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Modern Political Aesthetics from Romantic to Modernist Fiction

Author: Tudor Balinisteanu

Publisher: Routledge

Published: 2018-05-11

Total Pages: 225

ISBN-13: 1351397974

In this new research monograph, Tudor Balinsteanu draws on concepts of dance to demonstrate how the nonhuman is dealt with in terms of practical politics, that is, choreographies of social performance which emerge at the intersection of literature, art, and embodied life. Drawing on a number of influential texts by William Wordsworth, Joseph Conrad, W. B. Yeats, and James Joyce, this truly interdisciplinary monograph explores the relations between the human and the nonhuman across centuries of literature and as demonstrated in philosophical concepts and social experiments.

Modern Political Aesthetics from Romantic to Modernist Literature

Author: Tudor Balinisteanu

Publisher: Routledge

Published: 2020-09-30

Total Pages: 210

ISBN-13: 9780367666682

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Preface to Modernism

Author: Art Berman

Publisher: University of Illinois Press

Published: 1994

Total Pages: 372

ISBN-13: 9780252063916

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Berman traces the conceptual lineage of modernism, examining its evolution in Western art and literature through empiricism, idealism, and romanticism. Using modernist literary and visual movements as examples, Berman demonstrates how modern social, political, and scientific developments--including capitalism, socialism, humanism, psychoanalysis, fascism, and modernism itself--have altered attitudes toward time, space, self, creativity, the natural world, and community.

Legacies of Romanticism

Author: Carmen Casaliggi

Publisher: Routledge

Published: 2013-03-05

Total Pages: 318

ISBN-13: 1136273492

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This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Romanticism has been reconstituted within postmodern and postcolonial literature as both a reassessment of the Modernist critique and of the imperial contexts that have throughout this time-frame underpinned the Romantic legacy, bringing into focus the contemporaneity of Romanticism and its political legacy. This collection reveals the diversity and continuing relevance of the genre in new and exciting ways, offering insights into writers such as Browning, Ruskin, Pater, Wilde, Lewis, MacNeice, and Auster.

Late Modernism

Author: Robert Genter

Publisher: University of Pennsylvania Press

Published: 2011-06-06

Total Pages: 385

ISBN-13: 0812200071

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In the thirty years after World War II, American intellectual and artistic life changed as dramatically as did the rest of society. Gone were the rebellious lions of modernism—Joyce, Picasso, Stravinsky—and nearing exhaustion were those who took up their mantle as abstract expressionism gave way to pop art, and the barren formalism associated with the so-called high modernists wilted before the hothouse cultural brew of the 1960s. According to conventional thinking, it was around this time that postmodernism with its characteristic skepticism and relativism was born. In Late Modernism, historian Robert Genter remaps the landscape of American modernism in the early decades of the Cold War, tracing the combative debate among artists, writers, and intellectuals over the nature of the aesthetic form in an age of mass politics and mass culture. Dispensing with traditional narratives that present this moment as marking the exhaustion of modernism, Genter argues instead that the 1950s were the apogee of the movement, as American practitioners—abstract expressionists, Beat poets, formalist critics, color-field painters, and critical theorists, among others—debated the relationship between form and content, tradition and innovation, aesthetics and politics. In this compelling work of intellectual and cultural history Genter presents an invigorated tradition of late modernism, centered on the work of Kenneth Burke, Ralph Ellison, C. Wright Mills, David Riesman, Jasper Johns, Norman Brown, and James Baldwin, a tradition that overcame the conservative and reactionary politics of competing modernist practitioners and paved the way for the postmodern turn of the 1960s.

The Agon of Modernism

Author: Anne Quéma

Publisher: Bucknell University Press

Published: 1999

Total Pages: 248

ISBN-13: 9780838753927

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"Lewis's political writings present ambiguities: his stated belief in the autonomy of art from life is contradicted by other statements he made and by his critical analyses of writers; and his political writings blur any a priori generic distinction between art and non-art. Given this blurring between art and life, artistic genre and non-artistic genre, Quema claims that Lewis's political texts present characteristics usually attributed to avant-gardism. However, this radicalism has to be balanced against Lewis's conservatism. Thus his political writings can be read as allegories with two pragmatic aims: to organize the life of the polis from an artistic standpoint and to persuade the reader to adhere to authoritarian politics."--BOOK JACKET.

European Literature from Romanticism to Postmodernism

Author: Martin Travers

Publisher: Bloomsbury Publishing

Published: 2006-06-15

Total Pages: 369

ISBN-13: 0826439608

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European Literature from Romanticism to Postmodernism is an anthology of key theoretical writings by the major representatives of the schools and movements of recent European literature. Each chapter is devoted to one particular school of movement from within the broad body of literature, from romanticism, realism and modernism though to the literature of political engagement of the 1920s and 1930s, and the more recent initiative of postmodernism. These texts are approached both on their own terms as individual formulations of the goals and procedures (literary, aesthetic and political) that characterized the work of these writers, and as key documents of the literary school or movement to which these writers belonged.

Literary Criticism from Plato to Postmodernism

Author: James Seaton

Publisher: Cambridge University Press

Published: 2014-04-28

Total Pages: 237

ISBN-13: 1107026105

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This book offers a history of literary criticism from Plato to the present, arguing that this history can best be seen as a dialogue among three traditions - the Platonic, Neoplatonic, and the humanistic, originated by Aristotle. There are many histories of literary criticism, but this is the first to clarify our understanding of the many seemingly incommensurable approaches employed over the centuries by reference to the three traditions. Making its case by careful analyses of individual critics, the book argues for the relevance of the humanistic tradition in the twenty-first century and beyond.

Memory, Intermediality, and Literature

Author: Sara Tanderup Linkis

Publisher: Routledge

Published: 2019-04-16

Total Pages: 262

ISBN-13: 0429557221

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"If readers of Sara Tanderup Linkis’ "Something to hold on to ..." open the book in the expectation of entering a niche of literature and literary studies, they will leave it after having encountered a new highway in literature. Here, the traditional theme of memory and the most recent use of digital media merge into a new understanding of the role of the book in the contemporary media landscape and of vicissitudes of memorial processes literature, which also offers a broader perspective on literature in human history. Spurred by Sara Tanderup Linkis’ sharp eye the readings of texts are lucid, engaging and offers so many ideas that teachers will renew their curricula, and readers will open the internet for more or rush to the library." — Svend Erik Larsen, professor emeritus Memory, Intermediality, and Literature investigates how selected literary works use intermedial strategies to represent and perform cultural memory. Drawing on the theoretical perspectives of cultural memory studies, this engaging, reader-friendly monograph examines new materialism and intermediality studies, analyzying works by Alexander Kluge, W.G. Sebald, Jonathan Safran Foer, Anne Carson, Mette Hegnhøj, William Joyce, J.J. Abrams and Doug Dorst. The works emerge out of different traditions and genres, ranging from neo-avant-garde montages through photo-novels and book objects to apps and children’s stories. In this new monograph, Sara Tanderup Linkis presents an interdisciplinary and comparative approach, reading the works together, across genres and decades, and combining the perspectives of memory studies and materialist and media-oriented analysis. This approach makes it possible to argue that the works not only use intermedial strategies to represent memory, but also to remember literature, reflecting on the changing status and function of literature as a mediator of cultural memory in the age of new media. Thus, the works may be read as reactions to modern media culture, suggesting the ways in which literature and memory are affected by new media and technologies – photography and television as well as iPads and social media.

Spatial Modernities

Author: Johannes Riquet

Publisher: Routledge

Published: 2018-06-12

Total Pages: 249

ISBN-13: 1351396862

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This collection of essays offers a series of reflections on the specific literary and cultural forms that can be seen as the product of modernity’s spatial transformations, which have taken on new urgency in today’s world of ever increasing mobility and global networks. The book offers a broad perspective on the narrative and poetic dimensions of the modern discourses and imaginaries that have shaped our current geographical sensibilities. In the early twenty-first century, we are still grappling with the spatial effects of ‘early’ and ‘high’ modern developments, and the contemporary crises revolving around political boundaries and geopolitical orders in many parts of the world have intensified spatial anxieties. They call for a sustained analysis of individual perceptions, cultural constructions and political implications of spatial processes, movements and relations. The contributors of this book focus both on the spatial orders of modernity and on the various dynamic processes that have shaped our engagement with modern space.