The Eyes of God

The Eyes of God PDF

Author: John Marco

Publisher: Astra Publishing House

Published: 2003-01-07

Total Pages: 731

ISBN-13: 1101462213

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Akeela, King of Liiria, was a young and idealistic scholar who was determined to bring peace to his kingdom—a land that had been plagued by war with the neighboring kingdom of Reec for decades. Lukien, the Bronze Knight of Liiria, had been taken in by the royal family when, at fourteen, he saved Akeela's life, but he'd never forgotten the brutal lessons of the streets he'd grown up on. A bond of loyalty stronger than blood linked these two men—but no two souls could be more different. And as Akeela and Lukien entered their enemy's stronghold on a mission of peace, neither man could forsee the turmoil this historic mission would wreak on their lives. For, to seal the peace, King Karis of Reec would bestow upon Akeela the hand of his charming, beautiful, and accomplished daughter Cassandra. But Cassandra hid a terrible secret. She was experiencing the first symptoms of a disease which would threaten her life and cause unimaginable strife for all who loved her. For Akeela and Lukien, the quest for Cassandra's salvation would overwhelm every bond of loyalty, every point of honor, every dream of peace. For only the magical amulets known as the Eyes of God could halt the progress of Cassandra's illness. But the Eyes of God would also open the way to a magical stronghold which could tear their world apart and redefine the very nature of their reality.

The Devil's Armor

The Devil's Armor PDF

Author: John Marco

Publisher: Astra Publishing House

Published: 2004-11-02

Total Pages: 631

ISBN-13: 1101462221

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This sequel to the critically-acclaimed The Eyes of God, from award-winning author John Marco, continues the epic tale of Arthurian elements, diverse magic, war, intrigue, romance, and deception.

The Plays of David Garrick

The Plays of David Garrick PDF

Author: David Garrick

Publisher: SIU Press

Published: 1980

Total Pages: 412

ISBN-13: 9780809308637

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David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Gar­rick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all mas­terpieces, but their inclusion here, arranged in chronological order, will enable the stage his­torian to assess Garrick's progress as a dramatist. Contents: Cymon. A Dramatic Romance, 1767; Linco's Travels. An Interlude, 1767; A Peep Behind the Curtain; or, The New Rehearsal, 1767; The Jubilee, 1769; The Institution of the Garter; or, Arthur's Roundtable Restored, 1771; The Irish Widow, 1772; A Christmas Tale. A New Dramatic Entertainment, 1773; The Meeting of the Com­pany; or, Bayes's Art of Acting, 1774; Bon Ton; or, High Life above Stairs, 1775; May-Day; or, The Little Gipsy, 1775; and The Theatrical Candidates, 1775.

Music in Shakespeare

Music in Shakespeare PDF

Author: Christopher R. Wilson

Publisher: A&C Black

Published: 2014-02-27

Total Pages: 418

ISBN-13: 1472557522

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With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.