Modern American Haiku

Modern American Haiku PDF

Author: Robb Hasencamp

Publisher: Christian Faith Publishing, Inc.

Published: 2022-09-13

Total Pages: 60

ISBN-13: 1639036474

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Modern American haiku is both elusive and enchanting. It is a beautiful art form that invites the reader into the mysteries of nature and poignant flashes of deeper everyday life. Borne of traditional Japanese haiku in the seventeenth century, modern Haiku is beguiling poetry that draws us into captivating, surprising insights. There is no room for predictability or easy assurance. Rather, when reading, we are urged to trust the lightness of the poem to lift our hearts into obscure realms of delight. These verses were composed with this pleasure in mind.

Haiku Moment

Haiku Moment PDF

Author: Bruce Ross

Publisher: Tuttle Publishing

Published: 2011-12-27

Total Pages: 372

ISBN-13: 1462903193

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Kagero Nikki, translated here as The Gossamer Years, belongs to the same period as the celebrated Tale of Genji by Murasaki Shikuibu. This remarkably frank autobiographical diary and personal confession attempts to describe a difficult relationship as it reveals two tempestuous decades of the author's unhappy marriage and her growing indignation at rival wives and mistresses. Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.

American Haiku

American Haiku PDF

Author: Toru Kiuchi

Publisher: Lexington Books

Published: 2017-11-30

Total Pages: 364

ISBN-13: 1498527183

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American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).

African American Haiku

African American Haiku PDF

Author: Jianqing Zheng

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9781496803030

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The first study solely dedicated to exploring the power of African American haiku

Book of Haikus

Book of Haikus PDF

Author: Jack Kerouac

Publisher: Penguin

Published: 2013-04-01

Total Pages: 243

ISBN-13: 1101664886

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A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.

The Unswept Path

The Unswept Path PDF

Author: John Brandi

Publisher: White Pine Press

Published: 2005

Total Pages: 228

ISBN-13: 9781893996380

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"The Unswept Path" offers a diverse gathering of American poets who have chosen the haiku as one of the forms in which they write. Each of these poets has worked the territory of the haiku into a personal landscape, and they offer a panorama of images and sounds, joy and sadness, recollection and thought. A wonderful introduction to the art of the haiku for the writer and reader alike. Poets included are: John Brandi; Willliam J Higginson; Margaret Chula; Elizabeth Searle Lamb; Cid Corman; Michael McClure; Diane DiPrima; Sonia Sanchez; Patricia Donegan; Steve Sanfield; Penny Harter; Edith Shiffert; Christopher Herold.

On Haiku

On Haiku PDF

Author: Hiroaki Sato

Publisher: New Directions Publishing

Published: 2018-10-30

Total Pages: 320

ISBN-13: 0811227421

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Everything you want to know about haiku written by one of the foremost experts in the field and the “finest translator of contemporary Japanese poetry into American English” (Gary Snyder) Who doesn’t love haiku? It is not only America’s most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, loved for its simplicity and compression, as well as its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere—Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, Hallmark’s made millions off them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form originate? Who were the original Japanese poets who wrote them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic—or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in your favorite pub, Sato explains everything you wanted to know about the haiku in this endearing and pleasurable book, destined to be a classic in the field.

American Haiku, Eastern Philosophies, and Modernist Poetics

American Haiku, Eastern Philosophies, and Modernist Poetics PDF

Author: Yoshinobu Hakutani

Publisher: Rowman & Littlefield

Published: 2020-10-29

Total Pages: 237

ISBN-13: 1793634513

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American Haiku, Eastern Philosophies, and Modernist Poetics traces the genesis and development of haiku in Japan as it transformed over the years and eventually made its way to the Western world. Yoshinobu Hakutani analyzes the prominent Eastern philosophies expressed through haiku, such as Confucianism and Zen, and the aesthetic principles of yugen, sabi, and wabi. Hakutani discusses several reinventions of haiku, from Matsuo Basho’s transformation of the classic haiku, to Masaoka Shiki’s modernist perspectives expressing subjective thoughts and feelings, and eventually to Yone Noguchi’s introduction of haiku to the Western world through W. B. Yeats and Ezra Pound. Hakutani argues that the adoption and transformation of haiku is one of the most popular East-West artistic, cultural, and literary exchanges to have taken place in modern and postmodern times.

American Haiku

American Haiku PDF

Author: Scot Young

Publisher:

Published: 2023-10

Total Pages: 0

ISBN-13: 9781958182475

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"With a sober, unflinching eye, poet Scot Young unfurls sketch after sketch of the quiet awe of the country life, the animal and plant kingdom at odds with barbed wire and rusty trucks emphasizing the tending of a wild land. The absurd, and the occasional nod to the occasional hero ("brautigan is taller/than a rainbow breaking the/surface of quiet") the poet turns the haiku form on its head as he hybridizes the form with the sonnet, with free flowing variations along the way, and in doing so, Scot continues to show us how the message informs the form, but also how the form informs the message." -Paul Corman-Roberts, Beast Crawl Literary Festival, Operations "Inspired by the likes of Kerouac, Ginsberg, Todd Moore, and others who have taken stabs at the American Haiku, Young takes the ever-evolving form and makes it his own. While the poems here vary in length and style, they all carry the music and the spirit of the more traditional form. Full of stark imagery both personal and universal, the poems flow from one to the next seamlessly carrying the reader along." -William Taylor, Jr., A Room Above a Convenience Store (Roadside Press)." "If you're a fan of tradition, Scot Young's American Haiku may just take you by surprise, but what else is tradition there for than to give those seeking different paths in this world something to break away from. Young does just that, coming closer to modern poets like Ted Berrigan or Cid Corman than those writers of more formal haiku, but with a more Midwestern spin on things, words hung together by rural poverty, by the peace found in a quiet breeze, by all of the things we turn away from and those we rarely take the time to notice." -John Dorsey, Pocatello Wildflower "In this fine collection of unconventional haiku, Scot Young successfully breaks all the rules and offers us sequenced and sonnet haiku, one-word lines and other breaks from the traditional three-line haiku. He covers a wide array of topics from observations about nature to poverty, love, road kill, fish, animals, and education. The poems include nods to his poetic heroes including jazz stars, Bob Marley, Basho, Bob Dylan, Richard Brautigan, and Charles Bukowski. These poems are both thoughtful and visceral, and any reader will find plenty to enjoy and want to carry around to reread for when the need arises." -Maryfrances Wagner, Missouri's 6th Poet Laureate, The Immigrants New Camera (Spartan Press) "As poets, we spend much of our lives exploring the relationship of ourselves to the world. This can be a complicated endeavor, but Scot Young's American Haiku is familiar and delicate, elegant even. He has reimagined the haiku in a way that makes sense for him, pulling at the rebel ghosts of the forefathers of the western haiku. Scot is able to capture those moments in life that are often passed over as unimportant or insignificant. His ability to see the depth of a moment and carve out the best part is one of the best things about this collection." -Aleathia Drehmer, author of Layers of Half-Sung Hymns (Cajun Mutt Press)

Jack Kerouac and the Traditions of Classic and Modern Haiku

Jack Kerouac and the Traditions of Classic and Modern Haiku PDF

Author: Yoshinobu Hakutani

Publisher:

Published: 2019

Total Pages: 0

ISBN-13: 9781498558273

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Jack Kerouac and the Traditions of Classic and Modern Haiku is a reading of the haiku collected in Jack Kerouac's Book of Haikus, edited by Regina Weinreich, (2003), one of the two largest collections of English haiku. "Above all," Kerouac wrote in his journal, "a Haiku must be very simple and free of all poetic trickery and makes a little picture and yet be as airy and graceful as a Vivaldi Pastorella." Before trying his hand at composing haiku, Kerouac learned, as did Wright, the theory and technique of haiku from R. H. Blyth, the most influential haiku scholar and critic. Most of Kerouac's haiku reflect eastern philosophies―Confucianism, Buddhist ontology, and Zen―, as do classic haiku. A son of devout French Canadian Catholic parents, the young Kerouac was impressed with Christian doctrine, but later was inspired by Buddhism. In his haiku Kerouc conflates Christian doctrine of mercy with that of Buddhism. Classic haiku taught Kerouac that not only must human beings treat their fellow human beings with respect and compassion, but they must also treat nonhuman beings such as animals, insects, plants, and flowers as their equals. Many of Kerouac's haiku can be read as modern haiku for the technique of beat poetics he applied. All in all, Kerouac's haiku express the worldview that human beings are not at the center of the universe.