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The Music of Francis Poulenc (1899-1963)
Author: Carl B. Schmidt
Publisher: Clarendon Press
Published: 1995-10-19
Total Pages: 638
ISBN-13: 0191585165
DOWNLOAD EBOOK →The name of Francis Poulenc (1899-1963) was first brought to prominence in the 1920s as a member of Les Six, a group of young French composers encouraged by Satie and Cocteau. His subsequent fame spread well beyond France, and he is coming to be regarded as one of this century's most significant composers. His compositions are heard constantly in concert halls the world over, and numerous recordings, including complete sets of songs and piano music, have been released. Books, articles and more than a dozen doctoral dissertations have discussed his music. Carl Schmidt's catalogue of Poulenc's works represents the first comprehensive attempt to list an oeuvre which numbers approximately 185 compositions written from his teenage years until his death at the age of 63. The Catalogue indentifies a number of unpublished works, and adds a small group of compositions to his musical canon for the first time. Each work, whether complete or unfinished, published or unpublished, is described fully. Catalogue entries list and describe all known printed editions (including reprints) and manuscript copies of each work. In addition, they provide detailed compositional histories based on numerous letters, documents, and press accounts, many of which have not been published previously. Russian interest in Poulenc's music, manifested in press runs exceeding one million copies, is also revealed for the first time.
Mouvements perpétuels
The Pianist's Craft 2
Author: Richard P. Anderson
Publisher: Rowman & Littlefield
Published: 2015-09-17
Total Pages: 293
ISBN-13: 1442232668
DOWNLOAD EBOOK →In The Pianist’s Craft 2, pianist and scholar Richard P. Anderson gathers together a new collection of essays by renowned performing artists and teachers and discusses the preparation, pedagogy, and performance of selected works by an entirely different set of composers whose works are standard in the piano literature. In this volume, readers will find an invaluable collection of contributions on C.P.E. Bach, Antonio Soler, Felix Mendelssohn, Gabriel Fauré, Erno Dohnányi, Francis Poulenc, Heitor Villa-Lobos, Dmitri Kabalevsky, Alberto Ginastera, Aaron Copland, Samuel Barber, Olivier Messiaen, and John Cage. The contributors—all nationally and internationally recognized as performing artists, teachers, recording artists, and clinicians—write thoughtfully about the composers whose work they have studied and played for years. Each author addresses issues unique to an individual composer, examining questions of phrasing, tempo, articulation, dynamics, rhythm, color, gesture, lyricism, instrumentation, and genre. Valuable insight is provided into teaching, performing, and preparing these great works—information otherwise available only in conferences, master classes, and private lessons. This collection, with more than 250 musical illustrations, is intended for teachers and students of the intermediate and advanced levels of piano, instructors and performers at the university level, and those who love piano and piano music.
Anthology of 20th century piano music
Author: Maurice Hinson
Publisher: Alfred Music Publishing
Published: 2003
Total Pages: 212
ISBN-13: 9780739032992
DOWNLOAD EBOOK →The early 20th century was a period of dramatic changes, when composers were venturing in new directions and seeking new sounds. The pairing of the Anthology of 20th Century Piano Music with the Piano Practices in Early 20th Century Piano Music DVD provides pianists with a unique opportunity to hear informed performances of the music they are studying. On the DVD, Dr. Hinson shares historical anecdotes about the composers represented, using examples by Bartk, Debussy, Joplin, Grainger, Hindemith, MacDowell, Coleridge-Taylor, Satie and Schoenberg from the Anthology.
Marching to the Canon
Author: Scott Messing
Publisher: Boydell & Brewer
Published: 2014
Total Pages: 340
ISBN-13: 1580464386
DOWNLOAD EBOOK →Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings, through its many arrangements, to its impact on dance, literature, film, and music. Marche militaire is Franz Schubert's most recognizable and beloved instrumental work. Originally published for piano four hands in 1826, this tuneful march -- Schubert's first of three military marches -- was arranged, adapted, and incorporated into new incarnations over the next two centuries. Its success was due to its chameleonlike ability to cross the still-porous borders between canonic and popular repertories, creating a performance life thatmade deep inroads into dance, literature, and film, and inspired quotations or allusions in other music Marching to the Canon examines the history of Schubert's storied Marche militaire from its modest beginnings as aduet published for domestic consumption to its now-ubiquitous presence. After detailing the composition, publication, and reception of the original march, the book analyzes the impact of transcriptions and arrangements for solo piano, orchestra, band, and other settings. In addition, it considers the ways the march was used symbolically, even manipulated, during the Franco-Prussian War and the two world wars, as well as the diverse creative uses of the piece by significant figures as varied as Willa Cather, Isadora Duncan, Walt Disney, and Igor Stravinsky. This study of the reception and impact of the Marche militaire offers a unique narrative illuminating the world that enshrined this remarkable score as one of the most memorable musical works of the nineteenth century. Scott Messing is the Charles A. Dana Professor of Music at Alma College, and the author of two works available from theUniversity of Rochester Press: Neoclassicism in Music and the two-volume Schubert in the European Imagination.
Composer Portraits: Francis Poulenc
Author: Jon Paxman
Publisher: Wise Publications
Published: 2014-03-17
Total Pages: 48
ISBN-13: 1783232501
DOWNLOAD EBOOK →The Composer Portraits series offers unique and original monographs on individual composers. Text and music introductions written by experts are combined with carefully chosen selections of newly-engraved music for the Piano to give a concise but informed overview of the life and work of each composer. This edition focuses on the life and works of the French composer and pianist Francis Poulenc, with notes by Jon Paxman. Pieces: - L'histoire de Babar le petit éléphant (excerpts) - Française d’après Claude Gervaise - Five Impromptus - II. Allegro vivace - Mouvements Perpétuels - II. Trés modéré - Nocturnes No.7 (from 8 Nocturnes) - Trois Novelettes - No.3 in E Minor - Andantino tranquillo - Pièce brève sur le nom d'Albert Roussel - Trois Pièces - I. Pastorale - Promenades - VIII. En Chemin De Fer - Suite pour Piano - III. Vif
Suite for piano (en Ut majeur).
The Routledge Research Companion to Modernism in Music
Author: Björn Heile
Publisher: Routledge
Published: 2018-10-29
Total Pages: 518
ISBN-13: 131704245X
DOWNLOAD EBOOK →Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Resonant Recoveries
Author: Jillian C. Rogers
Publisher: Oxford University Press
Published: 2021
Total Pages: 401
ISBN-13: 0190658290
DOWNLOAD EBOOK →"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
