Blessed are the Music Makers

Blessed are the Music Makers PDF

Author: Alan J. Hommerding

Publisher: World Library Publications

Published: 2004

Total Pages: 84

ISBN-13: 9781584591986

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For use by choirs and music ensembles. Prayer warm-ups for weekly, seasonal and holy days, as well as many occasions for music ministers.

Old-Time Music Makers of New York State

Old-Time Music Makers of New York State PDF

Author: Simon J. Bronner

Publisher: Syracuse University Press

Published: 1988-01-01

Total Pages: 278

ISBN-13: 9780815602163

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Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.

We Are the Music Makers!

We Are the Music Makers! PDF

Author: Timothy Duffy

Publisher:

Published: 2019-01-14

Total Pages: 0

ISBN-13:

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America tells its stories through song. Consolation to the lovelorn, courage to the oppressed, warning to the naive, or a ticket to the Promised Land, a great song can deliver the wisdom of ages directly to our souls. We Are the Music Makers! presents black-and-white portraits of artists who carry these songs from past to present: fathers and mothers, uncles and aunts, daughters and sons, grandparents and neighbors, who continue to lovingly stir the South's musical stew and feed American culture outside the realm of conventional fame and fortune. Newly available in paperback, this book features intimate photographs that will make you look more closely at the unrecognized greatness that surrounds us all.

Music Makers

Music Makers PDF

Author: Ashok Roy

Publisher: books catalog

Published: 2004

Total Pages: 342

ISBN-13:

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Music cannot be captured on paper.What one can attempt to convey through words and pictures,however,is the soul or the essence of music.This book is an imaginatively designed,hugely informative volume on contemporary Indian music,which takes shape through encounters with its livinglegends.Bhimsen Joshi, Gangubai Hangal,Amjad Ali Khan, Shiv Kumar Sharma, Hariprasad Chaurasia these are but a very few of the names which appear in this book.

Hanging Tree Guitars

Hanging Tree Guitars PDF

Author: Freeman Vines

Publisher:

Published: 2020-06

Total Pages:

ISBN-13: 9780578624037

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To meet Freeman Vines is to meet America itself. An artist, a luthier and a spiritual philosopher, Vines' life is a roadmap of the truths and contradictions of the American South. He remembers the hidden histories of the eastern North Carolina land on which his family has lived since enslavement. For over 50 years Vines has transformed materials culled from a forgotten landscape in his relentless pursuit of building a guitar capable of producing a singular tone that has haunted his dreams. From tobacco barns, mule troughs, and radio parts he has created hand-carved guitars, each instrument seasoned down to the grain by the echoes of its past life. In 2015 Vines befriends photographer Timothy Duffy and the two begin to document the guitars, setting off a mutual outpouring of the creative spirit. But when Vines acquires a mysterious stack of wood from the site of a lynching, Vines and Duffy find themselves each grappling with the spiritual unrest and the psychic toll of racial violence living in the very grain of America.

The Music Makers

The Music Makers PDF

Author: Deena Rosenberg

Publisher: Columbia University Press

Published: 1979

Total Pages: 492

ISBN-13: 9780231039536

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Thirty-two composers, conductors, performers, scholars, patrons, critics and others integrally involved in the American classical music milieu offer perceptions, criticisms and praise in assessing the music world and their experiences.

Early English Viols: Instruments, Makers and Music

Early English Viols: Instruments, Makers and Music PDF

Author: Michael Fleming

Publisher: Taylor & Francis

Published: 2016-11-18

Total Pages: 400

ISBN-13: 1317147162

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Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.