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Women, Modernism, and Performance

Author: Penny Farfan

Publisher: Cambridge University Press

Published: 2004-10-14

Total Pages: 194

ISBN-13: 9780521837804

Women, Modernism, and Performance is an interdisciplinary 2004 study that looks at a variety of texts and modes of performance in order to clarify the position of women within - and in relation to - modern theatre history. Considering drama, fiction and dance, as well as a range of performance events such as suffrage demonstrations, lectures, and legal trials, Penny Farfan expands on theatre historical narratives that note the centrality of female characters in male-authored modern plays but that do not address the efforts of women artists to develop alternatives both to mainstream theatre practice and to the patriarchal avant garde. Focusing on Henrik Ibsen, Elizabeth Robins, Ellen Terry, Virginia Woolf, Djuna Barnes, Edith Craig, Radclyffe Hall and Isadora Duncan, Farfan identifies different objectives, strategies, possibilities and limitations of feminist-modernist performance practice and suggests how the artists in question transformed the representation of gender in art and life.

Performance and Modernity

Author: Julia A. Walker

Publisher: Cambridge University Press

Published: 2022-01-06

Total Pages: 315

ISBN-13: 1108833063

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This book argues that ideas first take shape in the human body, appearing on stage in new styles of performance.

From Acting to Performance

Author: Philip Auslander

Publisher: Routledge

Published: 2002-04-12

Total Pages: 196

ISBN-13: 1134727194

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From Acting to Performance collects for the first time major essays by performance theorist and critic Philip Auslander. Together these essays provide a survey of the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s. Auslander examines performance genres ranging from theatre and dance to performance art and stand-up comedy. In doing so he discusses an impressive line-up of practitioners including Antonin Artaud, Jerzy Grotowski, Peter Brook, Willem Dafoe, the Wooster Group, Augusto Boal, Kate Bornstein, and Orlan. From Acting to Performance is a must for all students and scholars interested in contemporary theatre and performance.

Postmodernism and Performance

Author: Nick Kaye

Publisher: Palgrave Macmillan

Published: 1994

Total Pages: 180

ISBN-13: 9780312120238

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This text is aimed at undergraduates on Drama / Theatre Studies, English and Cultural Studies degrees and at specialist drama bookshops. This book explores ways in which ideas and practices emerging in art, architecture and music have been taken up and developed in recent performance. Setting the notion of a postmodern style against a broader concept of the postmodern work, the study considers various forms of performance art, dance and theatre which define themselves in opposition to self-consciously modernist modes of work. In doing so, the book seeks to describe a position underlying a range of forms which opposes notions of the self-contained, autonomous art-work and may be understood in relation to concepts of the postmodern defined in criticism, philosophy and cultural theory. It aims to offer a broad-ranging understanding of postmodernism in art, architecture, music and performance, before engaging in a detailed consideration of postmodernism and the performance arts. It is a useful guide and reference book to modernism / post-modernism especially for Theatre Studies / Drama degrees.

Dancing Modernism / Performing Politics

Author: Mark Franko

Publisher: Indiana University Press

Published: 2023-05-02

Total Pages: 281

ISBN-13: 0253065445

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In the much-anticipated update to a classic in dance studies, Mark Franko analyzes the political aspects of North American modern dance in the 20th century. A revisionary account of the evolution of modern dance, this revised edition of Dancing Modernism / Performing Politics features a foreword by Juan Ignacio Vallejos on Franko's career, a new preface, a new chapter on Yvonne Rainer, and an appendix of left-wing dance theory articles from the 1930s. Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history. Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics.

Modernism and Performance

Author: Olga Taxidou

Publisher: Red Globe Press

Published: 2007-11-06

Total Pages: 278

ISBN-13:

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The idea of performance as distinct artistic practice emerges in the context of modernity. This guide to modernism and performance introduces key developments and debates of the period (the rise of the director, new theories of acting, new modes of production, complex relationships to classical and oriental drama); debates that helped to create new languages of performance. It suggests that our understanding of the workings of performance in the period might help to reconfigure our general understanding of modernism.

Performing Modernism

Author: Alexandra Chiriac

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-07-18

Total Pages: 232

ISBN-13: 3110765683

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This volume examines the reach of modernism in design and performance in interwar Romania. It follows the transnational trajectories of several remarkable Jewish avant-garde artists, actors, and directors based in Bucharest, the country’s capital, in the 1920s and 1930s. The first part of the book recovers the history of Bucharest’s first modern design institution and investigates its links with German design and the Bauhaus. The second half focuses on several innovative collaborations in the realm of Yiddish theatre, including the time spent in Romania by the world-renowned Vilna Troupe. Based on extensive original research, the book shows how Bucharest was connected to Berlin, Riga, and Chicago, highlighting the contribution of Jewish cultural production to avant-garde movements in Europe and beyond.

Munich and Theatrical Modernism

Author: Peter Jelavich

Publisher: Harvard University Press

Published: 1985

Total Pages: 436

ISBN-13: 9780674588356

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This is the first cultural exploration of playwriting, directing, acting, and theater architecture in fin-de-siegrave;cle Munich. Peter Jelavich examines the commercial, political, and cultural tensions that fostered modernism's artistic revolt against the classical and realistic modes of nineteenth-century drama.

Shakespeare and Modern Theatre

Author: Michael Bristol

Publisher: Routledge

Published: 2005-07-08

Total Pages: 217

ISBN-13: 1134601204

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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Uncloseting Drama

Author: Nick Salvato

Publisher: Yale University Press

Published: 2010-10-26

Total Pages: 307

ISBN-13: 0300160178

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In this work modernism is illuminated through little-known but striking works by Ezra Pound, Gertrude Stein and others who revived the closet drama, plays written largely for private reading as a means of exploring forbidden sexualities.