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Legal Aspects of the Music Industry

Author: Richard Schulenberg

Publisher: Watson-Guptill Publications

Published: 1999

Total Pages: 516

ISBN-13: 9780823083275

This comprehensive reference features in-depth discussions of every important music industry contract, all enlivened by personal anecdotes from the author's wide-ranging experiences. Updated to reflect the rapid pace of change in the music industry, this new edition includes a focus on group agreements, live performances, free music on the Internet, the effect of the Millennium Copyright Act, ancillary rights, and the independent record label. Other key issues covered include the artists' rebellion against record company contracts, litigation by superstars and songwriters against record labels, and the industry-wide downturn in record sales. - "I wish this book had been available when I was starting out."--Sam Moore, R&B artist, Rock and Roll Hall of Famer - For amateur and professional musicians; attorneys, universities and music schools, and libraries - Contains over 300 examples of contract provisions "From the Hardcover edition."

Legal Issues in the Music Industry

Author: Mark J. Davis

Publisher: BuzzGig LLC

Published: 2009-11-11

Total Pages: 207

ISBN-13: 0615336868

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Do you know the answers to these questions? (You had better, if you want to survive in the music business.) * What can I copyright? * Why will a Poor Man copyright keep me poor? * Can I sell my copyright? Give it to my kids? * What is infringement? * What is Fair Use? (it is not what you think it is) * How do songwriters get paid? * What does a music publisher do? Do I need one? * Who are ASCAP, BMI, and SESAC? * How do cover songs work? * What is the difference between a parody and infringement? * What is in a record deal? * We are putting out our own album, what do we do? * What do all those legal terms mean? * How do recording artists get paid? * Am I recouped yet? Mark J. Davis is an attorney, university lecturer, and former arbitrator for the US Copyright Office. His students have gone on to careers in the music industry after taking his classes. Rely on his 30 years of experience in entertainment law.

Music Law

Author: JULIE L.. HUPPE ROSS (MICHAEL J.)

Publisher: West Academic Publishing

Published: 2020-12-10

Total Pages: 786

ISBN-13: 9781684676125

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About the Book: This textbook is designed to inspire debate and discussion about the past, present, and future of the music industry--blending insights from legal, business, and policy perspectives. Students are introduced to the history of music as property in commerce; key technological and business milestones affecting all aspects of the creative process; legal protections for those who create music, those who own it, and those who want to use it; the competing (and recurring) policy debates from the past century that have influenced the way creative participants interact with one another; and the challenges and opportunities presented by the digital age. About the Authors: Julie Ross has been a full-time faculty member at Georgetown Law since 1998, where she has taught courses focusing on legal practice and music law. Her scholarship focuses on music copyright and writing pedagogy. She is a graduate of Hamilton College and Harvard Law School and clerked for the Honorable H. Lee Sarokin in New Jersey. Before moving to academia, she practiced as a litigator in Los Angeles. Michael Huppe is President & CEO of SoundExchange, an organization at the center of many legal, policy and technology issues confronting the modern music industry. With over 20 years in the industry, he has fought on behalf of artists, songwriters, labels, publishers, and studio producers. A graduate of Harvard Law School, he was originally a commercial litigator and now focuses on the business issues affecting creators, especially those relating to music and technology.

Music and Copyright

Author: Lee Marshall

Publisher: Routledge

Published: 2013-09-05

Total Pages: 228

ISBN-13: 1136090584

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"First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company."

Take Care of Your Music Business

Author: John P. Kellogg

Publisher:

Published: 2000

Total Pages: 0

ISBN-13: 9780967587301

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For all the players in the music business from the artist to the manager and attorney. Contracts with split page analysis, information on copyright principles, business structure and more.

All You Need to Know about the Music Business

Author: Donald S. Passman

Publisher: Simon and Schuster

Published: 2006

Total Pages: 465

ISBN-13: 0743293185

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A guide to the music business and its legal issues provides real-world coverage of a wide range of topics, including teams of advisors, record deals, songwriting and music publishing, touring, and merchandising.

Copyright in the Music Industry

Author: Hayleigh Bosher

Publisher: Edward Elgar Publishing

Published: 2021-02-26

Total Pages: 272

ISBN-13: 183910127X

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This must-have book is a comprehensive yet accessible guide to copyright and related rights in the music industry, illustrated with relevant cases and real world examples. Key features include: • An engaging and approachable writing style • A practical orientation for those in the industry and their advisors • The impact of social media on copyright infringement, management and remedies • Accessible explanations of key concepts in copyright and related rights, as well as commonly misunderstood topics such as sampling and fair use.

Music Law

Author: Richard Stim

Publisher: Nolo

Published: 2021-09-01

Total Pages: 561

ISBN-13: 1413329136

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How to make your band a huge business success Whether you’re recording an album, budgeting a tour, or livestreaming concerts, you need solid information to make the right legal and business choices. Music Law is the all-in-one guide you need. Written by musician and lawyer Rich Stim, it explains everything you need to: write a partnership agreement buy, insure, and maintain equipment use samples and do covers sell and license your music get royalties for streaming and downloads deal with taxes and deductions find the right manager and write a fair contract get gigs and get paid protect your copyright legally deal with legal issues in the recording studio, and negotiate record contracts. This is the most useful business and legal guide for bands and independent musicians. Completely updated to provide the latest in the law and current business practices, it covers music licensing and trends in livestreaming and other new revenue sources.

The Musician's Business and Legal Guide, Fifth Edition

Author: Mark Halloran

Publisher: Taylor & Francis

Published: 2017-03-16

Total Pages: 298

ISBN-13: 1134848846

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The Musician’s Business and Legal Guide provides vital information to help demystify the music business and the complex body of law that shapes it. This book answers such questions as how to protect name and copyright; what is and is not legal about sampling; what are the legal issues surrounding digital downloads and streaming; what are the jobs of managers, talent agents and publishers; what are common contractual relationship between independent and major labels. The new edition includes chapters not covered in depth by other books: social media law, TV talent shows, YouTube, and international copyright. As in previous editions, the book features clause-by-clause contract analyses for 360 record deals, music publishing, management, and producer agreements.

The Present and Future of Music Law

Author: Ann Harrison

Publisher: Bloomsbury Publishing USA

Published: 2021-07-29

Total Pages: 261

ISBN-13: 1501367781

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The music business is a multifaceted, transnational industry that operates within complex and rapidly changing political, economic, cultural and technological contexts. The mode and manner of how music is created, obtained, consumed and exploited is evolving rapidly. It is based on relationships that can be both complimentary and at times confrontational, and around roles that interact, overlap and sometimes merge, reflecting the competing and coinciding interests of creative artists and music industry professionals. It falls to music law and legal practice to provide the underpinning framework to enable these complex relationships to flourish, to provide a means to resolve disputes, and to facilitate commerce in a challenging and dynamic business environment. The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key topics at the points where music law and the post-digital music industry intersect, offering a timely exploration of the current landscape and insights into the future shape of the interface between music business and music law.