Author: Jon-Ove Steihaug
Publisher:
Published: 2016
Total Pages: 0
ISBN-13: 9780300220100
DOWNLOAD EBOOK →A fascinating look at how Mapplethorpe and Munch, although separated by many years, shared certain affinities in their lives and artwork This revelatory catalogue delves into the many affinities shared between two widely renowned and discussed artists, Robert Mapplethorpe (1946-1989) and Edvard Munch (1863-1944), whose intensely studied work has, until now, never been considered in relation to one another. Mapplethorpe + Munch brings to light how these two monumental figures curiously relate on an existential level, in how they deal with questions concerning sexuality, and in their way of utilizing self-portraiture as a means to explore issues of personal identity. Featuring essays that examine the thematic impulses behind the accompanying exhibition, this publication establishes a previously unexplored association between two equally contentious art figures, while working to impart alternative perspectives and new insight into their respective outputs. Although distinct in their legacies, Mapplethorpe and Munch remain remarkably intertwined. Distributed for Mercatorfonds Exhibition Schedule: Munch Museum, Oslo (02/06/16-05/29/16)
Author: Arne Eggum
Publisher:
Published: 1998
Total Pages: 136
ISBN-13:
DOWNLOAD EBOOK →A comprehensive and enlightening overview of this extraordinary painter researched by the foremost experts in the field. Features his lithographs and woodcuts as well as the paintings.
Author: Edvard Munch
Publisher:
Published: 2004
Total Pages: 188
ISBN-13:
DOWNLOAD EBOOK →Published on the occasion of the exhibition, "Edvard Munch: The Frieze of Life," National Gallery of Victoria, Melbourne, 13 October 2004 - 12 January 2005.
Author: Trine Otte Bak Nielsen
Publisher: Mercatorfonds
Published: 2015
Total Pages: 0
ISBN-13: 9780300220032
DOWNLOAD EBOOK →For the first time a major dual exhibition will be devoted to two giants in the history of Norwegian art, Edvard Munch and Gustav Vigeland. Their work, development and ambitions have many interesting traits in common, which will provide the public with an opportunity to discover new connections between the two artists.00Edvard Munch (1863-1944) and Gustav Vigeland (1869-1943) worked during the same period. One primarily as a painter and printmaker, the other as a sculptor. With only a six-year difference in age, they were affiliated with the same circles and influenced by the same contemporary art movements. And for a period they both lived and worked - even in adjoining rooms - in Berlin. The connection between Munch and Vigeland has often been mentioned, yet has never been the subject of in-depth investigations. Many are of the opinion that the two were rivals. This book wishes to clarify the connections between them by presenting their artistic careers side by side, from the time they began studying at The Royal College of Design in Kristiania, to the time they became well-established artists at Ekely and Frogner respectively. A red thread running through the book is their common development with regard to choice of motifs. For example when they followed the contemporary trends and depicted angst-filled characters, ambiguous love motifs or ominous Judgement Day motifs. The works of a young and not yet famous Vigeland are highlighted here, from a time when his sculptures had a more dramatic content and were smaller in format than the ones we know from the Vigeland Park. An interesting similarity from a later period can be found in the artists' works representing monumental renderings of entangled piles of human bodies, such as Munch's painting The Human Mountain and Vigeland's sculpture The Monolith. Exhibition: Munch Museet, Oslo, Norway (03.10.2015-17.01.2016).
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
Published: 1979
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOK →Author: National Gallery of Ireland
Publisher: Philip Wilson Publishers
Published: 2009-06-26
Total Pages: 132
ISBN-13:
DOWNLOAD EBOOK →Published to accompany an exhibition at the Hunterian Museum and Art Gallery, University of Glasgow from 12 June to 5 September 2009 and the National Gallery of Ireland, Dublin from 18 September to 6 December 2009.