Leonardo Da Vinci
Author: Leonardo (da Vinci)
Publisher: Scala Books
Published: 2007
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOK →A unique interpretation of one of the most important pieces of scholarly material in existence.
Author: Leonardo (da Vinci)
Publisher: Scala Books
Published: 2007
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOK →A unique interpretation of one of the most important pieces of scholarly material in existence.
Author: Leonardo (da Vinci)
Publisher: Oxford University Press, USA
Published: 2020
Total Pages: 0
ISBN-13: 9780198832898
DOWNLOAD EBOOK →This new edition of Leonardo Da Vinci's Codex Leicester is the most comprehensive scholarly edition of any of Leonardo's manuscripts. It contains a high-quality facsimile reproduction of the Codex, a new transcription and translation, accompanied by a paraphrase in modern language and a page-by-page commentary, and a series of interpretative essays.The Codex Leicester deals almost exclusively with science, water and hydraulics. There are also studies on the subjects of astronomy, cosmology, geology, with important notes regarding the composition and nature of the "body" of the earth. This codex is now comprised of 18 loose double sheets, with densely compiled script in Leonardo's characteristic mirror writing and over 300 small illustrations in the margins.
Author: Domenico Laurenza
Publisher:
Published: 2018
Total Pages: 104
ISBN-13: 9788809873513
DOWNLOAD EBOOK →Author: Leonardo (da Vinci)
Publisher: University of Illinois Press
Published: 2000
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOK →Includes facsim. of codex owned by Gates with commentaries by Desmond and others.
Author: Leonardo da Vinci
Publisher: Library of Alexandria
Published: 2020-09-28
Total Pages: 1118
ISBN-13: 1465514147
DOWNLOAD EBOOK →A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Leonardo (da Vinci)
Publisher: Oxford University Press, USA
Published: 2019
Total Pages: 88
ISBN-13: 9780198832874
DOWNLOAD EBOOK →Leonardo Da Vinci's Codex Leicester is the most important of Leonardo's scientific manuscripts. It demonstrates Leonardo's influence on later scientific study, including issues from geology to the science of water, from astronomy to technology.
Author: Leonardo (da Vinci)
Publisher: Metropolitan Museum of Art
Published: 2003
Total Pages: 802
ISBN-13: 1588390330
DOWNLOAD EBOOK →This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.
Author: Leonardo da Vinci
Publisher: Tebbo
Published: 2012-06
Total Pages: 376
ISBN-13: 9781486143924
DOWNLOAD EBOOK →The award-winning and bestselling collection of the exquisite, annotated notebooks of Leonardo now in paperback. Culled from more than 7,000 pages of sketches and writings found in various rare books, papers, and other resources throughout the world, Leonardos Notebooks presents, for the first time, an exhaustive collection of the insights and brilliance of perhaps the finest mind the world has ever known.
Author: Walter Isaacson
Publisher: Simon and Schuster
Published: 2017-10-17
Total Pages: 624
ISBN-13: 1501139177
DOWNLOAD EBOOK →The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is “a study in creativity: how to define it, how to achieve it…Most important, it is a powerful story of an exhilarating mind and life” (The New Yorker). Based on thousands of pages from Leonardo da Vinci’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson “deftly reveals an intimate Leonardo” (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. In the “luminous” (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci “comes to life in all his remarkable brilliance and oddity in Walter Isaacson’s ambitious new biography…a vigorous, insightful portrait” (The Washington Post).