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Author: Mike Ware
Publisher: NMSI Trading Ltd
Published: 1994
Total Pages: 98
ISBN-13: 9780901805782
DOWNLOAD EBOOK →The considerations offered in this analysis of the conditions required for the conservation of early photographs will help inform difficult ethical decision-making by curators faced with the conflicting obligations of access and conservation, and will also be of interest to photohistorians, conservators and collectors.
Author: Elizabeth Allen
Publisher: Taylor & Francis
Published: 2011
Total Pages: 586
ISBN-13: 0240520378
DOWNLOAD EBOOK →The tenth edition of The Manual of Photography is an indispensable textbook for anyone who is serious about photography. Covering both the art and the science of the complete photographic process
Author: Ralph Jacobson
Publisher: Taylor & Francis
Published: 2000-08-17
Total Pages: 471
ISBN-13: 1136091181
DOWNLOAD EBOOK →The Manual of Photography is the standard work for anyone who is serious about photography - professional photographers and lab technicians or managers, as well as students and enthusiastic amateurs who want to become more technically competent. The authors provide comprehensive and accessible coverage of the techniques and technologies of photography. The Manual has aided many thousands of photographers in their careers. The ninth edition now brings this text into a third century, as the first edition dates from 1890. Major new updates for the ninth edition include: Coverage of digital techniques - more emphasis on electronic and hybrid media Greater coverage of colour measurement, specification and reproduction - illustrated with a new colour plate section Dealing with the fundamental principles as well as the practices of photography and imaging, the Manual topics ranging from optics to camera types and features, to colour photography and digital image processing and manipulation. The authors write in a reader-friendly style, using many explanatory illustrations and dividing topics into clear sections.
Author: Siobhan Angus
Publisher: Duke University Press
Published: 2024-02-16
Total Pages: 238
ISBN-13: 1478059176
DOWNLOAD EBOOK →In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
Author: Christina Z. Anderson
Publisher: Taylor & Francis
Published: 2017-09-01
Total Pages: 451
ISBN-13: 135198778X
DOWNLOAD EBOOK →Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods. Christina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including cameraless imagery, hand-coloring, salt in combination with gum, and printing on fabric, Salted Paper Printing contextualizes the practice within the varied alternative processes. Anderson offers richly-illustrated profiles of contemporary artists making salted paper prints, discussing their creative process and methods. Salted Paper Printing is perfect for the seasoned photographer looking to dip their toe into alternative processes, or for the photography student eager to engage with photography’s rich history.
Author: John Hannavy
Publisher: Routledge
Published: 2013-12-16
Total Pages: 1629
ISBN-13: 1135873275
DOWNLOAD EBOOK →The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: ICOM Committee for Conservation. Meeting
Publisher: Allied Publishers
Published: 2008
Total Pages: 612
ISBN-13: 9788184243468
DOWNLOAD EBOOK →Author: Bertrand Lavédrine
Publisher: Getty Publications
Published: 2003
Total Pages: 304
ISBN-13: 9780892367016
DOWNLOAD EBOOK →A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.
Author: Pietro Librici
Publisher: Nardini Editore
Published: 2017-06-03
Total Pages:
ISBN-13: 8840404325
DOWNLOAD EBOOK →The book presents for the first time the restoration of Amundsen’s glass slides, one of the most beautiful collections of slides in the world. The 248 slides are the photographic testimony of three great explorations: the Northwest Passage (1903-1906), the conquest of the South Pole (1910-1912) and the Maud expedition (1918-1925). Discovered by chance in 1986, the slides were restored in 2009 by Pietro Librici at the National Library of Norway, in a continuous cooperation with the institute team. The restoration is presented analytically in its methodological, technical, scientific and operational aspects, constituting an updated model of intervention. Critical historical studies that accompanied the restoration and the expressive features of the slides have also led the author to identify Amundsen’s own style which lies between documentary photography and photographic documentation and make the book a particular opportunity to immerse in the charm of polar expeditions, in the first years of the 20th century when the poles were the only areas of terra incognita left on the world map. CONTENTS INTRODUCTION ONE – POLAR EXPLORATIONS HORLICKS MALTED MILK! ON THE WAY OF CONFERENCES BIOGRAPHY THE NORTH WEST PASSAGE EXPEDITION THE CONQUEST OF THE SOUTH POLE MAUD EXPEDITION TWO – LANTERN SLIDES: MATERIALS, PROCESSES & TECHNIQUE STRUCTURE AND COMPOSITION Support Binder Photosensitive substance – STRUCTURE OF THE CRYSTAL LATTICE – PROPERTIES OF CRYSTALS – PRINCIPLE OF GURNEY AND MOTT Photographic Emulsion Colours Paper PROCEDURE AND TECHNIQUE: SLIDES WITH GELATIN-SILVER SALTS NEGATIVE THE MAGIC LANTERN The magic lantern as a commercial resource The development of the magic lantern: origin and technical description Light sources – OIL LAMP – LIME LIGHT – KEROSENE OIL (COAL OIL) – ELECTRIC LIGHT Lantern Slides – PAINTED SLIDES – LITOGRAPH/DECA SLIDES – PHOTOGRAPHIC SLIDES Special effects slides – SLIP SLIDES – LEVER SLIDES – REVOLVING SLIDES – CHROMATROPES – SPECIALIZED SLIDES Iconographic repertoire THREE – ANALYSIS AND DIAGNOSIS OF THE RESTORED MATERIAL DIAGNOSTIC TECHNIQUES Digital imaging Photographic observation Stereomicroscope with fibre optic illuminators Optical microscopy (OM) Images of ultraviolet fluorescence VISUAL ANALYSIS Three types of slides Previous “Conservative Operations” Emulsion & image Category Identification ANALYSIS OF PHYSICAL AND CHEMICAL DETERIORATION Glass Gelatin Silver – SULPHIDE – REDOX Paper Colouring CONDITION REPORT Result FOUR – RESTORATION GUIDELINES ORDERING AND INVENTORY FIRST CLEANSING: GLASS AND PAPER ELEMENTS PAPER ELEMENTS Materials Cleansing Permanent or temporary removal of the sealing paper and labels Adhesions, reinforcements and the joining of tears in sealing paper and labels Replacement of sealing paper Masking paper COVER GLASS PLATES Material Cleansing Replacement EMULSIFIED GLASS PLATES Reinforcements Integration of the broken corners Sandwich – ADHESIVE PLASTERS – SYNTHETIC RESINS – TESTING OF SANDWICH – CONSIDERATIONS ON THE VARIOUS METHODS – CREATION OF THE SANDWICH EMULSION Cleansing Pictorial touch up FINAL NUMBERING ENVIRONMENT FOR THE CONSERVATION MATERIALS FOR STORAGE International Ruling ISO 10214 Cardboard boxes Grooves drawers Polyvinylchloride (PVC) pockets SOME DESCRIPTION SHEET FIVE – PHOTOGRAPHY AND INFORMATION PHOTOGRAPHY AS DOCUMENT DOCUMENTARY STYLE AMUNDSEN’S STYLE:BETWEEN PHOTOGRAPHIC DOCUMENTATION AND DOCUMENTARY PHOTOGRAPHY ARRAYS COLLECTION OF THE SLIDES BIBLIOGRAPHY
Author: Matthew C. Hunter
Publisher: University of Chicago Press
Published: 2020-03-23
Total Pages: 298
ISBN-13: 022639039X
DOWNLOAD EBOOK →Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
