“Mouths on Fire with Songs”.

“Mouths on Fire with Songs”. PDF

Author: Caroline De Wagter

Publisher: Rodopi

Published: 2013

Total Pages: 420

ISBN-13: 9401209545

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This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today’s globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their “mouths on fire” (August Wilson), these playwrights contest stereotyped notions of authenticity. In¬spired by songs of anger, passion, experience, survival, and regeneration, the plays analyzed bespeak a burning desire to break the silence, to heal and empower. Foregrounding questions of hybridity, diaspora, cultural memory, and nation, this comparative study includes discussion of some twenty-five case studies of plays by such authors as M.J. Kang, August Wilson, Suzan–Lori Parks, Djanet Sears, Chay Yew, Padma Viswanathan, Rana Bose, Diane Glancy, and Drew Hayden Taylor. Through its cross-cultural and cross-national prism, “Mouths on Fire with Songs” shows that multi-ethnic drama is one of the most diverse and dynamic sites of cultural production in North America today.

A Mouth Full of Fire

A Mouth Full of Fire PDF

Author: Andrew G. Shead

Publisher: InterVarsity Press

Published: 2013-03-05

Total Pages: 326

ISBN-13: 0830884157

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"I am putting my words as a fire in your mouth; these people are tinder and it will consume them." (Jeremiah 5:14) In the book of Jeremiah, not only is the vocabulary of "word" and "words" uniquely prevalent, but formulae marking divine speech also play an unprecedented role in giving the book's final form its narrative and theological shape. Indeed, "the word of the Lord" is arguably the main character, and a theology that is both distinctive and powerful can be seen to emerge from the unfolding narrative. In this stimulating study, Andrew Shead examines Jeremiah's use of word language; the prophet's formation as an embodiment of the word of God; his covenant preaching and the crisis it precipitates concerning the recognition of true prophecy; and, in the "oracles of hope," how the power of the word of God is finally made manifest. Shead then brings this reading of Jeremiah to bear on some issues in contemporary theology, including the problem of divine agency and the doctrine of Scripture, and concludes by engaging Jeremiah's doctrine of the Word of God in conversation with Karl Barth. The prophet's major contribution emerges from his careful differentiation of "word" and "words." Addressing key issues in biblical theology, the works comprising New Studies in Biblical Theology are creative attempts to help Christians better understand their Bibles. The NSBT series is edited by D. A. Carson, aiming to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead.

Wu Song

Wu Song PDF

Author: Hu Liqun

Publisher: Sellene Chardou

Published:

Total Pages: 1862

ISBN-13: 1304462005

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The path of the slate twists and turns under the old walls on both sides, and the mottled moss on the wall has quietly laid a foundation between the slates. If the powder-like spring rain sweeps, the green will be more vivid. On the trail, three or five girls with bright clothes came with flowers in their hands, and the sound of Wu dialect in Jiangsu and Zhejiang was sweet, soft and delicate, which had already made people drunk