Bartók PDF

Author: Elliott Antokoletz

Publisher: Univ of California Press

Published: 1984

Total Pages: 380

ISBN-13: 9780520067479

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The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.

The Music of Béla Bartók

The Music of Béla Bartók PDF

Author: Elliott Antokoletz

Publisher: Univ of California Press

Published: 1984

Total Pages: 375

ISBN-13: 0520067479

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The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.

Materials and Techniques of Twentieth-century Music

Materials and Techniques of Twentieth-century Music PDF

Author: Stefan M. Kostka

Publisher: Prentice Hall

Published: 2006

Total Pages: 360

ISBN-13:

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The twilight of the tonal system -- Scale formations in twentieth-century music -- The vertical dimension -- The horizontal dimension : melody and voice leading -- Harmonic progression and tonality -- Developments in rhythm -- Form in twentieth-century music -- Imports and allusions -- Nonserial atonality -- Classical serialism -- Timbre and texture : acoustic -- Timbre and texture : electronic -- Serialism after 1945 -- The roles of chance and choice in twentieth-century music -- Minimalism and beyond.