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Modernism, Modernity, and Arnold Bennett

Author: Robert Squillace

Publisher: Bucknell University Press

Published: 1997

Total Pages: 236

ISBN-13: 9780838753644

This book delineates the unique role of Arnold Bennett in the transformation of the British novel from the aesthetic, psychological, and sociopolitical assumptions of modernity to those of modernism. Early in his career, Bennett believed that the rejection of inherited traditions and authorities that was promulgated by such champions of modernity as Darwin, Marx, and even Herbert Spencer, would culminate in an assertion of personal autonomy. Bennett eventually assimilated the modernist critique of modernity, which discovered (with the help of Freud and the First World War) an intractable human irrationality that expressed itself in the most apparently reasonable schemes for human improvement.

The Modern Movement

Author: Chris Baldick

Publisher: Oxford University Press

Published: 2004

Total Pages: 496

ISBN-13: 0198183100

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A major new survey of literature in England during the first half of the twentieth century, Chris Baldick places modernist with non-modernist writings, high art with low entertainment. The Modern Movement ranges broadly covering psychological novels, war poems, detective stories, satires, children's books, and other literary forms evolving in response to the new anxieties and exhilarations of twentieth-century life.

A History of the Modernist Novel

Author: Gregory Castle

Publisher: Cambridge University Press

Published: 2015-06-25

Total Pages: 549

ISBN-13: 1107034957

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A History of the Modernist Novel reassesses the modernist canon and produces a wealth of new comparative analyses that radically revise the novel's history. It also considers the novel's global reach while suggesting that the epoch of modernism is not yet finished.

The Oxford English Literary History: Volume 10: 1910-1940: The Modern Movement

Author: Chris Baldick

Publisher: OUP Oxford

Published: 2005-11-10

Total Pages: 496

ISBN-13: 0191537128

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The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.

Mobility and the Hotel in Modern Literature

Author: Emma Short

Publisher: Springer

Published: 2019-07-30

Total Pages: 223

ISBN-13: 3030221296

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This book considers the complex ways in which the hotel functions to express the shifting experiences of modernity in the works of such authors as Anthony Trollope, Wilkie Collins, Arnold Bennett, H.G. Wells, and Elizabeth Bowen. The text contributes to the critical debates on nineteenth- and twentieth-century literature concerning space, movement, and mobility, arguing that the hotel reconfigures boundaries of modernist, middlebrow, and popular fiction. Drawing on a range of interdisciplinary theoretical and analytical perspectives, the book provides a critical and cultural history of the hotel in British literature, charting its changing nature and usage from the mid-nineteenth century up until the interwar period.

We Speak a Different Tongue

Author: Yoonjoung Choi

Publisher: Cambridge Scholars Publishing

Published: 2015-09-18

Total Pages: 290

ISBN-13: 1443883514

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We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism, questioning its canon, and challenging its aesthetic parameters. By utilizing the term "modernity" rather than "modernism", the 16 essays housed in this volume foreground the writers who have been marginalised by both their contemporary modernist writers and literary scholars, while exploring the way in which these authors responded to the tensions,

Ford Madox Ford and the Misfit Moderns

Author: R. Hawkes

Publisher: Springer

Published: 2012-09-18

Total Pages: 196

ISBN-13: 1137283432

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Ford Madox Ford is a major modernist writer, yet many of his works do not conform to our assumptions about modernism. Examining ways in which he, alongside other 'misfit moderns', undermines 'stabilities' we expect from novels and memoirs, this book poses questions about the nature of narrative and the distinction between modernism and modernity.

Reading, Publishing and the Formation of Literary Taste in England, 1880-1914

Author: Mary Hammond

Publisher: Routledge

Published: 2017-05-15

Total Pages: 222

ISBN-13: 1351906461

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Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.

Arnold Bennett

Author: Olga R. R. Broomfield

Publisher: Boston : Twayne Publishers

Published: 1984

Total Pages: 192

ISBN-13:

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The Oxford Encyclopedia of British Literature

Author: David Scott Kastan

Publisher:

Published: 2006

Total Pages: 2648

ISBN-13: 0195169212

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A comprehensive reference presents over five hundred full essays on authors and a variety of topics, including censorship, genre, patronage, and dictionaries.