Movement Directors in Contemporary Theatre

Movement Directors in Contemporary Theatre PDF

Author: Ayse Tashkiran

Publisher: Bloomsbury Publishing

Published: 2020-06-11

Total Pages: 240

ISBN-13: 135005447X

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'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.' - Joan Iyiola Movement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance. The conversations open up: Growth of movement direction through the 20th century New insights into embodied theatre practice Diverse movement approaches and creative preparation Physical trainings and influences Working methods with directors and actors in the rehearsal room Movement for actors in opera, film, television and musical theatre Relationships between movement direction and theatre choreography Potential future developments in the field

Movement Direction

Movement Direction PDF

Author: Kate Flatt

Publisher: The Crowood Press

Published: 2022-07-13

Total Pages: 445

ISBN-13: 0719840619

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Movement Direction in contemporary theatre production is increasingly recognised and valued as a significant component of the expressive art of bodily communication in live performance. From scene changes, to character development, to dance sequences, movement direction underpins all that we see on stage and screen. This comprehensive book traces the creativity, skills, and knowledge essential to the movement director employed within the context of performance making. Key concepts are combined with insightful accounts from experienced practitioners and supported by creative tasks aimed to develop curiosity, skill, and deeper understanding of this valuable craft. Topics covered include: what is Movement Direction?; the expressive body; the actor's process; movement in time and space;? working with dance forms; context, research, and planning; Movement Direction for plays and opera and finally, working with directors.

Movement Directors in Contemporary Theatre

Movement Directors in Contemporary Theatre PDF

Author: Ayse Tashkiran

Publisher: Bloomsbury Publishing

Published: 2020-06-11

Total Pages: 241

ISBN-13: 1350054488

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'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.' - Joan Iyiola Movement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance. The conversations open up: Growth of movement direction through the 20th century New insights into embodied theatre practice Diverse movement approaches and creative preparation Physical trainings and influences Working methods with directors and actors in the rehearsal room Movement for actors in opera, film, television and musical theatre Relationships between movement direction and theatre choreography Potential future developments in the field

Movement for Actors

Movement for Actors PDF

Author: Nicole Potter

Publisher: Simon and Schuster

Published: 2002-07-01

Total Pages: 461

ISBN-13: 158115934X

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In this rich resource for American actors, renowned movement teachers and directors reveal the physical skills needed for the stage and screen. Experts in a wide array of disciplines provide remarkable insight into the Alexander technique, the use of psychological gesture, period movement, the work of Rudolph Laban, postmodern choreography, and Suzuki training, to name but a few. Those who want to pursue serious training will be able to consult the appendix for listings of the best teachers and schools in the country. This inspiring collection is a must read for all actors, directors, and teachers of theater looking for stimulation and new approaches.

Fight Directing for the Theatre

Fight Directing for the Theatre PDF

Author: J. Allen Suddeth

Publisher: Heinemann Drama

Published: 1996

Total Pages: 368

ISBN-13: 9780435086749

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Authored by professional fight director J. Allen Suddeth, all the aspects of brawn, brawl, and broadswords are covered.

The Actor and His Body

The Actor and His Body PDF

Author: Litz Pisk

Publisher: Bloomsbury Publishing

Published: 2017-11-30

Total Pages: 128

ISBN-13: 1474269761

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'Once you start working with someone like Litz you don't ever want to stop if you can help it' - Vanessa Redgrave Litz Pisk was widely regarded as the most influential teacher of modern theatre movement of the 20th Century. She innovated and advocated a physical training that sought to combine awareness, emotion and imagination specifically for the actor's craft. Her seminal book, The Actor and His Body, is the direct result of her unique dual career as a professional movement director and as an actor movement teacher working in leading British conservatoires. Pisk's quest was to find expression for the inner impulse that motivated actors to move. Her teachings, as outlined in this book, offer insight on the specific craft of the actor, and the relationship between movement, imagination and the 'need' to move. The Actor and His Body is also a practical manual for keeping the actor's body physically and expressively responsive. In addition, there are a range of movement exercises, illuminated by her exquisite line drawings, and a complete weekly programme which concentrates on movement practice within different timescales. This fourth edition features the original foreword by Michael Elliot as well as a new introduction by Ayse Tashkiran, contemporary movement director and Senior Lecturer at the Royal Central School of Speech and Drama, which contextualises Pisk's work.

The Routledge Companion to Jacques Lecoq

The Routledge Companion to Jacques Lecoq PDF

Author: Mark Evans

Publisher: Routledge

Published: 2016-09-13

Total Pages: 604

ISBN-13: 1317594622

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The Routledge Companion to Jacques Lecoq presents a thorough overview and analysis of Jacques Lecoq's life, work and philosophy of theatre. Through an exemplary collection of specially commissioned chapters from leading writers, specialists and practitioners, it draws together writings and reflections on his pedagogy, his practice, and his influence on the wider theatrical environment. It is a comprehensive guide to the work and legacy of one of the major figures of Western theatre in the second half of the twentieth century. In a four-part structure over fifty chapters, the book examines: The historical, artistic and social context out of which Lecoq's work and pedagogy arose, and its relation to such figures as Jacques Copeau, Antonin Artaud, Jean-Louis Barrault, and Dario Fo. Core themes of Lecoq's International School of Theatre, such as movement, play, improvisation, masks, language, comedy, and tragedy, investigated by former teachers and graduates of the School. The significance and value of his pedagogical approaches in the context of contemporary theatre practices. The diaspora of performance practice from the School, from the perspective of many of the most prominent artists themselves. This is an important and authoritative guide for anyone interested in Lecoq's work.

Movement Training for the Modern Actor

Movement Training for the Modern Actor PDF

Author: Mark Evans

Publisher: Routledge

Published: 2009-01-13

Total Pages: 223

ISBN-13: 1135892946

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Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor.

Authoring Performance

Authoring Performance PDF

Author: A. Sidiropoulou

Publisher: Springer

Published: 2011-11-16

Total Pages: 380

ISBN-13: 113700178X

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A historical, theoretical, and comparative study of the emergence of the director-as-author phenomenon, posing questions of authorship and redefining the relationship between 'playwright' and the director-playwright.

Inside/Outside

Inside/Outside PDF

Author: Monika Pagneux

Publisher: Robert Golden Pictures Limited

Published: 2012

Total Pages: 70

ISBN-13: 9780956302120

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Monika Pagneux's inspirational way of working allows actors to find a unity between their inner psyche and its outer expression. Truth becomes the source of creativity; actions are a result of being, not thinking. Monika's questioning of her self; 'Who am I?' and her answers, transforms her into a mentor for our troubled times. This book is based upon Monika's scrapbook in which she offers a sense of her work and in particular how she uses clay modelling to help the workshop members intuit their physicality and their life force. This is transformed into sounds, movement, actions and interactions resulting in the creation of scenes involving all the workshop members. Often these produce stunning moments of honesty and drama. The 46-minute film is a more precise description of her work. In the film, Monika explains the entire process in detail along with her thoughts and feelings about movement, performance and theatre. The actors/directors Annabel Arden, Katherine Hunter and Marcello Magni speak about how their work with Monika has influenced their own careers. Actor/director Olivia Yan, Feldenkrais teacher Fiona Battersby and actor Xela Marx also offer contributions. The film and the book are relevant to actors, dancers, musicians, yoga, Feldenkrais, Pilates and other sports and movement systems and to people working with children.