Mask of Thespis

Mask of Thespis PDF

Author: Norma Davison

Publisher:

Published: 2001-12

Total Pages: 192

ISBN-13: 9780759673243

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A New York production of Hamlet runs into more than its share of problems from the producer to the understudies. A puzzling death during rehearsals is compounded by additional deaths throwing the troupe into suspicion and fear. Everyone has their own theory but the truth is not revealed until someone is in jeopardy and a member of the cast unravels the mystery. But will it be in time?

Dramaturgy and Dramatic Character

Dramaturgy and Dramatic Character PDF

Author: William Storm

Publisher: Cambridge University Press

Published: 2016-03-17

Total Pages: 243

ISBN-13: 1107145759

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William Storm delivers a wide-ranging investigation of character in drama from ancient beginnings to the present day.

Persons

Persons PDF

Author: Antonia LoLordo

Publisher: Oxford Philosophical Concepts

Published: 2019

Total Pages: 417

ISBN-13: 0190634383

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What is a person? Why do we count certain beings as persons and others not? How is the concept of a person distinct from the concept of a human being, or from the concept of the self? When and why did the concept of a person come into existence? What is the relationship between moral personhood and metaphysical personhood? How has their relationship changed over the last two millennia? This volume presents a genealogy of the concept of a person. It demonstrates how personhood--like the other central concepts of philosophy, law, and everyday life--has gained its significance not through definition but through the accretion of layers of meaning over centuries. We can only fully understand the concept by knowing its history. Essays show further how the concept of a person has five main strands: persons are particulars, roles, entities with special moral significance, rational beings, and selves. Thus, to count someone or something as a person is simultaneously to describe it--as a particular, a role, a rational being, and a self--and to prescribe certain norms concerning how it may act and how others may act towards it. A group of distinguished thinkers and philosophers here untangle these and other insights about personhood, asking us to reconsider our most fundamental assumptions of the self.

Costume in Greek Classic Drama

Costume in Greek Classic Drama PDF

Author: Iris Brooke

Publisher: Courier Corporation

Published: 2012-08-09

Total Pages: 128

ISBN-13: 0486147827

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This work describes how performers were dressed in plays by Aeschylus, Sophocles, and Euripides, and explains how the actors' performances influenced the cut of their costumes. 53 black-and-white illustrations.

Law and Philosophy in the Late Roman Republic

Law and Philosophy in the Late Roman Republic PDF

Author: René Brouwer

Publisher: Cambridge University Press

Published: 2021-06-03

Total Pages: 191

ISBN-13: 1108870902

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The middle of the second until the middle of the first century BCE is one of the most creative periods in the history of human thought, and an important part of this was the interaction between Roman jurists and Hellenistic philosophers. In this highly original book, René Brouwer shows how jurists transformed the study of law into a science with the help of philosophical methods and concepts, such as division, rules and persons, and also how philosophers came to share the jurists' preoccupations with cases and private property. The relevance of this cross-fertilization for present-day law and philosophy cannot be overestimated: in law, its legacy includes the academic study of law and the Western models of dispute resolution, while in philosophy, the method of casuistry and the concept of just property.

Transnational Mobilities in Early Modern Theater

Transnational Mobilities in Early Modern Theater PDF

Author: Robert Henke

Publisher: Routledge

Published: 2016-02-24

Total Pages: 320

ISBN-13: 1317006763

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The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.

Theater of the Oppressed

Theater of the Oppressed PDF

Author: Augusto Boal

Publisher: Pluto Press

Published: 2000

Total Pages: 242

ISBN-13: 9780745316574

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a So remarkable and so ground-breaking ... [it is] the most important [book] on the theatre in modern times.a George Wellwarth"

Dionysus Writes

Dionysus Writes PDF

Author: Jennifer Wise

Publisher: Cornell University Press

Published: 2019-05-15

Total Pages: 281

ISBN-13: 1501744941

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What is the nature of theatre's uneasy alliance with literature? Should theatre be viewed as a preliterate, ritualistic phenomenon that can only be compromised by writing? Or should theatre be grouped with other literary arts as essentially'textual,'with even physical performance subsumed under the aegis of textuality? Jennifer Wise, a theatre historian and drama theorist who is also an actor, director, and designer, responds with a challenging and convincing reconstruction of the historical context from which Western theatre first emerged. Wise believes that a comparison of the performance style of oral epic with that of drama as it emerged in sixth-century Greece shows the extent to which theatre was influenced by literate activities relatively new to the ancient world. These activities, foreign to Homer yet familiar to Aeschylus and his contemporaries, included the use of the alphabet, the teaching of texts in schools, the public inscription of laws, the sending and receiving of letters, the exchange of city coinage, and the making of lists. Having changed the way cultural material was processed and transmitted, the technology of writing also led to innovations in the way stories were told, and Wise contends that theatre was the result. However, the art of drama appeared in ancient Greece not only as a beneficiary of literacy but also in defiance of any tendency to see textuality as an end in itself.