"Music and Orientalism in the British Empire, 1780s?940s "

Author: Bennett Zon

Publisher: Routledge

Published: 2017-07-05

Total Pages: 403

ISBN-13: 1351557580

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Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Music and Orientalism in the British Empire, 1780s-1940s

Music and Orientalism in the British Empire, 1780s-1940s PDF

Author: Bennett Zon

Publisher: Routledge

Published: 2017-07-05

Total Pages: 368

ISBN-13: 1351557599

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Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Orientalism and Musical Mission

Orientalism and Musical Mission PDF

Author: Rachel Beckles Willson

Publisher: Cambridge University Press

Published: 2013-04-18

Total Pages: 379

ISBN-13: 1107036569

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Offers a new way of understanding music's connections with Orientalism and imperialism by using the concept of 'mission'.

Orientalism, Masquerade and Mozart's Turkish Music

Orientalism, Masquerade and Mozart's Turkish Music PDF

Author: Matthew Head

Publisher: Routledge

Published: 2018-12-13

Total Pages: 178

ISBN-13: 1351555480

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Matthew Head explores the cultural meanings of Mozart's Turkish music in the composer's 18th-century context, in subsequent discourses of Mozart's significance for 'Western' culture, and in today's (not entirely) post-colonial world. Unpacking the ideological content of Mozart's numerous representations of Turkey and Turkish music, Head locates the composer's exoticisms in shifting power relations between the Austrian and Ottoman Empires, and in an emerging orientalist project. At the same time, Head complicates a presentist post-colonial critique by exploring commercial stimuli to Mozart's turquerie, and by embedding the composer's orientalism in practices of self-disguise epitomised by masquerade and carnival. In this context, Mozart's Turkish music offered fleeting liberation from official and proscribed identities of the bourgeois Enlightenment.

Imperialism And Music

Imperialism And Music PDF

Author: Jeffrey Richards

Publisher: Manchester University Press

Published: 2001

Total Pages: 552

ISBN-13: 9780719045066

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This is the first book to consider the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate, and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism, and chivalry. It was also used to emphasize the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales, and Ireland to the imperial project.