Stage Dialects

Stage Dialects PDF

Author: Jerry Blunt

Publisher: Addison-Wesley Longman

Published: 1967

Total Pages: 176

ISBN-13:

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Instruction for the actor in imitating the Japanese, Brooklyn, American Southern, standard English, Cockney, Irish, Scots, French, Italian, German, and Russian dialects and/or accents.

Dialects for the Stage

Dialects for the Stage PDF

Author: Evangeline Machlin

Publisher: Routledge

Published: 2006-02-28

Total Pages: 160

ISBN-13: 1135469865

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Dialect work is one of the actor's most challenging tasks. Need to know a Russian accent? Playing a German countess or a Midwestern farmhand? These and more accents – from Yiddish to French Canadian – are clearly explained in Evangeline Machlin's classic work. Now available in a book-and-downloadable resources format, Evangeline Machlin's Dialects for the Stage is based on a method of dialect acquisition she developed during her years working with students at Boston University's Division of Theatre. During her long career, Evangeline Machlin trained such actors as Steve McQueen, Lee Grant, Suzanne Pleshette, Joanne Woodward, and Faye Dunaway.

Dialects for the Stage

Dialects for the Stage PDF

Author: Evangeline Machlin

Publisher: Taylor & Francis

Published: 2006

Total Pages: 162

ISBN-13: 087830200X

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Need to know a Russian accent? Playing a German countess or a Midwestern farmhand? These and more accents - from Yiddish to French Canadian - are clearly explained in Evangeline Machlin's classic work, complete with downloadable resources.

Languages of the Stage

Languages of the Stage PDF

Author: Patrice Pavis

Publisher: AJ Publishing Company

Published: 1982

Total Pages: 214

ISBN-13:

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"This volume should be read by those interested in both theatre and interpretive strategies, semiological and otherwise." -- "Modern Language Notes"In "Languages of the Stage," Patrice Pavis explores the questions of semiology in both classical and contemporary drama, ranging widely over the works of the ancient Greeks, Marivaux, Artaud, Brecht, Brook, Handke, and Wilson.

Stage Dialects

Stage Dialects PDF

Author: Jerry Blunt

Publisher: Dramatic Publishing

Published: 1994

Total Pages: 174

ISBN-13: 9780871293312

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A "definitive work," this book presents eleven of the most popular dialects used in plays and drama, breaking them down into key sounds, including "vowel substitutions, dipthongal changes, consonant subsititions, special pronunciations, and pitch patterns." The phonetic alphabet is also included, along with readings for drill and practice.

Theatre Is More Beautiful Than War

Theatre Is More Beautiful Than War PDF

Author: Marvin Carlson

Publisher: University of Iowa Press

Published: 2009-09

Total Pages: 242

ISBN-13: 1587298929

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In almost every area of production, German theatre of the past forty years has achieved a level of distinction unique in the international community. This flourishing theatrical culture has encouraged a large number of outstanding actors, directors, and designers as well as video and film artists. The dominant figure throughout these years, however, has remained the director. In this stimulating and informative book, noted theatre historian Marvin Carlson presents an in-depth study of the artistic careers, working methods, and most important productions of ten of the leading directors of this great period of German staging. Beginning with the leaders of the new generation that emerged in the turbulent late 1960s—Peter Stein, Peter Zadek, and Claus Peymann, all still major figures today—Carlson continues with the generation that appeared in the 1980s, particularly after reunification—Frank Castorf, Anna Viebrock, Andrea Breth, and Christoph Marthaler—and concludes with the leading directors to emerge after the turn of the century, Stefan Pucher, Thomas Ostermeier, and Michael Thalheimer. He also provides information not readily available elsewhere in English on many of the leading actors and dramatists as well as the designers whose work, much of it for productions of these directors, has made this last half century a golden age of German scenic design. During the late twentieth century, no country produced so many major theatre directors or placed them so high in national cultural esteem as Germany. Drawing on his years of regular visits to the Theatertreffen in Berlin and other German productions, Carlson will captivate students of theatre and modern German history and culture with his provocative, well-illustrated study of the most productive and innovative theatre tradition in Europe.