Greek Lyric, Tragedy, and Textual Criticism

Greek Lyric, Tragedy, and Textual Criticism PDF

Author: W. S. Barrett

Publisher: Oxford University Press on Demand

Published: 2007-06-07

Total Pages: 528

ISBN-13: 0199203571

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A collection of largely unpublished papers by the distinguished Hellenist W. S. Barrett.They include detailed discussions of Stesichorus' Geryoneis and various odes of Pindar and Bacchylides, a major study of Pindar's metrical practice, substantial pieces on Tragedy, and notes on other authors including Thucydides, Menander, and Seneca.

Nietzsche on Tragedy

Nietzsche on Tragedy PDF

Author: M. S. Silk

Publisher: Cambridge University Press

Published: 2016-08-26

Total Pages: 483

ISBN-13: 1316565351

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The first comprehensive study of Nietzsche's earliest book, The Birth of Tragedy (1872), this important volume by M. S. Silk and J. P. Stern examines the work in detail: its place in Nietzsche's philosophical career; its value as an account of ancient Greek culture; its place in the history of German ideas, and its value as a theory of tragedy and music. Presented in a fresh twenty-first-century series livery, and including a specially commissioned preface written by Lesley Chamberlain, illuminating its enduring importance and relevance to philosophical enquiry, this accessible study has been revived for a new generation of readers.

The Hidden Chorus

The Hidden Chorus PDF

Author: L. A. Swift

Publisher: Oxford University Press

Published: 2010-01-07

Total Pages: 466

ISBN-13: 0199577846

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The first investigation of the relationship between the chorus of Greek tragedy and other types of choral song in Greek society. L. A. Swift not only provides new insights into individual plays, but also enriches our understanding of the role poetry and song played in ancient Greek life.

Paths of Song

Paths of Song PDF

Author: Rosa Andújar

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-02-05

Total Pages: 466

ISBN-13: 3110575914

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Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and performative. The collected essays demonstrate the dynamic and nuanced relationship between lyric poetry and tragedy within the larger frame of Athenian song- and performance-culture, and reveal a vibrant and symbiotic co-existence between tragedy and lyric. Paths of Song illustrates the effects that this dynamic engagement with lyric possibly had on tragic performances, including performances of satyr drama, as well as on processes of survival and reputation, selection and refiguration, tradition and innovation. The volume is of particular interest to scholars in the field of classics, cultural studies, and the performing arts, as well as to readers interested in poetic transmission and in cultural evolution in antiquity.

A Cultural History of Tragedy in Antiquity

A Cultural History of Tragedy in Antiquity PDF

Author: Emily Wilson

Publisher: Bloomsbury Publishing

Published: 2021-05-20

Total Pages: 232

ISBN-13: 1350154873

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In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.

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