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Luigi Dallapiccola and Musical Modernism in Fascist Italy

Author: Ben Earle

Publisher: Cambridge University Press

Published: 2013-08-15

Total Pages: 321

ISBN-13: 0521844037

Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.

Luigi Dallapiccola and Musical Modernism in Fascist Italy

Author: Ben Earle

Publisher: Cambridge University Press

Published: 2013-08-15

Total Pages: 321

ISBN-13: 1107433797

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Béla Bartók in Italy

Author: Nicolò Palazzetti

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 320

ISBN-13: 1783276207

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Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.

The Twelve-tone Music of Luigi Dallapiccola

Author: Brian Alegant

Publisher: University Rochester Press

Published: 2010

Total Pages: 338

ISBN-13: 1580463258

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Reveals the great twentieth-century Italian composer's innovative handling of harmony, form, and text setting.

Singing in Signs

Author: Gregory J. Decker

Publisher: Oxford University Press

Published: 2020-01-23

Total Pages: 288

ISBN-13: 0190620633

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Singing in Signs: New Semiotic Explorations of Opera offers a bold and refreshing assessment of the state of opera study as seen through the lens of semiotics. At its core, the volume responds to Carolyn Abbate and Roger Parker's Analyzing Opera, utilizing a semiotic framework to embrace opera on its own terms and engage all of its constituent elements in interpretation. Chapters in this collection resurrect the larger sense of serious operatic study as a multi-faceted, interpretive discipline, no longer in isolation. Contributors pay particular attention to the musical, dramatic, cultural, and performative in opera and how these modes can create an intertext that informs interpretation. Combining traditional and emerging methodologies, Singing in Signs engages composer-constructed and work-specific music-semiotic systems, broader socio-cultural music codes, and narrative strategies, with implications for performance and staging practices today.

Transformations of Musical Modernism

Author: Erling E. Guldbrandsen

Publisher: Cambridge University Press

Published: 2015-10-26

Total Pages: 369

ISBN-13: 1107127211

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This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

The Routledge Handbook to Music under German Occupation, 1938-1945

Author: David Fanning

Publisher: Routledge

Published: 2019-12-06

Total Pages: 589

ISBN-13: 1351862588

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Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.

Italian Opera in Global and Transnational Perspective

Author: Axel Körner

Publisher: Cambridge University Press

Published: 2022-03-24

Total Pages: 341

ISBN-13: 1108843867

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This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.