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Legal Stagings

Author: Kjell Å Modéer

Publisher: Museum Tusculanum Press

Published: 2012

Total Pages: 313

ISBN-13: 8763531615

In this book, a group of lawyers and legal historians help to identify the new Nordic legal map, which is under construction. This book is a collection of papers addressing legal staging, and most of the articles combine theoretical approaches to the visuality of law with practical experiences and effects. The texts show that law is so much more than law in action and law in books: law is also part of a visual culture. It contributes to that culture and is, in turn, analyzed, maintained, and criticized by that culture. At the same time, the cultural manifestations of law change the way we understand law and, thus, change law itself.

The Law Reports

Author: Great Britain

Publisher:

Published: 1903

Total Pages: 362

ISBN-13:

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Reports of Cases Argued and Determined in the Supreme Judicial Court of the Commonwealth of Massachusetts

Author: Massachusetts. Supreme Judicial Court

Publisher:

Published: 1902

Total Pages: 736

ISBN-13:

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A Selection of Cases on the Law of Torts

Author: James Barr Ames

Publisher:

Published: 1893

Total Pages: 792

ISBN-13:

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A Treatise on the Law of Employers' Liability Acts

Author: Conrad Reno

Publisher:

Published: 1896

Total Pages: 454

ISBN-13:

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Lawyers' Reports Annotated

Author:

Publisher:

Published: 1906

Total Pages: 1118

ISBN-13:

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Staging Power in Tudor and Stuart English History Plays

Author: Kristin M.S. Bezio

Publisher: Routledge

Published: 2016-03-09

Total Pages: 303

ISBN-13: 1317050762

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Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.