Modern Theories of Art: From Winckelmann to Baudelaire

Modern Theories of Art: From Winckelmann to Baudelaire PDF

Author: Moshe Barasch

Publisher: NYU Press

Published: 1990-02

Total Pages: 466

ISBN-13: 0814711332

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Annotation. In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.

Theories of Art

Theories of Art PDF

Author: Moshe Barasch

Publisher: Routledge

Published: 2013-10-18

Total Pages: 429

ISBN-13: 1135199736

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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Modern Theories of Art 2

Modern Theories of Art 2 PDF

Author: Moshe Barasch

Publisher: NYU Press

Published: 1998-03-01

Total Pages:

ISBN-13: 9780814712726

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In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.

Theories of Art: From Winckelmann to Baudelaire

Theories of Art: From Winckelmann to Baudelaire PDF

Author: Moshe Barasch

Publisher: Psychology Press

Published: 2000

Total Pages: 432

ISBN-13: 9780415926263

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This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

Theories of Art

Theories of Art PDF

Author: Moshe Barasch

Publisher: Routledge

Published: 2013-09-13

Total Pages: 434

ISBN-13: 1135199809

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This book, the first in Moshe Barasch's series on art theory, offers a comprehensive analysis and reassessment of major trends in European art theory and its development from the time of Plato to the early eighteenth century. Barasch expertly guides the reader from the interwoven attitudes and traditions of antiquity, through the writings of St. Thomas Aquinas and the aesthetic values of the Middle Ages, to the branching out of several disciplines--art history, art criticism, abstract aesthetics--in the late Renaissance. Clearly outlining the development of art theory and exploring the central issues of each historical period, Theories of Art is a valuable resource for the art historian as well as a stimulating introduction for the general reader.

Modern Theories of Art 2

Modern Theories of Art 2 PDF

Author: Moshe Barasch

Publisher: NYU Press

Published: 1998-03-01

Total Pages: 400

ISBN-13: 0814739482

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In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.

Modern Theories of Art: From impressionism to Kandinsky

Modern Theories of Art: From impressionism to Kandinsky PDF

Author: Moshe Barasch

Publisher: NYU Press

Published: 1990

Total Pages: 400

ISBN-13: 081471272X

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In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.