What is Post-modernism?

What is Post-modernism? PDF

Author: Charles Jencks

Publisher:

Published: 1987

Total Pages: 64

ISBN-13:

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æWhat is Post-Modernism?' Is it a new world view,or an outgrowth of the Post-Industrial Society? Is it a shift in philosophy, the arts and architecture? In this fourth, entirely revised edition, Charles Jencks, one of the founders of the Post-Modern Movement, shows it is all these things plus many other forces that have exploded since the early 1960s. In a unique analysis, using diagrams designed especially for this edition, he reveals the evolutionary, social and economic forces of this new stage of global civilisation. But why has post-modern culture arrived? In an ironic parable, æthe Protestant Crusade'. Jencks uncovers some hitherto hidden origins: the Modernists' abhorrence for all things sensuous and natural, and their zeal for all things orderly and mechanistic. This pseudo-religion led in the 1920s to the famous ævacuum-cleaning' period, the purgation of values, metaphysics and emotion. In the 1970s it led on to the æProtestant Inquisition' which inadvertently created the very enemy Modernists feared - Post-Modernism; a Counter-Reformation, the reassertion of worldliness, fecundity, humour and pluralism. However, more than one tradition emerged and Jencks, distinguishing two types of Post-Modernism (deconstructive and reconstructive) demonstrates that the former is often a disguised form of Late-Modernism. This takes the de-creation and nihilism of its parent to extremes. The main engine that drives global culture today - post-modernisation, the electronic economy and instant communications network - is analysed in its close relation to other æposts': Post-Fordism, Post-Socialism and the post-national world of trading blocs and unstable nations. Jencks argues that this may result in catastrophe and global governance, or a web of transnational institutions and obligations. The most radical idea of this challenging book is the conclusion: the notion that the post-modern world does not mean the end of metanarratives, but something quite different. Belief systems are flourishing as never before and, Jencks argues, æa new metanarrative, based on the story of the universe and its generative qualities, will soon create a new world view that will affect all areas. It is a story which grows directly out of the post-modern sciences of complexity and is thus both true and mythic.' Other What is...' titles include What is Abstraction?, What is Deconstruction?

Modernism/Postmodernism

Modernism/Postmodernism PDF

Author: Peter Brooker

Publisher: Routledge

Published: 2014-09-25

Total Pages: 312

ISBN-13: 1317898753

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The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right.

From Modernism to Postmodernism

From Modernism to Postmodernism PDF

Author: Jennifer Ashton

Publisher: Cambridge University Press

Published: 2006-01-05

Total Pages: 148

ISBN-13: 1139448595

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In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.

The Story of Post-Modernism

The Story of Post-Modernism PDF

Author: Charles Jencks

Publisher: John Wiley & Sons

Published: 2012-05-25

Total Pages: 281

ISBN-13: 1119960096

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In The Story of Post-Modernism, Charles Jencks, the authority on Post-Modern architecture and culture, provides the defining account of Post-Modern architecture from its earliest roots in the early 60s to the present day. By breaking the narrative into seven distinct chapters, which are both chronological and overlapping, Jencks charts the ebb and flow of the movement, the peaks and troughs of different ideas and themes. The book is highly visual. As well as providing a chronological account of the movement, each chapter also has a special feature on the major works of a given period. The first up-to-date narrative of Post-Modern Architecture - other major books on the subject were written 20 years ago. An accessible narrative that will appeal to students who are new to the subject, as well as those who can remember its heyday in the 70s and 80s.

Post-Apocalyptic Culture

Post-Apocalyptic Culture PDF

Author: Teresa Heffernan

Publisher: University of Toronto Press

Published: 2008-12-04

Total Pages: 225

ISBN-13: 1442692758

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In Post-Apocalyptic Culture, Teresa Heffernan poses the question: what is at stake in a world that no longer believes in the power of the end? Although popular discourse increasingly understands apocalypse as synonymous with catastrophe, historically, in both its religious and secular usage, apocalypse was intricately linked to the emergence of a better world, to revelation, and to disclosure. In this interdisciplinary study, Heffernan uses modernist and post-modernist novels as evidence of the diminished faith in the existence of an inherently meaningful end. Probing the cultural and historical reasons for this shift in the understanding of apocalypse, she also considers the political implications of living in a world that does not rely on revelation as an organizing principle. With fascinating readings of works by William Faulkner, Don DeLillo, Ford Madox Ford, Toni Morrison, E.M. Forster, Salman Rushdie, D.H. Lawrence, and Angela Carter, Post-Apocalyptic Culture is a provocative study of how twentieth-century culture and society responded to a world in which a belief in the end had been exhausted.

The Postmodern Condition

The Postmodern Condition PDF

Author: Jean-François Lyotard

Publisher: U of Minnesota Press

Published: 1984

Total Pages: 142

ISBN-13: 9780816611737

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In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.

Post-modernism and the Social Sciences

Post-modernism and the Social Sciences PDF

Author: Pauline Vaillancourt Rosenau

Publisher:

Published: 1992

Total Pages: 0

ISBN-13: 9781400810154

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Post-modernism offers a revolutionary approach to the study of society: in questioning the validity of modern science and the notion of objective knowledge, this movement discards history, rejects humanism, and resists any truth claims. In this comprehensive assessment of post-modernism, Pauline Rosenau traces its origins in the humanities and describes how its key concepts are today being applied to, and are restructuring, the social sciences. Serving as neither an opponent nor an apologist for the movement, she cuts through post-modernism's often incomprehensible jargon in order to offer all readers a lucid exposition of its propositions. Rosenau shows how the post-modern challenge to reason and rational organization radiates across academic fields. For example, in psychology it questions the conscious, logical, coherent subject; in public administration it encourages a retreat from central planning and from reliance on specialists; in political science it calls into question the authority of hierarchical, bureaucratic decision-making structures that function in carefully defined spheres; in anthropology it inspires the protection of local, primitive cultures from First World attempts to reorganize them. In all of the social sciences, she argues, post-modernism repudiates representative democracy and plays havoc with the very meaning of "left-wing" and "right-wing." Rosenau also highlights how post-modernism has inspired a new generation of social movements, ranging from New Age sensitivities to Third World fundamentalism. In weighing its strengths and weaknesses, the author examines two major tendencies within post-modernism, the largely European, skeptical form and the predominantly Anglo-North-American form, which suggests alternative political, social, and cultural projects. She draws examples from anthropology, economics, geography, history, international relations, law, planning, political science, psychology, sociology, urban studies, and women's studies, and provides a glossary of post-modern terms to assist the uninitiated reader with special meanings not found in standard dictionaries.

Modernism - Dada - Postmodernism

Modernism - Dada - Postmodernism PDF

Author: Richard Sheppard

Publisher: Northwestern University Press

Published: 2000

Total Pages: 496

ISBN-13: 0810114933

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Modernism-Dada-Postmodernism collects, updates, integrates and contextualizes the critic Richard Sheppard's essays on the historical avant-garde. Sheppard's topic in all of these essays is the modernist writers', artists', and philosophers' linguistic and visual responses to a changed sense of reality and human nature. Beginning with an overview of the problematics of European modernism, Sheppard establishes the dialectical relationship between the cultural crisis that occurred during the period 1880-1936 and the different responses from European modernists and the avant-garde. With its combination of classic and new essays and its perspective on the theoretical avant-garde/modernism debate in the United States, Sheppard's volume should give the specialist as well as the general reader an insight into the highest sample of European scholarly discourse on this subject.