Music and Mythmaking in Film

Music and Mythmaking in Film PDF

Author: Timothy E. Scheurer

Publisher: McFarland

Published: 2007-12-05

Total Pages: 275

ISBN-13: 0786431903

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This work studies the conventions of music scoring in major film genres (e.g., science fiction, hardboiled detective, horror, historical romance, western), focusing on the artistic and technical methods that modern composers employ to underscore and accompany the visual events. Each chapter begins with an analysis of the major narrative and scoring conventions of a particular genre and concludes with an in-depth analysis of two film examples from different time periods. Several photographic stills and sheet music excerpts are included throughout the work, along with a select bibliography and discography.

Overtones and Undertones

Overtones and Undertones PDF

Author: Royal S. Brown

Publisher: Univ of California Press

Published: 2023-04-28

Total Pages: 412

ISBN-13: 9780520914773

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Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Miklós Rósza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume.

The Invisible Art of Film Music

The Invisible Art of Film Music PDF

Author: Laurence E. MacDonald

Publisher: Ardsley House

Published: 1998

Total Pages: 456

ISBN-13:

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A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves.

Beyond the Soundtrack

Beyond the Soundtrack PDF

Author: Daniel Ira Goldmark

Publisher: Univ of California Press

Published: 2007-06-08

Total Pages: 333

ISBN-13: 0520940555

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This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.

The Cambridge Companion to Film Music

The Cambridge Companion to Film Music PDF

Author: Mervyn Cooke

Publisher: Cambridge University Press

Published: 2016-12-08

Total Pages: 439

ISBN-13: 1107094518

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A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

The Technique of Film Music

The Technique of Film Music PDF

Author: Roger Manvell

Publisher: London, Focal

Published: 1957

Total Pages: 310

ISBN-13:

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The history of film music is traced from the early piano accompaniment for the silent films, to the specially-composed orchestral score. How composers have dealt with the restrictions inherent in film music, as well as its many opportunities, is illustrated by many reference to particular scores.Other types of film, such as documentary, experimental and cartoon films, and these have also been appraised.

Film Music

Film Music PDF

Author: Mark Russell

Publisher: Focal Press

Published: 2000

Total Pages: 216

ISBN-13: 9780240804415

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In Film Music, fourteen of the world's best known film composers discuss their craft, revealing the creative process that led to the familiar sound of the most memorable films of our time. Like all titles in the Screencraft Series, Film Music is beautifully produced and lavishly illustrated with drawings, scripts, storyboards, models and stills from classic films. A companion CD features a composition from each of the fourteen contributors. Musicians, composers, filmmakers and film enthusiasts will find much to learn and much to enjoy in this unique volume. Includes CD featuring a piece of music from each contributor Part of the Screencraft series, the first books to explore the crafts of filmmaking by tracing the entire creative process

Film Music: A Very Short Introduction

Film Music: A Very Short Introduction PDF

Author: Kathryn Kalinak

Publisher: Oxford University Press

Published: 2010-03-11

Total Pages: 162

ISBN-13: 0199707979

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Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

When Music Takes Over in Film

When Music Takes Over in Film PDF

Author: Anna K. Windisch

Publisher: Springer Nature

Published: 2023-05-02

Total Pages: 265

ISBN-13: 3030891550

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This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research.

Historical Dictionary of Film Noir

Historical Dictionary of Film Noir PDF

Author: Andrew Spicer

Publisher: Scarecrow Press

Published: 2010-03-19

Total Pages: 533

ISBN-13: 0810873788

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Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.