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Materialist Shakespeare

Author: Ivo Kamps

Publisher: Verso

Published: 1995

Total Pages: 360

ISBN-13: 9780860914631

Receptive to influences of such diverse theorists as Derrida, Jameson, Foucault, Irigaray, Kristeva, Lacan and Althusser, materialist Shakespeare criticism has long since left behind the days of 'vulgar' Marxism and has emerged as a rich interpretive practice. The essays chosen for this book cover all of Shakespeare's dramatic genres and include works on King Lear, Othello, As You Like It, Measure for Measure, The Tempest, The Merchant of Venice, Henry V, Macbeth, The Taming of the Shrew and Julius Caesar. Contributors: Paul Delany; Louis Adrian Montrose; Walter Cohen; Alan Sinfield; Stephen Greenblatt; Michael D. Bristol; Katherine Eismann Maus; James R. Andreas; Robert Weimann; Graham Holderness; Lynda E. Boose; John Drakakis; Claire McEacherm; Frederic Jameson; and Ivo Kamps.

Shakespeare and Cultural Materialist Theory

Author: Christopher Marlow

Publisher: Bloomsbury Publishing

Published: 2017-08-24

Total Pages: 223

ISBN-13: 1472572955

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Cultural materialism is one of the most important and one of the most provocative theories to have emerged in the last thirty years. Combining close attention to Shakespearean texts and the conditions of their production with an explicit left-wing political affiliation, cultural materialism offers readers a radical avenue through which to engage with Shakespeare and his world. Shakespeare and Cultural Materialist Theory charts the inception and development of this theory, setting out its central tenets and analysing the work of key thinkers such as Alan Sinfield, Jonathan Dollimore, Terence Hawkes and Catherine Belsey. Unlike most literary theories, cultural materialism attempts to use the study of Shakespeare to intervene in the politics of the present day, and its unsettling approach has not passed without objection, both within academia and without. This book considers the debates, scandals and controversies caused by cultural materialism, and by applying it to Shakespeare afresh, demonstrates that the theory is still very much alive and kicking.

Shakespeare and Contemporary Theory

Author: Neema Parvini

Publisher: A&C Black

Published: 2012-11-08

Total Pages: 233

ISBN-13: 1441193936

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A complete critical introduction to New Historicist and Cultural Materialist approaches that have dominated contemporary Shakespeare theory, as well as alternative new directions.

Misrepresentations

Author: Graham Bradshaw

Publisher: Cornell University Press

Published: 2018-07-05

Total Pages: 339

ISBN-13: 1501722301

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Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare whom critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting).

Political Shakespeare

Author: Jonathan Dollimore

Publisher:

Published: 1985

Total Pages: 244

ISBN-13: 9780719017520

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Political Shakespeare

Author: Jonathan Dollimore

Publisher: Manchester University Press

Published: 1994

Total Pages: 308

ISBN-13: 9780719043529

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1. Shakespeare, cultural materialism and the new historicism-2. Renaissance authority and its subversion, Henry IV and Henry V.- 3. This thing of darkness I acknowledge mine: The Tempest and the discourse of Colonialism. - 4. Transgressioon and surveillance in Measure for Measure. - 5. The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure. - 6. Strategies of State and political plays: A Midsummer Nights̀ Dream, Henry V, Henry VIII. - 7. Shakespeare understudies: the sodomite, the prostitute, the transvestite and their critics. - 8. Introduction: Reproductions, interventions. - 9. Givee an account of Shakespeare and Education, showing why you think they are effective and what you have appreciated about them. Support your comments with precise references. - 10. Royal Shakespeare: theatre and the making of ideology. - 11. Radical potentiality and institutional closure:Shakespeare in film and television. - 12. How Brecht read Shakespeare. - 13. Heritage and the market, regulation and desublimation.

Materialist Shakespeare

Author: Ivo Kamps

Publisher:

Published: 1995

Total Pages: 342

ISBN-13:

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Speech and Performance in Shakespeare's Sonnets and Plays

Author: David Schalkwyk

Publisher: Cambridge University Press

Published: 2002-10-17

Total Pages: 276

ISBN-13: 1139434233

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David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare's sonnets.

The Matter of Difference

Author: Valerie Wayne

Publisher: Cornell University Press

Published: 1991

Total Pages: 292

ISBN-13: 9780801499654

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This lively volume investigates Shakespeare's plays in terms of the relations between material conditions of Renaissance culture and differences of gender, class, race, and erotic practice.

Mutability and Division on Shakespeare's Stage

Author: Yu Jin Ko

Publisher: University of Delaware Press

Published: 2004

Total Pages: 224

ISBN-13: 0874138841

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"The book is at the same time rooted in the theater, and thus relates the theatrical conventions of Shakespeare's time to the thematic matter of the book. In particular, Ko demonstrates how the divisions explored in the plays are related to stage practices like the use of boy-actors and the volatile interplay of illusionistic and non-illusionistic modes of acting. In this context, Ko introduces a new term - charactor - that combines the fictional character and the stage actor and enables a new, nuanced exploration of stage personae."--Jacket.