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Author: State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies. Conference
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
Published: 1989
Total Pages: 328
ISBN-13:
DOWNLOAD EBOOK →Author: Andrew M. Koch
Publisher: Lexington Books
Published: 2012
Total Pages: 186
ISBN-13: 0739149725
DOWNLOAD EBOOK →Well into the twenty-first century, the United States remains one of the most highly religious industrial democracies on earth. Recent Gallup surveys suggest that 76 percent of Americans believe that the Bible is divinely inspired or the direct word of God. In Medieval America, Andrew M Koch and Paul H. Gates, Jr. offer a thoughtful examination of how this strong religious feeling, coupled with Christian doctrine, affects American political debates and collective practices and surveying the direct and indirect influence of religion and faith on American political culture. Koch and Gates open a more critical dialogue on the political influence of religion in American politics, showing that people's faith shapes their political views and the policies they support. Even with secular structures and processes, a democratic regime will reflect the belief patterns distributed among the public. Delving into a perspicacious analysis of the religious components in current practices in education, the treatment of political symbols, crime and punishment, the human body, and democratic politics, they contend that promoting and maintaining a free, open, and tolerant society requires the necessary limitation of religious influence in the domains of law and policy. Readers interested in religion and politics will find much to discuss in this incisive exploration of Christian beliefs and their impact on American political discourse.
Author: Tison Pugh
Publisher: University of Toronto Press
Published: 2021-08-31
Total Pages: 336
ISBN-13: 1487536143
DOWNLOAD EBOOK →The United States of Medievalism contemplates the desires, dreams, and contradictions inherent in experiencing the Middle Ages in a nation that is so temporally, spatially, and at times politically removed from them. The European Middle Ages have long influenced the national landscape of the United States through the medieval sites that permeate its self-announced republican landscapes and cities. Today, American-built medievalisms continue to shape the nation’s communities, collapsing the binaries between past and present, medieval and modern, European and American. The volume’s chapters visit the nation’s many medieval-inspired spaces, from Sherwood Forest in Texas to California’s San Andreas Fault. Stops are made in New York City’s churches, Boston’s gardens, Philadelphia’s Bryn Athyn Cathedral, Orlando’s Magic Kingdom, Appalachian highways, Minnesota’s Viking Villages, New Orleans’s Mardi Gras, and the Las Vegas Strip. As the editors and their fellow essayists take the reader on this cross-country trip across the United States, they ponder the cultural work done by the nation’s medievalized spaces. In its exploration of a seemingly distant period, this collection challenges the underexamined legacy of medievalism on the western side of the Atlantic. Full of intriguing case studies and reflections, this book is informative reading for anyone interested in the contemporary vestiges of the Middle Ages.
Author: Helen Young
Publisher: Cambria Press
Published: 2015-07-30
Total Pages: 240
ISBN-13:
DOWNLOAD EBOOK →Note: this is an abridged version of the book with references removed. The complete edition is available on this website. This fascinating study places multiple genres in dialogue and considers both medievalism and genre to be frameworks from which meaning can be produced. It explores works from a wide range of genres-children's and young adult, historical, cyberpunk, fantasy, science fiction, romance, and crime-and across multiple media-fiction, film, television, video games, and music. The range of media types and genres enable comparison, and the identification of overarching trends, while also allowing comparison of contrasting phenomena. As the first volume to explore the nexus of medievalism and genre across such a wide range of texts, this collection illustrates the fractured ideologies of contemporary popular culture. The Middle Ages are more usually, and often more prominently, aligned with conservative ideologies, for example around gender roles, but the Middle Ages can also be the site of resistance and progressive politics. Exploring the interplay of past and present, and the ways writers and readers work engage with them demonstrates the conscious processes of identity construction at work throughout Western popular culture. The collection also demonstrates that while scholars may have by-and-large abandoned the concept of accuracy when considering contemporary medievalisms, the Middle Ages are widely associated with authenticity, and the authenticity of identity, in the popular imagination; the idea of the real Middle Ages matters, even when historical realities do not. This book will be of interest to scholars of medievalism, popular culture, and genre.
Author: Milo Kearney
Publisher: Texas A&M University Press
Published: 2001
Total Pages: 264
ISBN-13: 9781585441327
DOWNLOAD EBOOK →Their respective ancestral cultures in England and Spain, argue scholars Milo Kearney and Manuel Medrano, had common roots in medieval Europe, and both their conflicts and the shared understandings that may form the basis for their cooperation trace back to those days."--BOOK JACKET.
Author: State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies. Conference
Publisher:
Published: 1989
Total Pages:
ISBN-13: 9780866980395
DOWNLOAD EBOOK →Author: Kathleen Verduin
Publisher: Boydell & Brewer
Published: 1994
Total Pages: 260
ISBN-13: 9780859914178
DOWNLOAD EBOOK →Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America. Fifteen essays trace North America's enthusiastic engagement with the middle ages from the Revolution to Disney. There are eight studies of the American reception of Arthur: in art (Abbey, Rosenthal), literature (Canadian writers, John Ciardi), scholarship (R.S. Loomis), politics (JFK), and popular culture (Arthurian youth groups, Disneyland, the Excalibur Casino). Other topics include Tom Paine, Elbertus Hubbard, Edgar Rice Burroughs, C.B. DeMille, popular treatments of Villon, the roots of the New Mexican cuento, and the rhetoric of the Gulf War. Contributors: ROGER WOOD, KYMBERLEY N. PINDER, ERICA E. HIRSHLER, ALAN LUPACK, CHARLOTTE OBERG, RAYMOND H. THOMPSON, STAN GALLOWAY, ROBIN BLAETZ, ROBERT D. PECKHAM, JEFF RIDER, KLAUS P. JANKOFSKY, MARY MORSE, PAMELA S. MORGAN, SUSAN ARONSTEIN, NANCY COINER, JONATHAN M. ELUKIN
Author: Louise D'Arcens
Publisher: Cambria Press
Published: 2014-04-18
Total Pages: 294
ISBN-13: 1604978643
DOWNLOAD EBOOK →Today medievalism is increasingly intelligible as a cultural lingua franca, produced in trans- and international contexts with a view to reaching popular international audiences, some of mass scope. This book offers new perspectives on international relations and how global concerns are made available through contemporary medievalist texts. It questions how research in medievalism may help us rethink the terms of internationalism and globalism within popular cultures, ideologies, and political formations. It investigates how the diverse media of medievalism (print; film and television; arts and crafts; fashion; digital media; clubs and fandom) affect its cultural meaning and circulation, and its social function, and engage questions of desire, gender and identity construction. As a whole, International Medievalism and Popular Culture differs from those studies which have concentrated on imaginative appropriations of the middle ages for domestic cultural contexts. It investigates rather how contemporary cultures engage with medievalism to map and model ideas of the international, the trans-national, the cosmopolitan and the global. This book includes examples from Europe, Britain, North America, Australia and the Arab world. It discusses the formation and the impact of popular medievalism in the globalised worlds of Braveheart, Disney and Harry Potter, but it also explores how the contemporary medieval imaginary generates international cultural perspectives, for example in considering Middle Eastern reception of Ridley Scott's Kingdom of Heaven, the Byzantinism of Julia Kristeva, and Hedley Bull's postnationalist 'new medievalism'. International Medievalism in Popular Culture is an important contribution to medieval studies, cultural studies, and historical studies. It will be of value to undergraduate, postgraduate and academic readers, as well as to all interested in popular culture or medievalism.
Author: Robert Yusef Rabiee
Publisher: University of Georgia Press
Published: 2020-12-15
Total Pages: 229
ISBN-13: 0820358371
DOWNLOAD EBOOK →Medieval America analyzes literary, legal, and historical archives that help tell a new story about the formation of American culture. Against Cold War–era studies of U.S. culture that argued, following political scientist Louis Hartz’s “liberal consensus” model, that the United States emerged from the Revolutionary era free from Europe’s feudal institutions and uninterested in the production of its medieval culture productions, Robert Yusef Rabiee contends that feudal law and medieval literature were structural components of the American cultural imaginary in the nineteenth century. The racial, gender, and class formations that emerged in the first era of U.S. nation building were deeply indebted to medieval social, political, and religious thought—an observation that challenges the liberal consensus model and allows us to better grasp how American social roles developed. Far from casting off feudal tradition, the early United States folded feudalism into its emerging liberal order, creating a knotted system of values and practices that continue to structure the American experience. Sometimes, the feudal residuum contradicted the liberal values of the Unites States. Other times, the feudal residuum bolstered those values, revealing deep sympathies between so-called “modern” and “premodern” political thought. Medieval America thus aims to reorient our discussions about American cultural and political development in terms of the long arc of European history.
