Mediums, Puppets, and the Human Actor in the Theatres of the East

Mediums, Puppets, and the Human Actor in the Theatres of the East PDF

Author: Poh Sim Plowright

Publisher: Edwin Mellen Press

Published: 2002

Total Pages: 306

ISBN-13:

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An examination of mediums, puppets and the human actor in the theatres of the east. It brings together a powerful universal myth - that of the Birdwoman, which has been the inspiration of several Asian theatres and the subject of many Asian plays - and the connection between string-puppet and human actor movements within the Asian theatrical tradition. It is a study of theatre as ritual and power-struggle, and the author presents an analysis of Lady Joruri, herself a semi-mythical figure, who gave her name to the world's most sophisticated puppet theatre.

Puppetry: A Reader in Theatre Practice

Puppetry: A Reader in Theatre Practice PDF

Author: Penny Francis

Publisher: Bloomsbury Publishing

Published: 2020-05-15

Total Pages: 208

ISBN-13: 0230356834

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In this sophisticated and compelling introduction to puppet theatre, Penny Francis offers engaging contemporary perspectives on this universal art-form. She provides an account of puppetry's different facets, from its demands and techniques, through its uses and abuses, to its history and philosophy. Now recognized as a valuable and powerful medium used in the making of most forms of theatre and filmed work, those referring to Puppetry will discover something of the roots, dramaturgy, literature and techniques of this visual art form. The book gathers together material from an international selection of sources, bringing puppet theatre to life for the student, practitioner and amateur alike.

The arts of Angela Carter

The arts of Angela Carter PDF

Author: Marie Mulvey-Roberts

Publisher: Manchester University Press

Published: 2019-07-17

Total Pages: 348

ISBN-13: 1526136791

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The arrangement of the material, indicated by the chapter headings, draws attention to a variety of areas not normally associated with dominant perceptions of Angela Carter. These encompass food, fashion, art, poetry, music, performance and translation, which will be discussed in a number of historical, literary and cultural contexts.

Liyuanxi - Chinese 'Pear Garden Theatre'

Liyuanxi - Chinese 'Pear Garden Theatre' PDF

Author: Josh Stenberg

Publisher: Bloomsbury Publishing

Published: 2022-11-17

Total Pages: 193

ISBN-13: 1350157414

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This book offers a stimulating introduction to the Hokkien music drama known as liyuanxi ('pear garden theatre'), heir and current expression of one of China's oldest unbroken xiqu ('Chinese opera') traditions. It considers the genre's history prior to the 20th century, its signal successes before and after the Cultural Revolution, and its national prominence today. Beginning with an analysis of the form's aesthetics and techniques, it proceeds to an overview of its rich and distinctive narrative repertoire, including several dramas unique to the genre. Josh Stenberg illustrates liyuanxi's distinctive musical and narrative qualities and presents the performance art's place, not only in Chinese drama and theatre history, but also in the culture of the historic port city of Quanzhou and the broader Hokkien region and diaspora. This study focuses on the work of the only professional theatre troupe in the genre, the Fujian Province Liyuanxi Experimental Theatre (FPLET), and examines the practice of director and leading actor Zeng Jingping, whose performances have focused attention on the genre's expression of women's desires and ambitions, and on her colleague, playwright Wang Renjie. It argues that new scripts engage with the issues of contemporary China while respecting the genre's traditions and conventions, and have led to rewritings of traditional repertoire by younger female authors. Stenberg's book skilfully demonstrates how a traditional theatre can adapt and thrive in a contemporary society, providing an indispensable introduction while whetting the appetite for the genre's exhilarating live performances.

The Role of the Chou ("clown") in Traditional Chinese Drama

The Role of the Chou (

Author: Ashley Thorpe

Publisher:

Published: 2007

Total Pages: 408

ISBN-13:

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This is the first Western language book to examine the chou ("clown") role-type in traditional Chinese drama--a role-type credited with so much importance that some critics insist that "withouth the chou, there would not be drama." This assertion is evaluated through an analysis of historical documents and translated play texts, fieldwork research, and from the perspectives of ethnomusicology and anthropology.

Encyclopedia of Asian Theatre: O-Z

Encyclopedia of Asian Theatre: O-Z PDF

Author: Samuel L. Leiter

Publisher:

Published: 2007

Total Pages: 520

ISBN-13:

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Surveys traditional and contemporary Asian theatre through hundreds of alphabetically arranged entries written by more than 90 expert contributors.

A Critical Study and Translation of António José Da Silva's Cretan Labyrinth

A Critical Study and Translation of António José Da Silva's Cretan Labyrinth PDF

Author: António Teixeira

Publisher: Edwin Mellen Press

Published: 2004

Total Pages: 444

ISBN-13:

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Labirinto de Creta is one of the eight Portuguese satiric operas, first performed in the Lisbon puppet theatre from 1733 to 1738. Their librettist, Antonio Jose da Silva, is an enigmatic and ill-fated figure. Born in Rio de Janeiro in 1705, he was sentenced to death at an auto-da-fe in Lisbon in 1739, for having practiced Judaism.

Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-drama

Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-drama PDF

Author: Margaret Coldiron

Publisher: Edwin Mellen Press

Published: 2004

Total Pages: 438

ISBN-13:

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This study examines the effect of the mask upon the masked performer int he Balinese Topeng and Calonarang dance dramas and Japanese Noh Theatre. It represents the first systematic study of the relationship between the actor and the mask from the performer's perspective. The approach is largely empirically based and draws upon the author's extensive field research in Bali and Japan which included interviews with performers and mask makers, study of mask carving and dance and observation of private lessons and public performances. This study will be of interest to scholars and students in many fields including Anthropology, Cultural Studies, Performance Studies, Theatre, Dance and Visual Arts. It will be also of interest to theatre and dance practitioners, especially those working with masks or intercultural performance.